Screenwriter Eric Roth Says Martin Scorsese’s “Killers of the Flower Moon” Could Be Historic

Sure, if you were the man who adapted David Grann’s book “Killers of the Flower Moon” for Martin Scorsese, you’d be excited about the potential for the film. But what veteran screenwriter Eric Roth had to say to Collider about Scorsese’s upcoming adaptation doesn’t sound like boasting, it sounds like cautious excitement at the tremendous potential for this film. Grann’s book plunges into the murders of wealthy members of the Osage people in Osage County,

By The Credits  |  April 9, 2021
Future Critics: Lauren Claggett on Marvel vs. DC

In the fourth installment of our Future Critics series, we chat with a future director (more on that later) who weighs in on one of the most pressing questions in movies today—whose superhero characters are more powerful, Marvel’s or DC’s? If you’re a Marvel fan, you’re thinking, duh, no brainer—ever heard of Captain Marvel? Not so fast, a DC fan points out, mentioning a certain son of Krypton or, if she’s a tech enthusiast and likes an underdog,

By Bryan Abrams  |  April 8, 2021
“Those Who Wish Me Dead” Trailer Reveals Angelina Jolie in Tyler Sheridan’s Latest

Co-writer/director Tyler Sheridan has carved out a singular place for himself in film. Sheridan has written some of the leanest, meanest, most compelling crime dramas in recent memory—2015’s Sicario and 2016’s Hell or High Water put him on the map, and his 2017 directorial debut with Wind River (which he also wrote) cemented his status as the go-to auteur of thoughtful-but-brutal stories. Sheridan’s back with Those Who Wish Me Dead,

By The Credits  |  April 7, 2021
The Second “Cruella” Trailer Lets The Dogs Out

“Let me give you some advice—you can’t care about anyone else.” These are the words of wisdom voiced in the opening seconds of the second Cruella trailer, and they come not from our titular villain but Baroness von Hellman (Emma Thompson), the woman Cruella de Vil (Emma Stone) plans on being one day. We hear these ruthless words while we watch Cruella scrubbing a bathroom floor. Director Craig Gillespie (I,

By The Credits  |  April 7, 2021

Interview

Director

Director Chiaki Kon on Her Netflix Anime Feature “The Way Of The Househusband”

A new Japanese anime series The Way Of The Househusband will premiere on Netflix globally on April 8. The five-episode series follows Tatsu, once a legendary yakuza nicknamed The Immortal Dragon, who is determined to become a devoted stay-at-home husband, diligently handling all the daily chores for his wife Miku, a busy career woman. But his newfound domestic bliss is soon interrupted when friends and foes from the past come back into his lives.

By Silvia Wong  |  April 7, 2021

Interview

Director

“French Exit” Director Azazel Jacobs on Loving His Wicked, Witty Central Character

Director Azazel Jacobs‘ French Exit won’t, on first blush, seem like a feel-good movie. Its protagonist, Frances Price (Michelle Pfeiffer), is a ferociously acerbic fading socialite who more or less doesn’t want to live anymore. Based on Jacobs’ friend and collaborator Patrick DeWitt’s novel (and adapted by DeWitt himself), there seems no earthly reason why anyone, in the year 2021, would feel affectionate towards a privileged woman lamenting her third act turn towards insolvency by savaging everyone in her path.

By Bryan Abrams  |  April 7, 2021

Interview

Hair/Makeup

Makeup Department Head Matiki Anoff on Capturing the 1920s Aesthetic in “Ma Rainey’s Black Bottom”

Makeup department head Matiki Anoff had her work cut out for her with Ma Rainey’s Black Bottom. Director George C. Wolfe’s adaptation of August Wilson’s play revolves around Viola Davis’s hard-charging blues singer Ma, and the tensions that boil over between her and her ambitious horn player Levee (the late Chadwick Boseman), as well as the white management running their recording session.

Like her colleagues, makeup artist Sergio Lopez-Rivera and hair department head Mia Neal,

By Bryan Abrams  |  April 6, 2021
New “Black Widow” Images Tease Villain Taskmaster

Who is Taskmaster? This is the question that’s been on the minds of folks who glimpsed the masked mercenary in the first Black Widow trailer. Now, thanks to that record-breaking third trailer, and a new photo drop, Marvel has given us a little bit more of a glimpse of who we think will be the film’s big bad.

In the comics, Taskmaster is Tony Masters, a man who possesses “photographic reflexes,”

By The Credits  |  April 6, 2021
New “Black Widow” Trailer Hits 70 Million + Viewers In 24 Hours

In case you happened to miss Marvel’s new Black Widow trailer, which dropped this past Saturday, we’ve got you covered. We’d like to say you’re not alone, but, you did miss out on two minutes’ worth of Black Widow goodness that some 70 million-plus other viewers watched in the first 24 hours. This is the third trailer for director Cate Shortland’s upcoming film, and it surpassed the previous trailer by more than 13 million views.

By The Credits  |  April 6, 2021
New “Mortal Kombat” Video Invites You To “Meet the Kast”

If you’re not already up to speed on Warner Bros. reboot of Mortal Kombat (the original 1995 film was directed by Paul W. S. Anderson), this new video will help you figure out who’s who in what promises to be a gnarly, fun update to the franchise. Director Simon McQuoid’s film, adapted from the iconic video game, will be making its theatrical debut on the same day it premieres on HBO Max on April 23.

