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Dreams Come True: Ryan Gosling Delivers “Papyrus 2” Sequel Sketch on “Saturday Night Live”

Ryan Gosling returned in triumphant fashion this past weekend to host Saturday Night Live, the first time he’s been back to Studio 8H since way back in 2017. Gosling was once again on point, delivering a pitch-perfect cold open that revisited a beloved alien abduction sketch he first did back in 2017, then using his opening monologue to do a big song and dance number devoted to his last role, Ken, of course, from Barbie. That bit was interrupted by Emily Blunt, his co-star in The Fall Guy, their upcoming action-comedy-romance that doubles as a love letter to the stunt professionals who make the movie industry go.

Gosling’s a busy man, and SNL was packed with good stuff (including a cameo by college basketball phenom Caitlin Clark, who visited the Weekend Update set to roast Michael Che), so much so that perhaps the one sketch SNL fans and Gosling stans were hoping for, a sequel to the iconic Papyrus digital short from 2017, wasn’t on the live broadcast. The good news for us is that SNL uploaded it to Twitter and YouTube for our viewing pleasure.

A quick recap of the original Papyrus sketch from 2017—dreamed up by former SNL writer and current feature film director and actor Julio TorresPapyrus centered on Gosling as Steven, a man who is deeply, pathologically troubled by the fact that James Cameron’s original Avatar used the most basic font they could think of for their logo—yes, the absurd Papyrus. Torres first suggested the idea during an SNL Monday morning pitch meeting, which was based on one of his Tweets: “Every day I wake up and remember that Avatar, a huge international blockbuster, used the Papyrus font for their logo and no one stopped them.” 

Torres and the SNL team worked his Tweet into a legendary sketch—which was the perfect vehicle for Gosling, who saw the cinematic potential in the idea of a man who can’t shake Cameron’s bizarre font choice. Payrus follows Steven as he tries to work out his anger over the font choice with his therapist (played by Kate McKinnon), to no avail. “He just highlighted Avatar. He clicked the drop-down menu, and then he just randomly selected Papyrus.” Steven’s friend (Chris Redd) tries to calm his growing monomania by pointing out that they made some slight modifications to the font in the Avatar logo, hoping this technicality will soothe Steven. Hard no. Steven begins to view the font choice as a crime and eventually tracks down the graphic designer responsible (Kyle Mooney), screaming, “I know what you did.” 

 

Which brings us to Papyrus 2, in which Steven’s back and doing his best to “avoid triggers” and stay in control of his papyrus-based demons. Anytime Steven comes into contact with the font, whether it’s helping a man pick up flyers off the street written in papyrus or seeing it on a falafel truck, he’s plunged back into his own personal nightmare. As Steven works to make his steady, incremental improvement, he learns that Avatar: The Way of Water changed the font, which is huge news for the tormented man. Perhaps Steven and his years of dedication to bemoaning the papyrus font choice had an effect on James Cameron? Perhaps all is right in the world now that Avatar‘s design team saw the light? Or, is something seriously sinister going on, and did Cameron do the unthinkable and return to Papyrus in a new and even more hurtful way? Is Steven’s new girlfriend involved in this crime? This is the conceit of the sequel sketch, and it’s a perfect way to kickstart your week if you haven’t seen it:

 

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Scarlett Johansson, Chris Hemsworth, and Brian Tyree Henry Reveal “Transformers One” at CinemaCon

Get ready for a Transformers-sized, star-studded animated epic that will reveal the origin story behind the most bitter feud in Transformers history.

Paramount Pictures arrived at CinemaCon this year ready to deliver on the news they broke last year, revealing an extended trailer and a scene from Transformers One, their animated epic that boasts Scarlett Johansson, Chris Hemsworth, Brian Tyree Henry, and more voicing characters. Those three introduced the extended trailer and the 3D scene. Hemsworth and Henry were there in person, while Johansson delivered a recorded message via video from New York, where she’s working on her directorial debut, Eleanor the Great. Johansson plays Elita-1 in the film.

