Production Designer Tamara Deverell on Building the Gothic Grandeur of Guillermo del Toro’s “Frankenstein”
Guillermo del Toro became obsessed with Frankenstein at the age of seven, after seeing the 1931 Boris Karloff movie, and walked out of the theater with a new calling. “Gothic horror became my church,” Del Toro said in a statement, “and [Boris Karloff] became my messiah.”
Ever since that childhood epiphany, del Toro has dreamed of reanimating Mary Shelley’s famous monster for modern audiences. Now comes his Frankenstein (in theaters now,
“One Battle After Another” Production Designer Florencia Martin on Building PTA’s Three-Hour Action Thriller from the Ground Up
Paul Thomas Anderson’s action thriller One Battle After Another is loosely inspired by a section of Thomas Pynchon’s 1990 novel “Vineland,” but this three-hour epic is rooted in the present, a contemporary vision of a heightened clash between far-left and far-right, and, more intimately, a story about vengeance, desire, and family.
Pat Calhoun (Leonardo DiCaprio) and Perfidia Beverly Hills (Teyana Taylor) are partners and active members of a far-left militant group,
“Hedda” Production Designer Cara Brower on Transforming a Stunning Estate for Tessa Thompson’s Rogue Heroine
To re-animate playwright Henrik Ibsen’s famously unhappy heroine Hedda Gabler, writer-director Nia DaCosta cast her longtime muse Tessa Thompson as the star of Hedda (opening Oct. 22). This vivid adaptation, featuring Nina Hoss in the gender-switched role of an ex-lover along with Imogen Poots, Tom Bateman and Nicholas Pinnock, takes place in 1950s England at a raucous party complicated by jealousy, existential angst, feminist fury,
The Invisible Architects: How Two Visionary Production Designers Launched a Global Movement
If a film’s visuals tickle the eye, scorch the heart, or linger in the consciousness long after the credits roll, you can thank the production designer. Whether the project is a blockbuster or a low-budget indie, the production designer is tasked with creating that elusive “look” of the film and translating the director’s vision into visual reality.
“A complaint often raised with production designers, like other ‘below the line’ [artisans],
“After the Hunt” Production Designer Stefano Baisi on Creating Three Generations of History in One Apartment
It’s no accident that Oscar-nominated Call Me by Your Name director Luca Guadagnino‘s movies look as elegant as they do. The Italian filmmaker has a side hustle as an interior designer. In 2017, he launched his eponymous studio and hired architect Stefano Baisi, who helped him design shops, hotels, Dior fashion shows, and luxury apartments. Last year, Baisi crossed over to film by conjuring a surreal 1950s Mexico City for Queer,
Getting Caught in “Kiss of the Spider Woman” Production Designer Scott Chambliss’s Perfect Web for Jennifer Lopez
Production designer Scott Chambliss is known in Hollywood for big tentpole movies— Star Trek, Godzilla: King of the Monsters, and Mission: Impossible III are a few of his films—so he was a bit shocked in 2023 when writer-director Bill Condon called him about revamping Kiss of the Spider Woman as an old-fashioned MGM movie musical. Chambliss knew exactly how to win over the man who made Dreamgirls and wrote the movie version of Chicago.
“The Conjuring: Last Rites” Production Designer John Frankish on Creating the Hellish Smurl House
Production designer John Frankish knew instantly that making the homes the dark heart of The Conjuring: Last Rites was the way to go. From there, everything else would fall into place.
Directed by Michael Chaves, the ninth installment in The Conjuring Universe finds Patrick Wilson and Vera Farmiga’s paranormal investigators, Ed and Lorraine Warren, taking on what could be their most insanely terrifying case yet—and that’s saying something.
Creating a Corporate Dystopia With “Severance” Season 2’s Set Decorator David Schlesinger
Leading this year’s Emmys pack with 27 nominations, the sophomore season of Severance goes deeper into the cult-like and twisted Lumon Industries, where a group of employees chose a surgical procedure that permanently bifurcates their work memories (“innies”) from their true selves (“outies”). Created by Dan Erickson, the slow-burn workplace thriller follows severed employee, Mark (Adam Scott), and his colleagues who work on the labyrinthine severed floor under the supervision of Mr.
From Stage to Screen for “SNL50”: How Production Designers & the Editing Team Shaped 5 Decades of Comedy
As the longest-running sketch comedy show in US television history, Saturday Night Live has not only shaped generations of comedians and cultural commentary, but it’s also become an institution for live performance. Some of its most iconic moments are when cast members can’t help but laugh themselves. But behind the humor is a bustling backdrop of production design, costumes, hair, makeup, lighting,
Crystal Vision: How “Superman” Production Designer Beth Mickle Built the Fortress of Solitude
Director James Gunn started small with his 2010 micro-budgeted indie film Super, followed by his acclaimed Guardians of the Galaxy films for Marvel. Now, he’s made a crowd-pleasing new version of Superman that’s raked in more than half a billion in global box office since its release earlier this summer. DC Comics’ original superhero returns in a big way, as Gunn’s universe-corraling reboot pits the title character (David Corenswet),
Decoding Deceptive Design With “Presumed Innocent” Production Designer John Paino & Set Decorator Amy Wells
In part one of our conversation about David E. Kelley’s rigorously intense and captivating courtroom drama, Presumed Innocent, production designer John Paino and set decorator Amy Wells talked about the elaborate courtroom set and what it was like to shoot the Chicago-set series entirely in Southern California.
