Interview
Cinematographer
“Love of Your Life” DP Todd Banhazl on Finding a Spiritual Collaborator in Director Rachel Morrison
Cinematographer Todd Banhazl discusses partnering with director Rachel Morrison to create the visual language of “Love of Your Life,” using light, shadow, and evocative locations to chart Margaret Qualley's moving journey through grief and renewal.
Interview
Cinematographer
The Testimony: DP Jeff Cronenweth on Lighting Power, Doubt & Control in “The Social Reckoning”
Cinematographer Jeff Cronenweth discusses bringing the sterile world of “The Social Reckoning” to life, capturing Frances Haugen's awakening, filming Jeremy Strong's Zuckerberg, and finding visual drama inside Facebook's corridors of power.
Interview
Cinematographer
There’s No Place Like Richmond: “Ted Lasso” DP Bella Gonzales on Bringing Ted Home Again
For “Ted Lasso” season four, cinematographer Bella Gonzales turned Kansas into a sun-drenched storybook inspired by “The Wizard of Oz,” capturing Ted’s sense of dislocation before his long-awaited return to Richmond and the women’s game.
Interview
Cinematographer, Composer, Special/Visual Effects
From Sound Mixers to Cinematographers, Industry Artisans Back Federal Film Incentive
Production sound mixers, cinematographers, composers, visual effects supervisors, and other creative professionals are voicing support for a proposed federal film and television incentive they say could help keep jobs, productions, and investment in the United States.
Interview
Cinematographer
Mirror Image: “Primetime” DP David Bolen on Robert Pattinson and the Many Sides of Chris Hansen
“Primetime” cinematographer David Bolen takes us inside the making of Lance Oppenheim's unnerving drama, revealing how hidden cameras, vintage broadcast equipment, and Robert Pattinson's endlessly surprising performances shaped one of the year's most visually distinctive films.
Interview
Cinematographer
Dreams, Memories, & Killer Perspectives: Cinematographer Doug Emmett on Shooting “Lucky” and “Furious”
Cinematographer Doug Emmett takes us inside some of his favorite images from “Lucky” and “Furious,” revealing how hand-cranked film cameras, anamorphic lenses, color palettes, and point-of-view photography helped shape romance, suspense, and danger.
Interview
Cinematographer
Mud, Mist, and Mortality: DP Gustav Danielsson on Shooting Westeros’ Most Intimate Battle in “A Knight of the Seven Kingdoms”
For Emmy-nominated cinematographer Gustav Danielsson, the Trial of the Seven wasn't about making combat bigger. It was about putting viewers inside Dunk's helmet, turning Westeros' most brutal battle into an intimate, muddy, and terrifying fight for survival.
Interview
Cinematographer
Turning Up the Heat: Cinematographer Celiana Cárdenas on Helping Craft the Sultry, Suffocating Look of “Cape Fear”
Cinematographer Celiana Cárdenas reveals how heat, humidity, anamorphic lenses, and escalating visual tension helped shape the unsettling world of "Cape Fear," starring Javier Bardem, Amy Adams, and Patrick Wilson.
Interview
Cinematographer
How “Spider-Man: Brand New Day” DP Brett Pawlak Turned Classic Spider-Man Comics into Living Cinema
Cinematographer Brett Pawlak discusses helping director Destin Daniel Cretton craft the distinctive visual language of "Spider-Man: Brand New Day," drawing from classic comics, grounded photography, and Peter Parker's enduring humanity.
Interview
Cinematographer
“Disclosure Day” Cinematographer Janusz Kamiński on 35mm, Drones, and Decades with Spielberg
For over three decades, Janusz Kamiński has said yes when Steven Spielberg calls. With “Disclosure Day,” he helps bring alien contact into the present—using practical light, drones, and a trusted crew to make the extraordinary feel immediate and real.
