Playing Politics With Red Army Documentary Director Gabe Polsky
On the surface, Gabe Polsky’s superb new documentary is about the legendary Red Army hockey team, one of the most dominant collection of athletes ever assembled — in any sport. At the height of the Cold War, in the late 1970s through the late 1980s, the team swept away opponents with ease. They won eight world championships and three Olympic gold medals, in 1976, 1984, and 1988. Only the 1980 “Miracle on Ice” U.S. team denied them a complete sweep.
Novel Approach: 5 Films Based on Books Premiering at Sundance
Who will break out big at Sundance this year? Which film, which director, which star will get the major viral boost from word of mouth or jury prize?
The 2014 iteration of the Park City, Utah, festival opens on January 22. As usual, there is an abundance of riches to consider beyond the big screen. There are the excellent panel discussions, for instance, which this year features a first-ever appearance by director George Lucas.
A Q&A with James Dever, Military Advisor on American Sniper
James Dever was just following orders. In 1986, Clint Eastwood arrived at Camp Pendleton, the Southern California Marine Corps base, to direct, and star in, Heartbreak Ridge. Dever, a gunnery sergeant with more than 13 years in the Corps under his belt at the time, was assigned by his Colonel to work with Eastwood — whose character, Thomas Highway, is also a gunnery sergeant.
The experience proved intoxicating. “I said to myself,
Women on the Big Screen: Eight Movies to Watch for in 2015 (Including Tina & Amy)
So we bid adieu to Tina Fey and Amy Poehler as perhaps the most charming, witty Golden Globe hosts of all time. The longtime friends and charismatic collaborators finished their three-year run last at last night’s 72nd annual Golden Globes ceremony just as they began it: sharp, topical, irreverent, and so comfortable together on stage they make everyone else comfortable (even those at the butt of their jokes). It was a great run,
A Glimpse at the 72nd Annual Golden Globes
The 72nd Annual Golden Globes air this Sunday night at 8 pm EST, with hosts Tina Fey and Amy Poehler returning for a third consecutive time. You know these two are going to keep it fresh.
Let’s take a look at a few of the nominees and see what we know going in.
Best Motion Picture, Drama
On the one hand, you have Richard Linklater’s Boyhood,
Talking Risks & Rewards With Birdman Director Alejandro G. Iñárritu
Alejandro G. Iñárritu's first crack at directing was 2000’s Amores Perros, a complexly woven narrative surrounding three separate stories all connected by a single car accident. The film earned wide acclaim and an Academy Award nomination for Best Foreign Language Film, and the Ariel Award for Best Picture from the Mexican Academy of Film. It put the former composer and first time director on the map.
It also was the first film in his “Trilogy of Death,”
2014 in Review: Lensers, Designers, Makeup Artists & More – PART II
The end of the year brings a few reliable reactions; promises to do x, y and z more consistently in the new year, reflection on all that you accomplished (and failed at, and regretted) this past year, and 'Year in Review' lists. Yesterday we published Part I of our look back at some of the filmmakers we interviewed in 2014. On Monday, we published an interview with cinematographer Robert Yeoman, looking back on his work in Wes Anderson's
2014 in Review: Portrait Artists, Sound Designers & More – Part I
As a wild year in film draws to a close, we’re looking back at some of the talented filmmakers we’ve had a chance to speak with, and all the ways they schooled on us how films really get made. Sound designers, construction crew managers, creature supervisors, production designers, a portrait artist (for Wes Anderson, naturally) and more (our first group of filmmakers are, admittedly, a bit more well known). Although these folks don’t really care how much attention they get,
Into the Woods‘s Creative Team on Adapting Sondheim’s Hit
Witches. Heroes. Giants. Magic. Enchantments. Curses. Love. Loss. These are familiar to any Disney movie fan. But when Stephen Sondheim and James Lapine’s Tony Award®-winning stage musical Into the Woods hits movie theaters on December 25, all of these concepts and worlds come together in unusual ways inside one Disney film – turning expectations on their head in the process.
For those unfamiliar with the musical, Into the Woods takes the traditional tales of Cinderella,
The Hobbit: The Battle of the Five Armies A Final Curtain Call for Middle-earth
Set 60-years before the start of the Lord of the Rings trilogy, The Hobbit: The Battle of the Five Armies premieres this Friday, December 19. Whether or not you’ve been a fan of Peter Jackson’s Middle-earth sextet, there is no denying the awesome amount of love and effort he and his huge creative team have poured into this franchise. This has been a filmmaking enterprise every bit as epic as what the peripatetic Hobbits Bilbo and Frodo endured.
