Juliette Binoche on Driving a Tough Road in “Paradise Highway”

For writer/director Anna Gutto’s feature debut Paradise Highway, a trucker named Sally will do whatever it takes to keep her brother Dennis (played by Frank Grillo) alive long enough so that he can get out of prison and restart his life. This means she’ll take on jobs that are hardly legal, but she believes victimless, in order to make a little extra money and placate the powers that be that hold his life,

How “Nope” Production Designer Ruth De Jong Built & Bloodied the Haywood Ranch

There was a moment when writer/director Jordan Peele and production designer Ruth De Jong realized they were going to shoot Nope practically. Tucked in the Agua Dulce area of California’s Santa Clarita Valley is the Firestone Ranch, which would become the setting for the Haywood home where OJ (Daniel Kaluuya) and his sister Emerald (Keke Palmer) discover an unexpected visitor living in the sky above them.

“The property is this huge basin surrounded by these hills,

“Nope” Editor Nicholas Monsour Dives Into the Macabre of Jordan Peele’s Sci-Fi epic

Putting together the irresistibly gripping story of writer-director Jordan Peele’s third film Nope was picture editor Nicholas Monsour, who has a shorthand with the auteur, having collaborated on Us (2019) and a number of episodes of Key and Peele.

Set in the outskirts of Hollywood, OJ Haywood (Daniel Kaluuya) and his sister Emerald (Keke Palmer) find themselves up against a mysterious entity living in the sky above their home.

“Westworld” Director Paul Cameron Breaks Down “Generation Loss” Episode

Cinematographer Paul Cameron had worked on big pictures like Michael Mann-directed Collateral and Denzel Washington thriller Déjà Vu, so he could afford to be skeptical six years ago when he first heard about a new TV series loosely based on an old Michael Crichton sci-fi novel. Cameron says, “I remember when my agent called and said Jonah Nolan wants to talk to you about Westworld, my first reaction was: ‘Might not be not my cup of tea.'”

“Nope” Cinematographer Hoyte van Hoytema on Capturing the Epic Scope of Jordan Peele’s Latest

Cinematographer Hoyte van Hoytema failed to get into two Dutch film schools, so he worked in a soap factory, played in a band, and survived unemployment as a self-described “slacker” before finding his creative footing at a renowned cinema academy in Lodz, Poland. Since then, he’s made up for lost time through collaborations with A-list auteurs, including David O. Russell (The Fighter), Sam Mendes (Spectre), and Spike Jonez (Her).

“The Gray Man” Composer Henry Jackman Breaks Down His 17-Minute Suite

Classically trained at Oxford University, British-born musician Henry Jackman moved to Los Angeles in 2001. Within five years, he’d landed an apprenticeship gig at Hans Zimmer’s music company, and from there, Jackson quickly rose through the ranks to become one of Hollywood’s most versatile composers. Credits range from Kong: Skull Island and Tom Hanks’s tense, fact-based drama Captain Phillips to half a dozen zany animation features, including Wreck-It Ralph.

The Weeknd Reveals “The Idol” Teaser For “Sleazy” New HBO Series

You may be coming out of the weekend, but The Weeknd is still here to help get you through your Monday.

Behold the first teaser for The Idol, the upcoming HBO series created by Abel “The Weeknd” Tesfaye and Euphoria creator Sam Levinson, which promises to be “the sleaziest love story in Hollywood.” The Weeknd stars alongside Lily-Rose Depp, and the teaser revels in the seedy, glam-god version of Los Angeles where massive mansions,

Isabelle Huppert on the Beauty & Depth of “Mrs. Harris Goes to Paris”

Isabelle Huppert, one of the world’s undisputed queens of stage and screen, has won nearly every award an actor could possibly receive. In France, she is an Officer of the National Order of the Legion of Honor, an Officer of the National Order of Merit, and a Commander of the Order of Arts and Letters, the highest honors given to citizens of the country. She is now co-starring in the ensemble cast of Mrs.

How “Where the Crawdads Sing” Production Designer & Cinematographer Captured Nature’s Challenging Splendor

After delighting in the alluring visual tapestry throughout director Olivia Newman’s adaptation of the beloved novel Where the Crawdads Sing (in theaters now), you might find it hard to believe production faced a crippling onslaught of rain. So much so, that it flooded the practical set of protagonist Kya’s (Daisy Edgar-Jones) home.

Production designer Sue Chan, whose work includes Shang-Chi, Gone Girl, and Punch Drunk Love (the latter two as supervising art director),

“Where the Crawdads Sing” Director Olivia Newman on Capturing the Haunting Beauty of a Beloved Novel

Based on Delia Owens’ best-selling novel of the same name, Where the Crawdads Sing (playing in theaters now) tells the stirring story of Kya, a young girl abandoned by her family and forced to raise herself in the marshes of North Carolina. Shunned by her town as the “marsh girl,” she becomes the prime suspect in the murder of an ex-boyfriend. 

Daisy Edgar-Jones delivers a captivating, stand-out performance as Kya, alongside David Strathairn,

“Thor: Love and Thunder ” Costume Designer Mayes C. Rubeo on Dressing Gods & Goddesses

Thor: Love and Thunder has scored the biggest Thor opening yet, proving MCU fans are loving writer/director Taika Waititi’s romantic comedy space adventure. The film reunites Thor (Chris Hemsworth) and his ex-girlfriend Jane Foster (Natalie Portman), who has become the Mighty Thor. They fight to stop Gorr the God Butcher (Christian Bale) from killing all the gods and goddesses of the universe. 

