“Oppenheimer” Composer Ludwig Göransson Creates a New Kind of Atomic Scale
When Chris Nolan wrapped Tenet in 2919, actor Robert Pattinson gave him a book of J. Robert Oppenheimer speeches as a parting gift. That tome led Nolan to Kai Bird and Martin J. Sherwin’s “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.” For the next three years, Nolan used the Pulitzer Prize-winning biography as the foundation for what critics are hailing as his most mature, emotional work.
Oppenheimer stars Cillian Murphy (Peaky Blinders) as the brilliant physicist who was tapped to run the Manhattan Project,
“Barbie” Hair & Makeup Artist Ivana Primorac Conjures Personality From Plastic
How do you turn a human into a doll? Or, let’s reverse that—how do you turn the most iconic doll ever made into a human? These were the intermingled questions makeup and hair designer Ivana Primorac had to answer for co-writer and director Greta Gerwig’s history-making new film Barbie. Reader? She succeeded.
Primorac has worked on a slew of excellent, disparate projects, from the Winston Churchill biopic The Darkest Hour to HBO’s brilliantly executed crime series Mare of Easttown to Netflix’s magisterial The Crown.
“Oppenheimer”: Character Actor David Dastmalchian Doesn’t Want to Disappoint
David Dastmalchian is no stranger to the cinematic world of Christopher Nolan. In 2008, the Chicago-based theater actor caught a big break when he landed the role of a Joker stooge in Nolan’s now iconic The Dark Knight. Fifteen years later, Dastmalchian, now a seasoned character actor with a long list of small but potent roles in massive features, including Denis Villeneuve’s Blade Runner: 2049 and Dune and the upcoming Late Night with the Devil,
Christopher Nolan on Exploding Myths & Exposing Humanity in “Oppenheimer”
Spoilers below; approach with extreme caution if you haven’t seen the film yet.
Robert Oppenheimer (Cillian Murphy) stares wide-eyed into the pond spread out in front of him; his last conversation with Albert Einstein (Tom Conti) on the potential catalytic effects of the atomic bomb has rendered him speechless. The music swells as the screen fades to black — the final scene of Christopher Nolan’s highly-anticipated Oppenheimer.
A “singularly dramatic moment in history” — That’s how Nolan describes the motivation behind his desire in telling the story of Robert Oppenheimer.
Pretty in Pink With “Barbie” Production Designer Sarah Greenwood & Set Decorator Katie Spencer
“It was trying to find a solution to what makes a toy,” says production designer Sarah Greenwood about creating the charmed sets of Barbie alongside set decorator Katie Spencer. The two have been near inseparable, having worked on over thirty projects together. Darkest Hour, Beauty and the Beast, and Anna Karenina are among their six Academy Award nominations. “It became this huge journey of discovery,
How “Bel-Air” Costume Designer Queensylvia Akuchie Brought an African influence into Season 2
Culture was costume designer Queensylvia Akuchie’s (Long Slow Exhale, Grand Crew) inspiration behind creating the bespoke wardrobe in Bel-Air Season 2, a series that refreshes the beloved Fresh Prince of Bel-Air sitcom of the early ‘90s with a whole new cast.
“Connecting the culture of the roots and background of each character was immensely important to me,” Akuchie shares with The Credits.
How “Mission: Impossible – Dead Reckoning Part One” DP Fraser Taggart Pulled Off That Insane Train Sequence
Editors’ Note: This story contains mild spoilers.
The action in Mission Impossible: Dead Reckoning Part One rolls out like a conveyor belt of delicious candy, leaving you wanting more. And director Christopher McQuarrie delivers those highs again and again. The global affair treks from Abu Dhabi for a swirling desert shootout and on to Rome for a goosebumps-inducing car chase, in, of course, an adorable yellow FIAT.
“Mission: Impossible – Dead Reckoning Part One” Production Designer Gary Freeman Creates an Artificially Intelligent Palace
The bespoke work of production designer Gary Freeman on Mission Impossible: Dead Reckoning Part One might be overlooked by most moviegoers. A few of the reasons might be because of a then 60-year-old Tom Cruise out stunting himself yet again or the scene-stealing performances by Hayley Atwell as a wily thief and Pom Klementieff as a deliciously evil mercenary. Yet Freeman’s work insinuates itself in the action, his designs are intrinsic to the chaos as well as to the lusciousness of the foreign locations.
“Lakota Nation vs. United States” Director Jesse Short Bull & Editor Laura Tomaselli Bring a Profound Injustice to Life
Director Jesse Short Bull knew he’d found the right collaborator in editor Laura Tomaselli when he watched her early cut of Lakota Nation vs. United States, their documentary about the Lakota’s ongoing quest to reclaim the Black Hills of South Dakota, sacred land that was stolen by the government in violation of the Black Hills treaty of 1868.
“Laura cut an amazing scene with a ‘50s western where a man and woman are in a wagon signing about the Black Hills and why ‘the Indians fight so hard for their land,’” recalled Short Bull.
“Grease: Rise of the Pink Ladies” Songwriter Justin Tranter on Capturing That ’50s Musical Magic
The Tony-nominated Broadway musical Grease captured a generation following its theatrical release in 1978, an era-defining film that starred John Travolta and Olivia Newton-John as a pair of unlikely teens falling in love. Since then, the beloved musical has been revived on Broadway, produced a movie sequel, and turned into a live television show. Debuting this April on Paramount+, Grease: Rise of the Pink Ladies continues the 1950s nostalgia with a new cast and storyline that takes place four years before the original film.