Interview
Cinematographer
Lighting Love & Tragedy: How “Love Story” DP Pepe Avila del Pino Crafted a Luminous ’90s Romance
As Emmy voting begins, “Love Story” is back in focus. Cinematographer Pepe Avila del Pino reveals how candlelight, vintage lenses, and a dreamy ’90s palette brought JFK Jr. and Carolyn Bessette’s romance— and its haunting end— vividly to life.
Interview
Cinematographer
From Bogart to Bold Color: How DPs Darran Tiernan and Peter Deming Captured Nic Cage’s “Spider-Noir”
Cinematographers Darran Tiernan and Peter Deming reveal how “Spider-Noir” blends classic black-and-white noir with bold color, crafting two distinct visual worlds for Nicolas Cage’s detective antihero.
Interview
Cinematographer
Inside “Widow’s Bay” Episode 6: DP Christian Sprenger on Building Tension With Light, Shadow & Silence
Christian Sprenger, the Emmy-winning DP behind “Atlanta,” brings his signature precision to “Widow’s Bay,” crafting a haunting standalone episode lit almost entirely by candlelight, where shadow and perspective pull viewers into Betty Gilpin’s unraveling world.
Interview
Cinematographer
From an Octopus’s Perspective to Paranoia: DP Ashley Connor on “Remarkably Bright Creatures” & “The Chair Company”
Ashley Connor doesn’t start with the camera—she starts with emotion. In “Remarkably Bright Creatures” and “The Chair Company,” the cinematographer crafts two radically different visual worlds, each grounded in character, psychology, and a shared search for human connection.
Interview
Cinematographer
DP Charlie Gruet on Turning Tracy Morgan’s Comedic Genius Into Docu-Style Gold in “The Fall and Rise of Reggie Dinkins”
Cinematographer Charlie Gruet brings a documentary filmmaker’s eye to Tracy Morgan's “The Fall and Rise of Reggie Dinkins,” blending vérité camerawork, era-specific formats, and cinematic storytelling to create a world that feels as authentic as it is hilarious.
Interview
Cinematographer
How DP Tari Segal Found Joy, Whimsy, and Intimacy in “Margo’s Got Money Troubles”
Cinematographer Tari Segal breaks down how intimacy, color, and intention shaped the buoyant visual language of “Margo’s Got Money Troubles.”
Interview
Cinematographer
“Paradise” Season 2 Cinematographer Yasu Tanida on Reunions, Ruin, and Radiant California Light
For “‘Paradise’ Season 2,” cinematographer Yasu Tanida evolves the show’s visual language—moving from the controlled cold light of an underground bunker to the unruly beauty of the real world. Drawing on California’s unmatched sunlight and classic Hollywood technique, Tanida crafts moments of chaos, intimacy, and long-awaited reunion with striking emotional power.
Interview
Cinematographer
A Historic Vision: Oscar Winner Autumn Durald Arkapaw on Capturing the Soul of “Sinners”
History, captured in images. After becoming the first woman to win Best Cinematography, watch Autumn Durald Arkapaw talk about bringing "Sinners" to life—where epic scale meets intimate emotion.
Interview
Cinematographer
Historic Frames: Oscar Winner Autumn Durald Arkapaw on Bringing “Sinners” to Epic IMAX‑Sized Life
After making history last night as the first woman to win Best Cinematography, we’re revisiting our conversation with Autumn Durald Arkapaw. Her work on "Sinners"—shot across massive formats and intimate moments alike—reveals how scale, texture, and lyricism came together to create one of the year’s most visually unforgettable films.
Interview
Cinematographer
How Oscar Nominee Adolpho Veloso Turned the Pacific Northwest Into the Soul of “Train Dreams”
Oscar nominee Adolpho Veloso shot "Train Dreams" entirely on location across Washington State — no artificial light, no wide-screen spectacle, just natural beauty captured at the right moment. The Brazilian-born cinematographer talks about channeling Dorothea Lange, choosing a Depression-era aspect ratio, and why getting out of nature's way is sometimes the most powerful creative choice you can make.
