Julianne Moore, Co-Director Wash Westmoreland & Cast Discuss Still Alice
In Still Alice, Julianne Moore plays a linguistics professor who is shockingly diagnosed with Early Onset Alzheimer's disease. With her family (husband Alec Baldwin and grown children Kristen Stewart, Kate Bosworth and Hunter Parrish) by her side, she tries to deal with the debilitating and horrifying disease — saying at one point that she even wished she had cancer instead. Based on the novel by Lisa Genova, Alice has won critical praise,
Sundance 2015: Talking to Cassian Elwes, Co-Producer of Inaugural Horizon Awards
The Sundance Film Festival has made a few recent announcements that speak to a fresh commitment to help spread some of the festival’s opportunities around. The first was a new tool to help lesser-known filmmakers get their work seen by using a new service, Quiver Digital. As reported by Mashable, Quiver Digital is a distribution dashboard that allows users to push their films to Amazon, Netflix, iTunes, Google Play and Sony Entertainment Network,
Legendary Casting Director Bonnie Timmerman On Blackhat & More
To say that Casting Director Bonnie Timmermann’s influence on the movie business over the last 40 years has been enormous is no understatement. George Clooney, Alec Baldwin, Ben Stiller, Sandra Bullock, Reese Witherspoon, Diane Lane, Jennifer Connelly, Jessica Alba, Jim Carrey, and Halle Berry are just a few of the now superstar actors discovered by Timmermann as they were starting their careers. Responsible for casting the likes of Meryl Streep, Glenn Close and Christopher Walken in early theater roles in the 1970s at NYC’s Phoenix Repertory Company,
Oscar Nominees Discuss Their Preparation
With the 2015 awards season in full swing, yesterday was a big day for creators and makers, both in front of and behind the camera. The Academy of Motion Picture Arts and Sciences announced its nominees for the 2015 Oscars – to be held on February 22nd.
It has been an amazing year in film, with some of the truly finest cinematic offerings ever. ‘Movies OnDemand’ sat down with a number of this year’s nominees to discuss how they got ready for their roles,
Playing Politics With Red Army Documentary Director Gabe Polsky
On the surface, Gabe Polsky’s superb new documentary is about the legendary Red Army hockey team, one of the most dominant collection of athletes ever assembled — in any sport. At the height of the Cold War, in the late 1970s through the late 1980s, the team swept away opponents with ease. They won eight world championships and three Olympic gold medals, in 1976, 1984, and 1988. Only the 1980 “Miracle on Ice” U.S. team denied them a complete sweep.
A Q&A with James Dever, Military Advisor on American Sniper
James Dever was just following orders. In 1986, Clint Eastwood arrived at Camp Pendleton, the Southern California Marine Corps base, to direct, and star in, Heartbreak Ridge. Dever, a gunnery sergeant with more than 13 years in the Corps under his belt at the time, was assigned by his Colonel to work with Eastwood — whose character, Thomas Highway, is also a gunnery sergeant.
The experience proved intoxicating. “I said to myself,
Invisibly Invaluable: Birdman Editors Douglas Crise & Stephen Mirrione – PART II
Yesterday we posted Part I of our interview with Birdman editors Stephen Mirrione and Douglas Crise. As you know by now, Birdman was shot in a such an ingenious way that it made you feel like you were watching a single, 119-minute continuous shot. Watch it and try to find a single cut, a single break in the action or a clear transition that would alert you to the work of an editor.
Invisibly Invaluable: Birdman Editors Douglas Crise & Stephen Mirrione – Part I
Yesterday we published our interview with Birdman writer/director Alejandor G. Iñárritu, and late last year, we spoke to the film’s composer, drummer Antonio Sanchez. Birdman was sufficiently strange and wonderful that it’s made us want to know as much as we possibly can about how it was made. The first and most obvious question one asks after seeing the film is how in the world they made it look like a single,
Talking Risks & Rewards With Birdman Director Alejandro G. Iñárritu
Alejandro G. Iñárritu's first crack at directing was 2000’s Amores Perros, a complexly woven narrative surrounding three separate stories all connected by a single car accident. The film earned wide acclaim and an Academy Award nomination for Best Foreign Language Film, and the Ariel Award for Best Picture from the Mexican Academy of Film. It put the former composer and first time director on the map.