By The Credits  |  April 5, 2021
Leap With LeBron Into First Trailer For “Space Jam: A New Legacy”

The King has arrived…only his throne shall be animated. We’re talking, of course, about LeBron James in the first official trailer for Space Jam: A New Legacy, which finds the NBA legend mixing it up with some legendary Looney Tunes characters, led by a legend in his own right, Bugs Bunny. Director Malcolm D. Lee’s film follows in the Air Jordans of Joe Pytka’s 1996 original, which starred the then reigning king of the NBA,

By The Credits  |  April 5, 2021
“Godzilla vs. Kong” Smashes Pandemic-Era Box Office Record

You can credit good timing, the enduring appeal of watching cinema’s biggest monsters on the big screen, and a solid job by director Adam Wingard and his cast and crew for the box office success of Godzilla vs. Kong. The two ferocious titans smashed their way to a pandemic-era box office record, and have ignited hope in the process that the film’s success might signal a return to audiences flocking back to theaters.

By The Credits  |  April 5, 2021
Watch The Entire Joker Scene in “Zack Snyder’s Justice League”

We’ve interviewed Justice League‘s sound designer and cinematographer, we’ve written more than a dozen pieces on the film’s long, winding road to its HBO Max release, and now we share what could be a fitting coda to the entire Justice League experience. At long last, the entire Joker scene starring Jared Leto, provided by Zack Snyder himself.

Joker’s appearance in Snyder’s impassioned,

By The Credits  |  April 2, 2021

Interview

Director

“Concrete Cowboy” Director Ricky Staub Saddles Up in Feature Debut

Westerns have a long and prominent role in cinematic history. The genre tends to conjure images of white hat vigilantes wrangling wild stallions in wide-open plains, but Concrete Cowboy (premiering April 2 on Netflix) starring Idris Elba will challenge all of your preconceived notions. The real-life men who inspire the film ride horseback at the Fletcher Street Stables through the middle of inner-city Philadelphia.

Writer/director Ricky Staub took note of the unusual riders years ago.

By Kelle Long  |  April 2, 2021
Find The Crazy One in New “The Suicide Squad” Trailer

It was only last week when The Suicide Squad’s first trailer made us re-appreciate Steely Dan’s deathless song “Dirty Work,” and now the gang’s back with another fresh look. This trailer, unlike the red band version we got last week, is almost suitable for work. It also comes with a few brand new moments and the same looniness that has folks so excited for writer/director James Gunn’s first dip into the DC universe.

By The Credits  |  April 2, 2021

Interview

Cinematographer

Oscar-Nominated Cinematographer Erik Messerschmidt on “Mank” – Part II

As mentioned in part I of our interview, director David Fincher and cinematographer Erik Messerschmidt didn’t want to spend the entirety of Mank trying to make it appear as if Citizen Kane DP Gregg Toland had shot it, “But there were things that we wanted to embrace holistically – like deep focus – where it made sense to do so,” the Messerschmidt explains. “It was never an ‘Oh, great,

By Matt Hurwitz  |  April 1, 2021

Interview

Cinematographer

Oscar-Nominated Cinematographer Erik Messerschmidt on “Mank” – Part I

Actors Gary Oldman and Amanda Seyfried go for their characters’ leisurely evening stroll outside San Marino’s Huntington Library, which is subbing in for William Randolph Hearst’s Hearst Castle at San Simeon.  The only thing is, it’s not night – and the actors are wearing custom-tinted contact lenses to help them avoid squinting, due to the additional bright lights director of photography Erik Messerschmidt has added to make his day-for-night photography appear correct in the final image.

By Matt Hurwitz  |  March 31, 2021

Interview

Costume Designer

Costume Designer Deborah Newhall on Dressing the Dastardly in “I Care A Lot”

Writer/director J. Blakeson’s I Care A Lot is a gleefully cynical uppercut against late-stage capitalism that is also, incredibly, a blast to watch. The con artist at its center, Rosamund Pike’s Marla Grayson, would be hard to root for if both her performance and the film itself weren’t so infectiously committed to its amorality. One of I Care A Lot‘s central themes is that the heart of capitalism isn’t healthy competition or ingenuity or hard work—it’s exploitation.

By Bryan Abrams  |  March 31, 2021
New “The Suicide Squad” TV Spots Reveal Thinker & Ratcatcher 2

We know that James Gunn’s The Suicide Squad boasts a lot of oddball characters, including a humanoid shark, so even a little bit of new information or footage is welcome. To that end, Gunn shared two new TV spots that introduce Peter Capaldi’s Thinker and reference Daniela Melchior’s Ratcatcher II. Unlike Margot Robbie’s Harley Quinn or Viola Davis’s Amanda Waller, Thinker and Ratcatcher II are newcomers, and for non-comics readers,

By The Credits  |  March 30, 2021

Interview

Cinematographer

Cinematographer Fabian Wagner on “Zack Snyder’s Justice League”

A lot of people are professing surprise at the success of Zack Snyder’s Justice League on HBO Max, not only in terms of the critical praise it’s getting, being called “operatic” or as richly imagined as Lord of the Rings, but even in the calls to continue the film’s teased sequels, and pursue a #Snyderverse on HBO Max.

As this was being written, no less than the Washington Post’s opinion pages ran a column from its culture &

By Mark London Williams  |  March 30, 2021