I Love You, Mom: Dan Fogelman’s The Guilt Trip Is A Love Letter To His Late Mother

Screenwriter Dan Fogelman’s story is a true life Hollywood fairy tale: New Jersey native comes to Tinseltown looking for work in the entertainment industry, lands a gig writing for TV, then writes for a little animation company by the name of Pixar (Cars), while writing his own scripts on the side, one of which becomes the hit Crazy, Stupid, Love starring Steve Carell and Ryan Gosling.

The fairy tale continues today (fitting,

The Many Lives Of a Hollywood Stunt Performer: A Conversation With Oliver Keller

Oliver Keller grew up in a small town in Switzerland dreaming of becoming a stuntman in Hollywood. His appetite for excitement led him to Super G Downhill skiing and an eventual apprenticeship with a German stunt professional, but he had his sights set on bigger things.

Today, Oliver is a rising star in Hollywood’s stunt community, and has worked on mega-blockbusters from Pirates of the Caribbean: The Curse of the Black Pearl to Master &

Emmy Award-Winning Actor Tony Shalhoub On Craft

Tony Shalhoub is a prolific actor whose illustrious career has spanned television shows, theater productions, and major Hollywood films. His performances have earned him three Emmy awards and a Golden Globe for his work on the television show Monk, and a Tony nomination for his work on Broadway.

The characters he's portrayed have become cultural legends–from his award-winning performance of the endearing OCD-plagued criminal detective Adrian Monk of the hit television show Monk,

Visionary Filmmaker & Inventor Douglas Trumbull Talks The Hobbit and his Latest Incredible Invention

The frame rate for a film refers to the frequency (or rate) at which a camera creates unique consecutive images (frames). Almost every film you have ever seen has been shot and projected at 24 frames-per-second (FPS). We have become so accustomed to seeing films this way that shooting at any other rate can be potentially jarring. Peter Jackson’s The Hobbit was shot in 3D at 48fps, twice the normal rate. It will be projected at 48fps on 400 of the 10,000 theaters when it opens on tomorrow,

Exec Producer and Writer Mark Goffman of White Collar Talks Aaron Sorkin, President Obama, and Patrick Swayze’s Final Show

Mark Goffman, a veteran TV writer and producer, has worked on a wide range of shows and films, including mega-hits like The West Wing and Law & Order: Special Victims Unit. He’s currently a writer and executive producer on USA Network’s White Collar (the new season starts on January 22 at 10/9 central), about a criminal who agrees to help the FBI catch his brothers-in-crime using his expertise as an art and securities thief.

“The Funniest People I Know Are Women”: Director Paul Feig on The Heat, Bridesmaids and Freaks and Geeks

As one of the most respected comedy writers in Hollywood, Paul Feig’s professional trajectory has become something of an industry legend. The comedian turned actor-writer-director-producer has been relentless in his quest to leave an indelible mark on the state of comedy television and cinema. And his ambitions are infectious. Along the way, Feig’s helped launch the careers of many talented actors; James Franco, Jason Segel, and Seth Rogen all became household names thanks to Feig's instant television classic,

Meet the Team That Gave Tim Burton’s Labor of Love, Frankenweenie, a Third Dimension

Tim Burton’s Frankenweenie, a likely nominee for an Academy Award for Best Animated Feature, is a marvel of filmmaking. It finds Burton at the top of his game, helming a film that clearly was a labor of love. The question we were interested in was: how did Burton get his black-and-white, stop motion comedy horror from 2D to 3D?

So we inquired about the collaboration between Walt Disney Pictures,

Taming the Digital Tiger: An Interview with Oscar-Winning VFX Supervisor Bill Westenhofer About his Work on Life of Pi

The Credits spoke with to visual effects guru, Bill Westenhofer about his work on the acclaimed recent release, Life of Pi. Winner of the 2008 Academy Award for Achievement in Visual Effects for The Golden Compass (also nominated in 2006 for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe), Westenhofer dished on what it was like working on Pi—from braving real storms at sea for reference points,

The Credits Presents: Up-and-Coming Filmmakers on the Festival Circuit

To the uninitiated, filmmaking resembles nothing short of magic. Actors transform into memorable characters, scripts morph into visceral stories, a movie screen becomes a window into another world. But for the men and women working just outside the cameraframe, the process of making movies is a bit more scientific.  Details are essential, timing is integral, the perfect line of dialogue is well wrought–and, often, rewritten.  Making your first film (or your second!) can be a truly rewarding experience–but not without its fair share of trials,

Film at the Vatican Without Leaving LA: How Stargate Studios’ Virtual Backlot Is Revolutionizing The Industry

On location shooting is a variable that can make or break a film or television project. It might be the difference between shooting a scene at Westminster Abbey, or at the neighborhood church. So when visual effects house Stargate Studios launched their Virtual Backlot nearly a decade ago, television shows everywhere could hardly wait to use their game-changing library of virtual backdrops. From Vegas casinos to idyllic beaches, producers could finally green-light exotically ambitious scripts,

Actor Scoot McNairy On Getting Into Character for Killing Them Softly, Argo, and Promised Land

Scoot McNairy has been hard at work on some of the most highly-anticipated film projects of the year. In the last 12 months, he’s worked on Ben Affleck’s Argo, starred alongside Brad Pitt in the upcoming release Killing Them Softly, he’s top-billed in Gus Van Sant’s Promised Land, and he’s starring in Steve McQueen’s 2013 picture, Twelve Years a Slave.

