“Napoleon” Production Designer Arthur Max and Set Decorator Elli Griff on Bringing Bonaparte’s World to Life
Ridley Scott’s Napoleon takes on the general-turned-emperor who ruled France from 1799 to 1814 and presents him (Joaquin Phoenix) as an indefatigable military strategist but also a tortured everyman obsessed with, and forever a touch spurned by, his wife and subsequent ex-wife, Joséphine (Vanessa Kirby). Running in the background of this love affair are Bonaparte’s imperial conquests, his catastrophic losses in Russia, and finally, his banishment to Elba.
Scott’s portrait highlights a more intimate side of the former emperor,
How “Saltburn” Production Designer Suzie Davies Imbued a Palatial Estate With Sinister Detailing
Like so many of us, production designer Suzie Davies loved Emerald Fennel’s debut, Promising Young Woman. When she heard that the actress-turned-director planned a sex-drenched thriller called Saltburn as a follow-up to her debut feature, Davies, Oscar-nominated for designing Mike Leigh’s lush period piece Mr. Turner, threw her hat in the ring. “I was like, ‘Let me get in the room with Emerald!'” she says. “My agent got me the script,
“The Last of Us” Concept Illustrator & Designer Pouya Moayedi on Imagining a Deadly Green World
HBO’s brilliant The Last of Us is, inarguably, the most successful video game adaptation in TV history. The series is based on the critically acclaimed video game of the same name, which was created by Neil Druckmann and Naughty Dog, and when it bowed at the beginning of this year (adapted by Druckmann and Chernobyl creator Craig Mazin), it was an immediate sensation. Here was a slow-burn, character-focused zombie show that felt utterly different from any in the genre.
How “Saltburn” Production Designer Suzie Davies Outfitted the Vast Estate in Emerald Fennell’s Thriller
Like many who worked on Saltburn, production designer Suzie Davies signed a contract promising not to reveal the location of the sprawling country house where much of the movie was shot. Writer/director Emerald Fennell wanted a centuries-old estate unidentifiable to audiences, and she found one in the English Midlands that had never been used onscreen. But a Tatler journalist sleuthed out the location a few months ago, effectively voiding the contracts.
How “Killers of the Flower Moon” Production Designer Jack Fisk Created 1920s Oklahoma
Killers of the Flower Moon became a journey of inspirational research for production designer Jack Fisk (The Revenant, There Will Be Blood). He traveled to Oklahoma to visit the very homes of the Osage portrayed in the Scorsese film – a story that unpacks the painful history of the Osage during the 1920s, whose oil-backed wealth was methodically stolen from them under false pretense.
The screenplay was adapted by Eric Roth and Scorsese based on David Grann’s meticulous 2017 work of non-fiction.
“The Fall of the House of Usher“ Production Designer Laurin Kelsey Reanimates Edgar Allan Poe for Netflix
It’s October, the right time of year for an Edgar Allan Poe revamp. Creator Mike Flanagan delivers, with a contemporary mini-series adaptation for Netflix of The Fall of the House of Usher, Poe’s 1839 short story about the creepy undoing of wealthy but disturbed Roderick Usher. In Flanagan’s updated version of the story, Roderick (Bruce Greenwood) and his sister, Madeline (Mary McDonnell), are the filthy rich heads of an unscrupulous pharmaceutical company,
“Cat Person” Production Designer Sally Levi on Turning a Viral Short Story Into a Feature-Length Film
“Margot met Robert on a Wednesday night toward the end of her fall semester. She was working behind the concession stand at the artsy movie theatre downtown when he came in and bought a large popcorn and a box of Red Vines.” This is how writer Kristen Roupenian’s short story “Cat Person” begins, a vignette about a young college student, Margot, meeting an older man named Robert. It was published in The New Yorker and appeared online on December 4,
“The Creator” Production Designer James Clyne Fabricates the Future
When writer-director Gareth Edwards finished Rogue One, he took a road trip to his girlfriend’s home in Iowa. Along the way, he noticed a Japanese factory in the middle of a cornfield and started dreaming up a new story. Seven years later, Edwards has delivered The Creator. Set in 2065, the movie pits American humans against highly evolved AI robots from “New Asia.”
Starring John David Washington,
How “A Haunting in Venice” Production Designer John Paul Kelly Built a Possessed Venetian Palazzo
There’s a chilling haunt in Kenneth Branagh’s latest Agatha Christie adaptation of famed detective Hercule Poirot that will make the hair on the back of your neck tingle.
Following the success of Murder on the Orient Express and Death on the Nile, this third whodunit sinks into darker waters and unravels a tale along the canals of Venice where the crime solver is asked by friend and author Ardiane Oliver (Tina Fey) to attend a séance with her to prove that the medium (Michelle Yeoh) performing the spiritual ritual is a fake.
“Winning Time” Production Designer Richard Toyon on Capturing the Lakers Highs & Lows in Season 2
A Los Angeles native and longtime Lakers fan, production designer Richard Toyon had a good idea of how the HBO series Winning Time: The Rise of the Lakers Dynasty should look. After all, he was there when it originally happened.
