From Personal Loss to Emmy Nomination: Writer/Director Jim Rash’s Journey With “Miss You, Love You”
Emmy-nominated filmmaker Jim Rash discusses drawing from personal loss to create “Miss You, Love You,” directing Allison Janney and Andrew Rannells, filming ambitious long takes, and finding humor, healing, and connection in grief.
Dan Fogelman on Redemption, Reunion, and Reinventing “Paradise”
“Paradise” creator Dan Fogelman discusses the bold gamble of centering Season 2's premiere on Shailene Woodley’s Annie, the loneliness and human connection driving the story, Sinatra’s redemption arc, and the mysteries setting up Season 3.
Inside “Beef” Creator Lee Sung Jin’s Twisty Blueprint: Rise-Fall Graphs, Wealth Wars & Human Frailty
“Beef” creator Lee Sung Jin takes us inside the making of the Emmy-nominated second season, revealing how country club culture, wealth disparity, real-life experiences, and painstaking “story math” helped shape the interconnected lives of its deeply flawed characters.
How Director Hanelle M. Culpepper Turned “Paradise” Finale “Exodus” Into an Emmy-Worthy Epic
Emmy-nominated director Hanelle M. Culpepper takes us inside "Paradise" finale “Exodus,” revealing how she balanced massive crowd scenes, emotional reunions, and visual spectacle to create one of television's most ambitious and moving episodes.
“Hacks” Co-Creator and Co-Showrunner Jen Statsky on Giving “Hacks” the Perfect Last Laugh
As "Hacks" closes the curtain on Deborah Vance and Ava Daniels' remarkable journey, co-creator Jen Statsky reflects on the show's emotional finale, record-setting Emmy success.
How “The Wrong Girls” Writer/Director Dylan Meyer Captured the B-Sides of Los Angeles With Kristen Stewart & Alia Shawkat
Writer-director Dylan Meyer discusses making "The Wrong Girls," her punk-inspired, neo-noir-inflected ode to Los Angeles starring Kristen Stewart and Alia Shawkat, and why shooting with a 95% local crew made her feature debut especially meaningful.
The City of Love: How Production Designer Claire Bennett Made Los Angeles the Heart of “Nobody Wants This”
Production designer Claire Bennett helped make Los Angeles a star of Netflix's "Nobody Wants This." She discusses using real neighborhoods, businesses, and character-driven locations to create the warm, authentic world that surrounds Kristen Bell and Adam Brody's beloved romance.
“One Night Only” Screenwriter Travis Braun on Capturing the Madness of Modern Dating
Writer Travis Braun reveals how a honeymoon-inspired idea became "One Night Only," Will Gluck’s high-concept rom-com starring Monica Barbaro and Callum Turner, and explains why its outrageous premise is really a heartfelt story about modern dating.
Built to Last: How The Scenic Companies Turned Set Storage Into a Production Powerhouse
Ever wonder what happens to massive film and television sets when production wraps? Mark and Robert Larinto's family-run Scenic Companies stores, rebuilds, rents, and recycles some of Hollywood's most iconic productions while helping studios save money and reduce waste.
How DP Tari Segal Found Joy, Whimsy, and Intimacy in “Margo’s Got Money Troubles”
Cinematographer Tari Segal breaks down how intimacy, color, and intention shaped the buoyant visual language of “Margo’s Got Money Troubles.”
Fashion, Power, and Print Under Pressure: How Screenwriter Aline Brosh McKenna Cracked “The Devil Wears Prada 2”
The Devil Wears Prada 2 begins with Anne Hathaway’s reporter character, Andy Sachs, getting fired by text just before taking the stage to accept a prestigious journalism award. A few days after the movie opened, a Washington Post editor watched her colleagues win a Pulitzer Prize for a story she’d worked on before being laid off via email. In this David Frankel-directed sequel, which opened to a whopping $77 million, the realities of a shrinking print media industry co-exist vividly alongside the still-glamorous New York City fashion world...
“Paradise” Season 2 Cinematographer Yasu Tanida on Reunions, Ruin, and Radiant California Light
For “‘Paradise’ Season 2,” cinematographer Yasu Tanida evolves the show’s visual language—moving from the controlled cold light of an underground bunker to the unruly beauty of the real world. Drawing on California’s unmatched sunlight and classic Hollywood technique, Tanida crafts moments of chaos, intimacy, and long-awaited reunion with striking emotional power.
“The Thing Under Threat Was a Friendship”: Creator Annie Weisman on Reframing the Thriller in “Imperfect Women”
In “Imperfect Women,” Annie Weisman transforms a literary thriller into an emotionally grounded series where friendship—not power—is the mystery at the core.
Inside RSH Studios: The Historic Hollywood Lot Behind “Moneyball,” Brad Pitt’s Upcoming “Cliff Booth” Movie & More
For more than a century, the studio lot along Cahuenga Boulevard has been a quiet workhorse of Hollywood history. Now known as RSH Studios, the boutique lot has hosted everything from "I Love Lucy" to "Moneyball," adapting through ownership changes, shifting production models, and a post-pandemic industry reset — all while keeping filmmakers at the center of its mission.
“Paradise” Supervising Location Manager Duffy Taylor on Building a Post‑Apocalyptic World—Without Leaving California
“Los Angeles is an incredibly diverse place where we can duplicate all different types of geography," says "Paradise" supervising location manager Duffy Taylor. "When we pull that off—and someone who’s been filming here forever says, ‘Oh my God, I never knew this was here!’—that’s a gold medal moment for me.”
“Zootopia 2” Writer/Director Duo Jared Bush & Byron Howard on Assembling 697 Artisans for Their Historic Hit
"Animation really is a team sport, it's a community," says "Zootopia 2" co-writer and director Byron Howard. Howard and his partner on assembling 697 artisans across Los Angeles and Vancouver to create the top-grossing animated film in history
“Shrinking” Star & Producer Jason Segel on Season 3’s Love Letter to Los Angeles
When wildfires swept through Pasadena and Altadena in January 2025, "Shrinking" lost sets, and cast and crew lost homes. But Jason Segel, the show's executive producer, co-creator, and star, was determined to keep production in the community that had welcomed the show for years.
From “Dune” to “The Last of Us”: How Formosa Group Elevates Storytelling through Sound
How does Formosa Group power the sound behind "Anora," "Dune," "John Wick," and "The Last of Us"? COO Matt Dubin on nurturing talent, adapting post-COVID, and why California's film tax incentive matters. "Sound is a storytelling tool, not a final step."
Best of 2025: How “Superman” Production Designer Beth Mickle Built the Fortress of Solitude
It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.
Director James Gunn started small with his 2010 micro-budgeted indie film Super, followed by his acclaimed Guardians of the Galaxy films for Marvel. Now, he’s made a crowd-pleasing new version of Superman that’s raked in more than half a billion in global box office since its release earlier this summer. ...
Inside Camtec: The Boutique Camera House Behind Films From Damien Chazelle, Denis Villeneuve, Bradley Cooper & More
“We support everything from large-scale blockbusters to high-end commercials to intimate indie films. The scale may change, but our approach doesn’t: we give each production the same level of care, attention, and collaboration,” says Kavon Elhami, the CEO of Camtec, an equipment rental company located in Burbank, California.
For nearly four decades, the boutique shop has been servicing (and collaborating) on countless projects, including Denis Villeneuve’s Arrival, Taylor Sheridan’s Hell or High Water,...