“The White Lotus” Emmy-Nominated Music Supervisor Gabe Hilfer on Mia’s Musical Chops, Tanya’s Swan Song & More
Season two of Mike White’s killer satire The White Lotus established, from that gorgeous opening title sequence, that it was going to be a thing of beauty to hear as well as behold. Sure, you can hardly find a more lush location than Sicily, where this particular outpost of the titular resort chain is located, but Italy is more than just a feast for the eyes and, if you’re lucky enough to visit,
“Poker Face” Costume Designer Trayce GiGi Field on Dealing Out Vintage Vibes
“The show was a huge challenge, and I love a good challenge,” costume designer Trayce GiGi Field (Dead to Me) shares about working on Rian Johnson’s (Glass Onion, Knives Out) clever crime drama Poker Face.
The breakout series stars Natasha Lyonne (Russian Doll) as Charlie, a no “bullsh*t” crime solver on the run from her own troubles.
“Star Trek: Picard” VFX Supervisor Jason Zimmerman on Charting The Series’ Final Course
The legacy of Star Trek lives on through an entertaining trio of shows. Star Trek: Discovery (2017), Star Trek: Picard (2020), and Star Trek: Strange New Worlds (2023) have brought new cosmic adventures for fans of the beloved franchise while tying back to the mega-narrative of the Star Trek universe, which has been taking viewers on voyages across space and time since 1966.
“The Last of Us” Cinematographer Ksenia Sereda on Shining a Light in the Darkness
The Last of Us, HBO’s thrilling, best-in-class adaptation of Naughty Dog’s critically acclaimed video game, provided 2023’s first certifiable must-watch series. Co-created by the video game’s mastermind, Neil Druckmann, and Chernobyl creator Craig Mazin, the series followed a pair of intrapersonally opposed survivors of a fungi-borne apocalypse as they picked their way across a devastated American landscape crawling with the terrifying permutations of the mindless infected and the almost equally dangerous humans who had,
“Joy Ride” Screenwriters Cherry Chevapravatdumrong & Teresa Hsiao Embrace the Raunch
Adele Lim’s feature directorial debut Joy Ride cruised into theaters this past weekend, boasting critical raves. The laughs come early and often in Lim’s ensemble film, thanks in large part to screenwriters and producers Cherry Chevapravatdumrong and Teresa Hsiao. The talented duo began writing the script for Joy Ride on spec, and that sense of freedom and play is on full display.
The screenwriters both met in the writer’s room in Seth MacFarlane’s joke-a-second animated raunch-fest Family Guy and in Joy Ride,
“Indiana Jones and the Dial of Destiny” VFX Artists on De-Aging Indy
Brad Pitt did it. Robert DeNiro did it. Samuel Jackson, Jeff Bridges, and Will Smith did it, too. Now, 80-year-old Harrison Ford has embraced digital de-aging in Indiana Jones and the Dial of Destiny (in theaters now) so he can fight Nazis looking like a 37-year-old version of his iconic action hero. Ford’s cinematic rejuvenation owes a considerable debt to ILM’s VFX artist lead Robert Weaver (Star Trek Into Darkness,
“Godfather of Harlem” Production Designer Patrick Howe on Handling History in Season 3
The story of gangster Bumpy Johnson (Forest Whitaker) continues to unfold with the third season of Godfather of Harlem, from creators Chris Brancato and Paul Eckstein. This prequel series to Ridley Scott‘s 2007 feature American Gangster, starring Denzel Washington and Russell Crowe, cleverly intertwines a kinetic group of characters in a period crime drama well worth watching.
This season, Bumpy faces no shortage of challenges—the CIA,
“Fatal Attraction” Production Designer Nina Ruscio on Creating Design With an Edge
The famed 1987 film Fatal Attraction, starring Michael Douglas and Glenn Close, made its way to the small screen with Joshua Jackson and Lizzy Caplan as the unfaithful couple tearing each other’s lives apart. Reinvigorated by Alexandra Cunningham (Physical), the psychological thriller unravels over eight gripping episodes, taking place 15 years after Dan (Jackson) is paroled from prison for the murder of Alex (Caplan). The story dips between the past and present as Dan tries to prove his innocence and reconnect with his family and wife,
“Beef” Production Designer Grace Yun on Mixing Real & Surreal Into a Simmering Style
Beef creator Lee Sung Jin (Dave, Undone), who goes by Sonny Lee, reached out to production designer Grace Yun (Past Lives, Ramy, Hereditary) to share his vision of the series that pins Danny Cho (Steven Yeun), a failing contractor, and Amy Lau (Ali Wong), a self-made entrepreneur, against one other following a heated parking lot altercation. “I was impressed from the start,
How “Stranger Things” Editor Dean Zimmerman Cut Eddie’s Epic Guitar Solo & That Wild Season 4 Finale
“Divide and conquer while keeping our heads above water was how we approached episode nine,” says editor Dean Zimmerman, who has been on the juggernaut Netflix series Stranger Things since the beginning. Season four sees its beloved characters continue their fight against Vecna, a mind-controlling arch-villain wreaking havoc on the town of Hawkins.
It was the biggest, boldest season of the series yet, and Zimmerman was a key component in keeping the epic finale as tight as a snare drum.