Hemsworth told the audience inside the Colosseum at Caesars Palace that he was playing Orion Pax, the young Optimus Prime, and that they could expect “something truly spectacular.” Hemsworth said that Orion Pax will reveal a side of the proud, noble Prime that audiences have never seen before. Hemsworth also gave a shout-out to longtime Prime voice actor Peter Cullen, who imbued Prime with “strength, gentleness, and compassion.”

Hemsworth then introduced Henry, who plays D-16, the young Megatron. “This origin story is how they transformed from brothers in arms to sworn enemies,” Henry said of the relationship between his D-16 and Hemsworth’s Orion Pax. That’s the crux of Transformers One, this bitter, brutal feud between these two immensely powerful alien robots.

The cast also includes Keegan-Michael Key as B-127, Jon Hamm as Sentinel Prime, Laurence Fishburne as Alpha Trion, and Steve Buscemi.

Transformers One is directed by Josh Cooley, who won an Oscar for his work directing Toy Story 4. Cooley works from a script by Andrew Barrer and Gabriel Ferrari.

Transformers One hits theaters on September 13.

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Featured image: LAS VEGAS, NEVADA – APRIL 11: (L-R) Brian Tyree Henry and Chris Hemsworth appear on stage during the Paramount Pictures 2024 CinemaCon Footage Presentation on Thursday, April 11, 2024 at Caesars Palace in Las Vegas, Nevada. (Photo by Candice Ward/Getty Images for Paramount Pictures)

Marvel Lets “Captain America 4” Footage Fly at CinemaCon

Anthony Mackie is finally stepping into the solo spotlight and nobody is more prepared. Mackie joined Kevin Feige in Las Vegas to reveal footage from Captain America: Brave New World, which finds Mackie’s Sam Wilson now fully invested as the new Cap.

Feige said that for Mackie and director Julius Onah’s upcoming film, the vibe is decidedly more of a grounded, gritty action flick, like the beloved Captain America: The Winter SoldierWinter Soldier was Mackie’s first MCU film, where he became a crucial ally for Chris Evans’ Steve Rogers/Captain America going forward. Sam Wilson was, without a doubt, the man Cap could count on the most, which is why he was selected at the end of Avengers: Endgame by an aged, retired Steve Rogers to carry on the shield.

We saw Sam Wilson wrestle with this new responsibility in the Disney+ series Falcon and the Winter Soldier, which was released in 2021 and followed The Winter Soldier‘s vibe as a full-bodied action thriller. Becoming Captain America was an especially difficult experience for Sam as a Black man replacing a white icon and savior figure. By the end of Falcon and the Winter Soldier, Sam has accepted the role and proven himself more than capable of carrying the shield.

Captain America: Brave New World finds Sam after he’s accepted and grown into the role. It also introduces Harrison Ford into the MCU as he takes over for the late William Hurt as Thunderbolt Ross. Danny Ramirez returns as Joaquin Torres, the young man who takes over from Sam as the Falcon. The cast also includes Liv Tyler, Tim Blake Nelson, Carl Lumbly (reprising his role of Isaiah Bradley from The Falcon and the Winter Soldier), and Shira Haas.

The footage shown at CinemaCon revealed Sam arriving at the White House, where Thunderbolt Ross, now the president, wants Sam’s help rebuilding the Avengers. The footage then moves to a tense moment when Ross, thanking Sam and Torres for helping out, is interrupted by blaring music, which sets off Isaiah Bradley, a former Super Soldier, who tries to kill Ross.

Captain America: Brave New World will fly into theaters on February 14, 2025. It’s preceded by Deadpool & Wolverine, which arrives this July 26, and followed by The Fantastic Four, which will arrive in theaters on July 25, 2025.

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Featured image: (L-R): Harrison Ford as President Thaddeus Ross and Anthony Mackie as Sam Wilson/Captain America in Marvel Studios’ CAPTAIN AMERICA: BRAVE NEW WORLD. Photo by Eli Adé. © 2024 MARVEL.

Kevin Feige Unleashes 9 Minutes of “Deadpool & Wolverine” at CinemaCon

Disney’s presentation at this year’s CinemaCon in Las Vegas was a lot less PG than it usually is. That’s because this year, the studio had Deadpool & Wolverine to show off, the latest installment in the raunchiest, most ribald franchise in the superhero world.

