mpa-banner-bt
Subscribe
Best of 2022: “Black Panther: Wakanda Forever” Hair Department Head Camille Friend on The Sequel’s Stunning Looks
Best of 2022: How The “Babylon” Sound Team Built a Sonic Bacchanal
Best of 2022: “The Woman King” Director Gina Prince-Bythewood on Her Singular, Sweeping Historical Epic
Best of 2022:”Guillermo del Toro’s Pinocchio” Animation Supervisor Brian Leif Hansen Packs Puppets With Emotion
Best of 2022: “Nope” Cinematographer Hoyte van Hoytema on Capturing the Epic Scope of Jordan Peele’s Latest
Best of 2022: “Succession” Director Mark Mylod on Season 3 & TV’s Most Irresistibly Twisted Family
Best of 2022: “Black Panther: Wakanda Forever” Production Designer Hannah Beachler Reveals Her Guide to Talokan
Best of 2022: “Stranger Things 4” Music Editor Lena Glikson on Cutting Kate Bush’s “Running Up That Hill”
Best of 2022: Bill Hader on Bringing Up “Barry”
Best of 2022: “House of the Dragon” Co-Creator & Co-Showrunner Ryan Condal on Season One & Beyond
Best of 2022: “Glass Onion: A Knives Out Mystery” Writer/Director Rian Johnson Unpeels His Whodunit
Best of 2022: How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight
Best of 2022: “The Batman” Cinematographer Greig Fraser on Finding Light in the Darkness
Best of 2022: “Winning Time” Writer Rodney Barnes on Scripting HBO’s Fast-Breaking Lakers Series
Best of 2022: “Everything Everywhere All At Once” Actress Stephanie Hsu on Landing the Role of a Lifetime
Best of 2022: MPA Creator Award Recipient Writer/Director Nikyatu Jusu on her Stunning Debut Feature “Nanny”
Best of 2022: “The Woman King” DP Polly Morgan on Lensing Viola Davis in Gina Prince-Bythewood’s Thrilling Epic
Best of 2022: Getting Sea Sick With “Triangle of Sadness” Production Designer Josefin Åsberg
Best of 2022: How “Nope” Production Designer Ruth De Jong Built & Bloodied the Haywood Ranch
The Adam Driver Versus Dinosaurs Film “65” Gets New Release Date