Thanks to Jake Gyllenhaal’s nuanced, Emmy-nominated performance, Rusty’s culpability on the grisly murder of his fellow prosecutor and lover,
“Jurassic World: Rebirth” Production Designer James Clyne on Creating Killer Labs and Animalistic Architecture
Production designer James Clyne recreates and modernizes the dinosaur playground gone wrong that first blew our minds in Steven Spielberg‘s 1993 classic Jurassic Park. Back then, that playground—or theme park, to be more accurate—was the brainchild of John Hammond (Richard Attenborough), and like all children, it had a mind and personality of its own, determined to become something other than its parents’ fervent wish. In Jurassic World: Rebirth,
How “Presumed Innocent” Production Designer John Paino & Set Decorator Amy Wells Brought Chicago to Los Angeles
Shot mostly in Pasadena and around Los Angeles, Presumed Innocent, showrunner David E. Kelley’s twisty and riveting courtroom psychological thriller, was able to do so largely thanks to the $12 million in California tax incentives allocated to the prestige drama from Apple TV+. “The crew we have here is the best I’ve worked with all over the world. They’re an incredible bunch of people; you’re only as good as the people you surround yourself with,” production designer John Paino says,
“Murderbot” Production Designer Sue Chan on Building the Brilliant World Around Alexander Skarsgård’s Conflicted Robot
Growing up in New Jersey with immigrant parents who ran a Chinese restaurant, Murderbot production designer Sue Chan didn’t even know the job existed when she first laid eyes on the futuristic movie that would inspire her journey into show business. “I basically decided to be an architect after going to see Blade Runner,” she recalls. “When I walked out of that movie theater with my family, I was like,
Meet Nikkolas Smith: The Artist Who Painted the Soul of Ryan Coogler’s “Black Panther” and “Sinners”
In creating one of the year’s most talked about movie sequences, Sinners filmmaker Ryan Coogler assembled his de facto repertory company including Michael B. Jordan, production designer Hannah Beachler, costume designer Ruth Carter, DP Autumn Durald Arkapaw, composer Ludwig Göransson, and a lesser known member of his team: concept artist Nikkolas Smith. Smith previously worked on Black Panther and Wakanda Forever.
“Duster” Production Designer Jonah Markowitz Brings 1970s Arizona to 2025 New Mexico
The moment writer-director-producer J.J. Abrams saw actor Josh Holloway pull up to a pay phone in a vintage mini-muscle car, he knew what his next show would be. Duster, co-created with LaToya Morgan and streaming on HBO through July 3, casts Holloway, revered for his role in Abrams’ ABC hit Lost, as fast-driving rogue Jim Ellis, whose entanglement with drug dealers in 1972 Phoenix warrants the attention of Rachel Bilson’s Phoenix FBI Agent Dana Hayes.
Inside the Bone Temple: How Designers Carson McColl & Gareth Pugh Crafted the Pagan-Apocalyptic World of “28 Years Later”
Serving as both production designers and costume designers for director Danny Boyle’s 28 Years Later was a groundbreaking career moment for Carson McColl and Gareth Pugh.
Not only is the post-apocalyptic coming-of-age horror film the first film they have worked on, but the married couple, known as Hard and Shiny, is best known for their high fashion and for having worked with such icons as Beyoncé and Lady Gaga.
How “F1” Production Designer Ben Munro Built Real Racing Garages That Traveled the World
Architect-turned-director Joseph Kosinski knows how to build action movies modeled, more than most, on analog reality. Following on Top Gun: Maverick, Kosinski has re-teamed with producer Jerry Bruckheimer to put Brad Pitt in the driver’s seat for F-1 (now in theaters). The filmmakers, deploying cinematographer Claudio Miranda’s ingenious camera rigs, worked with producer/ex-driver James Lewis to secure cooperation from the Formula One organization so that Pitt and co-star Damon Idris could get behind the wheels of real cars in front of actual crowds and speed down raceways in UK,
Building the First “Black Mirror” Sequel: How Production Designer Miranda Jones Upgraded the USS Callister Universe
Back in Season 4 of Black Mirror, an enthusiastic programmer, Nanette (Cristin Milioti), gets trapped in a virtual-reality game by its creator and her boss, Robert Daly (Jesse Plemons). Shy and self-minimizing in real life, Nanette’s in-game clone is creative and confident enough to lead the rest of her colleagues, also trapped as crew by Daly on the starship USS Callister, out through a wormhole. Black Mirror picks up the thread with a sequel in Season 7,
Crafting Continental Studios: How Julie Berghoff Built Seth Rogen’s Fictional Production Powerhouse in “The Studio”
In The Studio, the fast-talking movie executives who make and sell motion pictures to mass audiences might use “on the nose” as a pejorative. But sometimes, the obvious solution can’t be denied. For show creators Seth Rogen and Evan Goldberg, there was only one place to set their behind-the-scenes look at how cinematic sausage gets made: Warner Bros. Studios.
The Burbank, California backlot serves as headquarters for the fictional Continental Studios.