The presentation began with a PSA reminding audience members to silence their phones. Then it cut to Deadpool (Ryan Reynolds) and Wolverine (Hugh Jackman) discussing rumors for Avengers: Secret Wars, the first Avengers film since Endgame dominated box offices in 2019. Naturally, Deadpool is chatty and ready to explain his theories for what happens, but a cell phone blares from the audience, cutting him off. After several interruptions, the short-fused Wolverine finally loses his cool and unleashes a bevy of F-bombs. This is a nifty way for Marvel to let folks know that just because Deadpool is now officially a Marvel film (it used to belong to Fox) and Marvel’s a Disney-owned studio doesn’t mean the new movie will be any less potty-mouthed.

Kevin Feige added to the loose and limber vibe, summing up the Reynolds/Jackman team-up movie this way: “It’s f**king awesome.” The 9 minutes of footage included Deadpool and Wolverine dealing with the multiverse while slinging the barbed wit that fans of the franchise have come to love. That includes taking shots at the very movie they’re watching, Marvel, and even Disney.

Director Shawn Levy was on hand to reveal the footage, which were all spoiler-free selects. The new look at Deadpool & Wolverine included some funny details, including Reynolds’ Wade Wilson, now retired from the superhero business, selling cars, but doing so in his insanely unsuitable way. Eventually, as we learned in the gangbusters trailer, Wade will find himself at the Time Variance Authority HQ, where he’s deployed on a mission that eventually has him colliding with Wolverine.

There were plenty of laughs during the footage, which Feige said was specially picked out by Levy and Reynolds for the CinemaCon crowd. Deadpool & Wolverine is Marvel’s only 2024 release, coming on July 26, yet the studio must feel pretty good about it, considering it became the most-watched trailer in history.

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Featured image: L-r: Ryan Reynolds is Wade Wilson/Deadpool and Hugh Jackman is Logan/Wolverine in “Deadpool 3.” Courtesy Ryan Reynolds/Marvel Studios

First Footage of Ridley Scott’s “Gladiator 2” Conquers CinemaCon

There couldn’t have been a more fitting location for the first look at Ridley Scott’s Gladiator 2 than The Colosseum at Caesars Palace. Scott’s epic sequel came roaring into the Las Vegas venue for CinemaCon, where theater owners got the first peek at his hotly-anticipated swords-and-sandals blockbuster.

Scott introduced the footage via video from London, confident in the work he, his cast, and his crew had accomplished. “It is possibly even more extraordinary than the first,” he said in the video. Stars Paul Mescal and Denzel Washington both enthused about what’s in store for audiences. 

The footage revealed Mescal’s gladiator in ferocious battle mode against some vicious monkeys and, later, a soldier utilizing a beast even more powerful than a horse—a rhino. The Colosseum itself is transformed for one massive battle, in which it’s—wait for it—filled with water to allow for a ship-vs-ship high seas clash.

Gladiator 2 is the long-awaited follow-up to Scott’s 2001 Best Picture Oscar winner, which followed the tortured journey of former general Maximus Decimus Meridius (Russell Crowe), who went from valor to ruin after his might on the battlefield was viewed as a threat by the fragile, self-appointed emperor of Rome, Commodus (Joaquin Phoenix.) Commodus goes to despicable lengths to neutralize Maximus, brutally killing his wife and children and selling him into slavery, where, eventually, Maximus ends up fighting as a gladiator. Gladiator tracked Maxmius’s bloody path of vengeance against Commodus, in which the former general turned beloved “Spainard” of the Colosseum gets ever closer to exacting his revenge against the petulant, sociopathic emperor.

“I remember that day. I never forgot it. That a slave could take revenge against an emperor. That a slave could get justice in the arena,” Mescal’s gladiator says in the footage shown.

Pedro Pascal plays a reluctant military leader who, after questioning the logic of sending so many young men off to die, is summarily sentenced to becoming a gladiator himself for his conscience. Washington plays a mentor to Mescal’s young gladiator, pushing him toward rebellion.