It also was the first film in his “Trilogy of Death,”
2014 in Review: Lensers, Designers, Makeup Artists & More – PART II
The end of the year brings a few reliable reactions; promises to do x, y and z more consistently in the new year, reflection on all that you accomplished (and failed at, and regretted) this past year, and 'Year in Review' lists. Yesterday we published Part I of our look back at some of the filmmakers we interviewed in 2014. On Monday, we published an interview with cinematographer Robert Yeoman, looking back on his work in Wes Anderson's
2014 in Review: Portrait Artists, Sound Designers & More – Part I
As a wild year in film draws to a close, we’re looking back at some of the talented filmmakers we’ve had a chance to speak with, and all the ways they schooled on us how films really get made. Sound designers, construction crew managers, creature supervisors, production designers, a portrait artist (for Wes Anderson, naturally) and more (our first group of filmmakers are, admittedly, a bit more well known). Although these folks don’t really care how much attention they get,
2014 in Review: DP Robert Yeoman on The Grand Budapest Hotel
When people think of Wes Anderson’s films, often the first thing that comes to mind is their singular look. Here is a director with a signature style, whose films look like nobody else’s. As the year draws to a close, we’re looking back on some of our favorite films and chatting with the people who helped bring them to life. Today, that means cinematographer Bob Yeoman, the man who has helped Anderson achieve his look since Anderson’s breakout 1996 debut,
Into the Woods‘s Creative Team on Adapting Sondheim’s Hit
Witches. Heroes. Giants. Magic. Enchantments. Curses. Love. Loss. These are familiar to any Disney movie fan. But when Stephen Sondheim and James Lapine’s Tony Award®-winning stage musical Into the Woods hits movie theaters on December 25, all of these concepts and worlds come together in unusual ways inside one Disney film – turning expectations on their head in the process.
For those unfamiliar with the musical, Into the Woods takes the traditional tales of Cinderella,
A Most Violent Year Composer Alex Ebert
Singer-songwriter and composer Alex Ebert might still be best known as the front man for the band Edward Sharpe and the Magnetic Zeros, but his skill as a film composer is becoming more evident with each new J.C. Chandor movie. The director and the composer recently worked on their second film together, A Most Violent Year, which has already earned rave reviews and looks poised to cement Chandor’s status as one of the most ambitious young directors of his generation.
Cinematographer Dion Beebe Takes us Into the Woods
Academy Award winning cinematographer Dion Beebe is now on his fourth film with Rob Marshall. He won an Oscar for his work on Marshall’s Memoirs of a Geisha in 2005. He was nominated for lensing Marshall’s Chicago in 2002. He was nominated for an ASC Award (American Society of Cinematographers) for another Marshall film, Nine, in 2009. And for their fourth collaboration, Into the Woods, Beebee has helped translate Stephen Sondheim and James Lapine’s Broadway musical into a lush,
Big Eyes Screenwriters Scott Alexander & Larry Karaszewski
It's sometime in the 1950s when Margaret (Amy Adams) quickly packs her things, grabs her daughter Jane, and leaves her husband. In short order she finds herself in San Francisco, applying for a job painting Humpty Dumpty's on cribs for a manufacturer. Margaret's passion is painting, specifically small children, looking straight at you, with very, very big eyes.
The paintings were a touch creepy, on the very fringes of what could be considered real art,
Indian Paintbrush’s Peter McPartlin on Producing The Grand Budapest Hotel & More
The actual business of making films, from acquiring insurance to dealing with lawyers to the Byzantine permits, permissions and contact stipulations can be, in the right storyteller’s hands, entirely entertaining. Indian Paintbrush’s COO Peter McPartlin is one of those storytellers.
There have been books about the business of Hollywood (Peter Biskund’s Down and Dirty Pictures comes to mind) that reveal the huge personalities orbiting behind the filmmakers and the stars,
The Grand Budapest Hotel’s Editor Barney Pilling
Editor Barney Pilling began his film career as a location scout on 24 Hour Party People, in 2002. A few years later, he’d become an editor, and worked on a string of narratively complex films, including An Education in 2009, the haunting adaptation Never Let me Go, from Kazuo Ishiguro’s difficult, daring novel, and One Day, in 2011, based on David Nichols novel which shows its two characters on the same date,
Writer/Director Scott Cohen on Filming Red Knot at Sea
The story of how Red Knot was made is uncannily similar to the film Red Knot itself, a product of writer/director Scott Cohen’s novel approach and the willingness of his cast and crew to join him on this incredible journey.
The film’s premise is deceptively simple; young newlyweds Chloe (Olivia Thirlby) and Peter (Vincent Kartheiser) take a novel approach to their honeymoon by spending it aboard the Red Knot,
Unbroken & The Imitation Game Editor Billy Goldenberg
In 2012, Billy Goldenberg won an Oscar for his editing work on Argo. A thrilling moment, of course, but perhaps in this case it was slightly dulled by the fact that Goldenberg's odds for a win were a mite better than everyone else in the category; he and Dylan Tichenor were also up for Zero Dark Thirty.
There is a chance that Goldenberg could enhance his odds again this year,