Essential to capturing the essence of Waititi’s aesthetic is the bright explosion of color represented in every aspect of the project,

“Obi-Wan Kenobi” Composer Natalie Holt Finds the Force

The series Obi-Wan Kenobi concluded to great acclaim, especially for star Ewan McGregor’s emotional performance in the title role, Moses Ingram’s intensity as Inquisitor Reva, and the astonishing cat-and-mouse game between Obi-Wan and his former protogé, Darth Vader. Speaking of Vader, Hayden Christensen returned to the role and gave a haunting performance, creating a richer, more tragic character arc for one of the greatest villains of all time. As with other Star Wars projects for the small screen,

“Stranger Things 4” Music Editor Lena Glikson on Cutting Kate Bush’s “Running Up That Hill”

From the get-go, Netflix hit Stranger Things has excelled in the art and craft of needle drops. Encompassing eighties classics from David Bowie’s “Heroes” in Season One to “Everlasting Love” in Season Three, song choices curated by three-time Emmy nominated music supervisor Nora Felder have consistently amplified the characters’ emotions to uncanny effect. 

But nothing in Stranger Things’ previous hit list prepared audiences for this summer’s zeitgeist-smashing anthem “Running Up That Hill.”

“Elvis” Editors Jonathan Redmond & Matt Villa on Keeping the King’s Story Rocking Along

The broad strokes of Elvis’s (Austin Butler) life are all there in Baz Luhrmann’s Elvis — the precarious childhood, Army stint, loss of his beloved mother, marriage to Priscilla (Olivia DeJonge), glittering Las Vegas residency masking a perilous personal descent. But this isn’t a biopic. Rather, the director’s first feature since 2013’s The Great Gatsby is also an electrifying tale of rags to riches to ruin, this time set to a compelling score mixing the best of the King’s musical catalog with unexpected contemporary bops.

“Marcel the Shell With Shoes On” Production Designer Liz Toonkel Appreciates the Little Things

If you closed your eyes, could you picture the hardware on your kitchen cabinets? The knobs on your bathroom sink? When is the last time you stopped to notice your surroundings? Marcel the Shell (Jenny Slate) appreciates all the small things because to him, they’re very, very big.

The star of the viral videos, created by Jenny Slate and Dean Fleischer Camp, is used to oversized adventures, but he is finally making his big screen debut.

“Elvis” Sound Guru Wayne Pashley on the Sonic Glue Holding Baz Luhrmann’s Biopic Together

Bursting through in the golden age of television, Elvis Presley had stunning good looks and taboo-shattering dance moves that instantly attracted legions of female fans, but his legacy rests in that sound. His voice was inimitable with the pain and power he had to share to survive.

Wayne Pashley, the re-recording mixer, sound designer, and supervising sound editor of Baz Luhrmann’s epic biopic Elvis bravely took up the mantle of resurrecting one of the most famous voices ever recorded.

“Marcel the Shell With Shoes On” Director Dean Fleischer Camp on His Big-Hearted Feature

Director Dean Fleischer Camp has turned Marcel the Shell, the itty bitty seashell turned YouTube sensation that he created with actress/comic Jenny Slate, into a feature film. But he and Slate, who provides the distinctive voice for the philosophical, one-eyed, one-inch mollusk, knew it had to be on their terms.

“I basically make movies to try to trick my dad into crying in public,” says Fleischer Camp who developed the script with Slate and Nick Paley.

How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight

Mark Weingarten is no stranger to navigating the challenges of a production sound mixer. Over his accomplished career, Weingarten’s mixed on Christopher Nolan’s WWII epic Dunkirk, traveled to another dimension in Interstellar, captured the spirit of Katniss Everdeen in The Hunger Games, and tracked the drama behind The Social Network and The Curious Case of Benjamin Button. In director Joseph Kosinski’s world-beating Top Gun: Maverick,

“Winning Time” Cinematographer Todd Banhazl on Capturing the Flow State

Winning Time: The Rise of the Lakers Dynasty sounded, on paper, like a no-brainer for HBO. Based on Jeff Pearlman’s book “Showtime: Magic, Kareem, Riley, and Los Angeles Lakers Dynasty of the 1980s,” the source material had every ingredient you’d want for a prestige series. It had larger-than-life figures in Magic Johnson and Kareem Abdul Jabbar (as well as their foils and foes around the NBA), it’s set largely in Los Angeles in the late 70s and early 80s (gaudy,

“Elvis” Composer Elliott Wheeler on The King’s Music & That Doja Cat Collab

The dazzling visuals of director Baz Luhrmann’s spine-tingling biopic of Elvis, which were beautifully shot by cinematographer Mandy Walker, undoubtedly hold your attention. But it’s the rhythmic melodies of the soundscape that flutters the soul. Elvis is made to be seen (and heard) in the theater.

The journey explores the relationship between the legendary artist and his manager, a former carny named Colonel Tom Parker (Tom Hanks), who sees the potential profit in Elvis’s musical gift.