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How “The Naked Gun” Writers Dan Gregor & Doug Mand Got Liam Neeson & Pamela Anderson to Embrace Absurdity
From Bismuth Crystal Rivers to Real Neon Signs: Supervising Art Director David Scott on Designing James Gunn’s “Superman”
“Superman” Composer John Murphy on Electrifying John Williams’ Iconic Score
Crystal Vision: How “Superman” Production Designer Beth Mickle Built the Fortress of Solitude
“The Naked Gun” Writer/Director Akiva Schaffer’s Dead Serious Mission to Resurrect the Spoof Comedy
“The Naked Gun”: A Refresher Course in the History of Frank Drebin’s Charmed Stupidity
Everything You Need to Know Before James Gunn’s “Superman” Takes Flight
From Krypto to the Fortress of Solitude: The Creative Vision Behind James Gunn’s “Superman”
“Work on Your Shoulders…And Your Vulnerability”: How David Corenswet Became Superman
4 Must-Read Comics Before Watching James Gunn’s “Superman”
“The Naked Gun” Trailer: Liam Neeson & Pamela Anderson Team-Up to Reboot a Comedy Classic
Marvel’s Misfits Have Mainstream Appeal: “Thunderbolts*” Strikes Box Office Gold
Marvel’s Misfits Hit Big: Florence Pugh-Led “Thunderbolts*” Strikes a Chord With Critics
Dawn of a New DC: Go Behind-the-Scenes of James Gunn’s “Superman”
From Script to Scream: Stephanie Allain on Producing Blumhouse’s Latest Nightmare, “The Woman in the Yard”
Devil Went Down to Georgia: How Erik Oleson Crafted Kevin Bacon’s Undead Demon Hunter in “The Bondsman”
Rachel Brosnahan Talks “Superman”: It’s Not an Origin Story, But is it a Love Story?
“Thunderbolts”: Marvel’s Wild Card Mixes Antiheroes and Indie Talent From A24 & More
From Wings to Stars: Costume Designer Gersha Phillips on Redesigning Captain America
“Captain America: Brave New World” Composer Laura Karpman Crews a New Beat for a New Cap