Opening in 1979, season 1 saw Jerry Buss (John C. Reilly) buying the Lakers and drafting rookie sensation Earvin “Magic” Johnson (Quincy Isaiah) in the quest for a championship.
Best of Summer 2023: “Beef” Production Designer Grace Yun on Mixing Real & Surreal Into a Simmering Style
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
Beef creator Lee Sung Jin (Dave,
Best of Summer 2023: “Oppenheimer” Production Designer Ruth De Jong on Helping Christopher Nolan Build the Bomb
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
Oppenheimer is a colossal achievement.
Beyond the Craft With Emmy Nominees From “The Last of Us,” “Weird: The Al Yankovic Story” & More
A ruined world, decimated by a fungi-borne plague and teeming with zombified hordes and hardened survivors who can be just as dangerous. A biopic about one of the all-time greatest musical tricksters who created an astonishingly successful career parodying hit songs. A reality show where contestants move into a palatial castle and need to cohere as a team to complete a series of increasingly difficult missions to earn big money, with some in the group committed to thwarting their ambitions from within.
“Oppenheimer” Production Designer Ruth De Jong on Helping Christopher Nolan Build the Bomb
Oppenheimer is a colossal achievement. Christopher Nolan’s film is an exquisitely calibrated epic, brimming with ambition and ingenuity, appropriate for its titular protagonist, J. Robert Oppenheimer (Cillian Murphy), the brilliant physicist who led America’s Manhattan Project during World War II. Nolan and his crew, including production designer Ruth De Jong (Nope), reached for the stars and succeeded in their quest for a pure, tangible vision in presenting one of the most important and dangerous minds of the 20th century – the father of the atomic bomb.
Pretty in Pink With “Barbie” Production Designer Sarah Greenwood & Set Decorator Katie Spencer
“It was trying to find a solution to what makes a toy,” says production designer Sarah Greenwood about creating the charmed sets of Barbie alongside set decorator Katie Spencer. The two have been near inseparable, having worked on over thirty projects together. Darkest Hour, Beauty and the Beast, and Anna Karenina are among their six Academy Award nominations. “It became this huge journey of discovery,
“Mission: Impossible – Dead Reckoning Part One” Production Designer Gary Freeman Creates an Artificially Intelligent Palace
The bespoke work of production designer Gary Freeman on Mission Impossible: Dead Reckoning Part One might be overlooked by most moviegoers. A few of the reasons might be because of a then 60-year-old Tom Cruise out stunting himself yet again or the scene-stealing performances by Hayley Atwell as a wily thief and Pom Klementieff as a deliciously evil mercenary. Yet Freeman’s work insinuates itself in the action, his designs are intrinsic to the chaos as well as to the lusciousness of the foreign locations.
“Godfather of Harlem” Production Designer Patrick Howe on Handling History in Season 3
The story of gangster Bumpy Johnson (Forest Whitaker) continues to unfold with the third season of Godfather of Harlem, from creators Chris Brancato and Paul Eckstein. This prequel series to Ridley Scott‘s 2007 feature American Gangster, starring Denzel Washington and Russell Crowe, cleverly intertwines a kinetic group of characters in a period crime drama well worth watching.
This season, Bumpy faces no shortage of challenges—the CIA,
“Fatal Attraction” Production Designer Nina Ruscio on Creating Design With an Edge
The famed 1987 film Fatal Attraction, starring Michael Douglas and Glenn Close, made its way to the small screen with Joshua Jackson and Lizzy Caplan as the unfaithful couple tearing each other’s lives apart. Reinvigorated by Alexandra Cunningham (Physical), the psychological thriller unravels over eight gripping episodes, taking place 15 years after Dan (Jackson) is paroled from prison for the murder of Alex (Caplan). The story dips between the past and present as Dan tries to prove his innocence and reconnect with his family and wife,
“Beef” Production Designer Grace Yun on Mixing Real & Surreal Into a Simmering Style
Beef creator Lee Sung Jin (Dave, Undone), who goes by Sonny Lee, reached out to production designer Grace Yun (Past Lives, Ramy, Hereditary) to share his vision of the series that pins Danny Cho (Steven Yeun), a failing contractor, and Amy Lau (Ali Wong), a self-made entrepreneur, against one other following a heated parking lot altercation. “I was impressed from the start,
“Indiana Jones and the Dial of Destiny” Production Designer Adam Stockhausen on That Thrilling Opening Sequence
“There is a lot to draw from, but there’s also a very high bar in terms of how visually exciting these films have been,” says production designer Adam Stockhausen (The Grand Budapest Hotel) of the Indiana Jones franchise.
The four previous films – Raider of the Lost Ark (1981), Temple of Doom (1984), Last Crusade (1989), and Kingdom of the Crystal Skull (2008) – were all helmed by Steven Spielberg,