A Conversation with Price Check Director Michael Walker on Casting Parker Posey, Supermarket Secrets, and Film School

Writer-director Michael Walker made his feature filmmaking debut with the 2000 thriller Chasing Sleep, starring Jeff Daniels, which premiered at the Toronto International Film Festival and went on to win Best Film at the Festival of Fantastic Film in Sweden.

His latest film, Price Check, is a far cry from the thriller genre, but this comedy about a middle-class family and the eccentric boss who shakes up their world is just as titillating.

The Incredible True Story Behind The Sessions: A Conversation With Director Ben Lewin

The Sessions tells the story of Mark O’Brien, a man confined to an iron lung for most of his day and who is determined, as he nears 40, to lose his virginity. The premise could be mistaken for a potential comedy or a melodrama. It was neither. In fact, The Sessions has been the focus of serious Oscar buzz ever since reviewers across the country fell in love with it in early November.

Building Beauty: A Conversation With Sarah Greenwood, Production Designer on Anna Karenina.

When thrice Oscar-nominated production designer Sarah Greenwood signed on to Joe Wright’s adaptation of Anna Karenina, she had complete trust in her longtime collaborator—but both had a nagging yet unspoken concern about how they would turn Karenina into something more than a straightforward period adaptation like the two had done on Pride & Prejudice and Atonement. Coming fresh off of 2011’s Hanna,

Making Waves: Meet Scott Anderson, Visual Effects Supervisor and The Man Behind The Mavericks in Chasing Mavericks

Scott Anderson has provided expertise on films such as Steven Spielberg’s The Adventures of Tintin, and through his company Digital Sandbox, a visual effects company, has worked on a bevy of films.  Anderson and his team were brought on board (pun intended) to help directors Curtis Hanson and Michael Apted make the surf scenes in Chasing Mavericks look so realistic that even the legendary surfers who were stunt doubles and stunt performers on the film would be pleased.

Daniel Craig, Javier Bardem, and Sam Mendes Make Skyfall an Instant Classic, While Taschen Releases the Epic “The James Bond Archives”

James Bond returns with a vengeance in Skyfall, and this superb 23rd entry in the legendary movie series is a smashingly successful tribute to the iconic British spy, who’s celebrating his 50th year in movies. After rebooting the 007 franchise with Daniel Craig as the new Bond in Casino Royale (2006), not only one of the best films in the series but one of the best films of that year,

Sound Supervisor Scott Gershin on His Job As An ‘Audio Photographer’

The Credits recently chatted with Sound Supervisor Scott Gershin at Soundelux Studios about his work on some of the most iconic movies in recent memory. Among his credits? The Doors, The Last of the Mohicans, Gladiator, Kill Bill: Volume 1, American Beauty, and Braveheart–and that hardly scratches the surface. Gershin has contributed to the scores of several award-winning movies and has worked on over 100 features.

A Man of Many Worlds: From Munich to Forrest Gump, A Conversation With Writer Eric Roth

The Credits recently traveled to the Austin Film Festival, the first fest to boast a unique devotion to the craft of screenwriting. And who better to teach us the tricks of the trade than legendary scriptwriter, Eric Roth? As the writer of movies like Forrest Gump, Extremely Loud and Incredibly Close, Munich, The Good Shepard, The Curious Case of Benjamin Button, Ali, and most recently, the television show Luck,

Meet A Maker (Halloween Edition): Legendary Makeup Artist Steve LaPorte

The Credits recently chatted with iconic makeup artist Steve LaPorte, who has worked on memorable films and television shows like Terminator 2, Lost, The X-Files and the upcoming picture, Oz: The Great and Powerful (and so many more.) But perhaps most impressively, LaPorte won an Oscar for his character-defining makeup work on Beetlejuice. In this intimate interview, Steve LaPorte discusses how he broke into the film makeup business after a short stint in clown school,

The Surfer King: A Conversation With Chasing Mavericks Surf Coordinator and Big Wave Expert Grant Washburn

Making a great biopic can be a high stakes game: How do you do tell an enthralling story about a real person, while keeping the audience entertained and also maintaining authenticity when it comes to the subject in question? For Grant Washburn, the Surf Coordinator on Chasing Mavericks, the story of iconic big wave surfer Jay Moriarty, the stakes were even higher because there was another determining factor —