Paul Thomas Anderson & his Team Tweak Los Angeles in Inherent Vice
There can be few novelists more daunting to adapt for the screen than Thomas Pynchon. The worlds he creates, with their sprawling casts and Ouroboros-like narratives, present major problems for any filmmaker looking to keep his or her film coherent and under nine hours. Paul Thomas Anderson, the man who riffed on Upton Sinclair's "Oil" and turned it into the mesmerizing There Will Be Blood, is as good a candidate as you'd likely find to handle such an assignment.
Writer/Director Scott Cohen on Filming Red Knot at Sea
The story of how Red Knot was made is uncannily similar to the film Red Knot itself, a product of writer/director Scott Cohen’s novel approach and the willingness of his cast and crew to join him on this incredible journey.
The film’s premise is deceptively simple; young newlyweds Chloe (Olivia Thirlby) and Peter (Vincent Kartheiser) take a novel approach to their honeymoon by spending it aboard the Red Knot,
Ridley Scott’s 10 Commandments Making Exodus: Gods and Kings Part II
Yesterday we published part I of "Ridley Scott's 10 Commandments Making Exodus: Gods and Kings," looking at how the director and his team of hundreds of talented filmmakers managed to film God's wrath realistically, on location, and without losing the very human story at the Biblical epic's core. Here, then, is Part II, beginning with Scott's 6th commandment:
6. Thou Shalt Wear Tunics, lots and lots of Tunics.
Ridley Scott turned to his longtime
Ridley Scott’s 10 Commandments Making Exodus: Gods and Kings Part I
This holiday movie season brings us Hollywood’s next—and arguably biggest—Biblical blockbuster to date: Ridley Scott’s Exodus: Gods and Kings. Out December 12th, Scott’s rendition of the Old Testament tale chronicles the story of Moses (Christian Bale) as he leads the Hebrews to freedom in a revolution against his pseudo-brother, the vengeful Rameses (Joel Edgerton). With the help of screenwriters Steve Zallian, Adam Cooper and Bill Collage, Scott brought a film as grandiose in scale as the ancient Egyptian era itself,
Ava DuVernay’s Selma set to Stun Audiences on Christmas Day
Three major films about three tumultuous periods of American history will hit select theaters on Christmas Day. That two of the three films are directed by women is something to be excited about, and that one of those women is a woman of color, and that her film is covers one of the most crucial three months in American history, marks this single day as one of the most significant of the entire year in film.
You've no doubt heard about Angelina Jolie’s Unbroken (covering the story of Olympian and American soldier Louis Zamperini’s imprisonment by the Japanese during World War II),
Director Michelle MacLaren’s a Wonder Woman
It’s time to get excited about a comic-book movie that’s not directed by Christopher Nolan or Joss Whedon, that doesn’t star or co-star or have a cameo by Robert Downey Jr., and that's not centered on a brooding dude, or a rich, conflicted dude, or a bunch of dudes with various powers. We're talking about a film that’s poised to make a household name of not one woman but two. Your excitement will be warranted,
At Long Last Filmgoers Will Head Into the Woods
Into the Woods began its life as a musical by Stephen Sondheim and James Lapine, debuting on Broadway on November 5, 1987 at the Martin Beck Theater. Former New York Times' theater critic Frank Rich (later an Op-Ed writer, now an editor-at-large at New York Magazine) wrote in his review, "The characters of ''Into the Woods" may be figures from children's literature, but their journey is the same painful,
Disney Animation Pushes the Boundaries of Technology With Big Hero 6
Fighting an evil villain and saving the day are probably not very high on an average teenager’s daily to-do list. But for robotics prodigy Hiro Hamada, star of Walt Disney Animation Studios’ animated feature Big Hero 6, those tasks just happen to pop up on a typical weekday. With the film opening in domestic theaters this past Friday, audiences are now joining the mini mastermind and his inflatable robot sidekick, Baymax, on an action-packed adventure as they get entangled in a dangerous plot unfolding in the bustling,
Beyond Interstellar: 12 Films to Put On Your Calendar
After months and months of speculation that Christopher Nolan alone seems able to create around his films, the general public will get a chance to weigh in on his most passionate project yet, Interstellar. You’ve already heard about Interstellar. Everyone has. What we thought we’d do is give you a quick cheat sheet on some upcoming films, leading you right to Christmas day.
November 14
It’ll be a very strong week for serious film,
Harsh Conditions Bring out the Best in The Homesman‘s Crew
When we interviewed Marco Beltrami, he was particularly jazzed up about the work he did for Tommy Lee Jones’ upcoming film The Homesman. Beltrami is the type of composer who seeks out directors (as he did with Joon-ho Bong for Snowpiercer) and he was excited about Jones’ second directorial effort. The film’s set in the punishing Nebraska frontier in the middle of the 19th century. This inspired Beltrami to record a lot of his score outdoors,