Connie Nielsen returns from the original film, reprising her role as Lucilla.

Gladiator 2 is set to storm into theaters on November 22. 

For more on Gladiator 2, check out these stories:

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Featured image: LONDON, ENGLAND – NOVEMBER 16: (EDITORS NOTE: This image has been converted to black and white.) Ridley Scott attends the “Napoleon” UK Premiere at Odeon Luxe Leicester Square on November 16, 2023 in London, England. (Photo by Gareth Cattermole/Getty Images)

Penelope and Colin Conspire in First “Bridgerton” Season 3 Trailer

Your return trip to the ‘Ton is duly booked, your carriage awaits, and a fresh season of intrigue will greet you in a month’s time.

The first trailer for season 3 of Bridgerton has arrived, revealing quite the unique arrangement between Penelope (Nicola Coughlan) and Colin (Luke Newton), who have decided to band together to find Penelope the man of her dreams. Or, more accurately, a husband.

Julie Andrews again voices Lady Whistledown as she welcomes us back to the ‘Ton. “We have been apart for far too long,” Lady Whistledown says, “at last, London’s fashionable set has made its return, and it seems that our Bon Ton is moving with the changing tide. So, too, is this author.”

Penelope is not so sure she can find her man, even with Colin’s help, but the latter is determined and sure as ever there’s a match fit for her in the ‘Ton. The trailer unveils a new potential suitor for Penelope’s hand, Lord Debling (Sam Phillips), but all may not be as it seems.

“What is the primary force that guides us along our paths?” Lady Whistledown asks at the trailer’s end. “Is it our minds or our hearts?”

This is the question that Bridgerton has been asking, in one form or another, since its inception and part of the reason why it’s such a hit for Netflix.

Joining Coughlan and Newton in the cast are Jonathan Bailey, Simone Ashley, Claudia Jessie, Jessica Madsen, Golda Rosheuvel, Hugh Sachs, Adjoa Andoh, Daniel Francis, Hannah Dodd, Harriet Cains, Bessie Carter, Polly Walker, Martins Imhangbe and Emma Naomi.

Take a trip back to the ‘Ton with the new trailer below. Bridgerton season 3, part 1 arrives on May 16:

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Featured image: Bridgerton. (L to R) Nicola Coughlan as Penelope Featherington, Luke Newton as Colin Bridgerton in episode 302 of Bridgerton. Cr. Liam Daniel/Netflix © 2023

Robert Eggers’ “Nosferatu” Sinks Its Teeth Into CinemaCon

This year’s CinemaCon has had its share of massive movies fronted by huge stars, including a full screening of the riotous, nonstop fun of the Ryan Gosling and Emily Blunt-led The Fall Guy to the reveal of the first trailer for Joaquin Phoenix and Lady Gaga’s Joker: Folie à Deux and the first film in the two-part Wicked, starring Ariana Grande and Cynthia Erivo. Yet a film flying just a little bit under the radar created a reaction as big as any so far this week, with director Robert Eggers’ Nosferatu dropping a teaser that jolted audiences in Las Vegas.

The teaser for Eggers’ film, which is an appropriately gothic story of obsession between the titular vampire and the haunted young woman he’s fixated on, opens on Ellen Hunter (Lily-Rose Depp) praying for someone—or something—to visit her. A voiceover then finds Ellen asking Professor Albin Eberhart Von Franz (Willem Dafoe) if evil is an entity that comes from within a person or if it finds its way inside. Then things get insane. Ghoulish images, including an army of rats and a man sinking his teeth into a pigeon’s neck, are followed by the revelation of Thomas Hutter (Nicholas Hoult) beholding the castle of Count Orlok (Bill Skarsgård) for the first time. Then Nosferatu makes his grand entrance (it’s Count Orlok), standing in the shadows with a dog at his side.

Eggers is perhaps the perfect person to do a deep gothic adaptation of the deathless story first created by Bram Stoker in “Dracula,” plunging audiences into the grim and gripping environs of 19th-century Germany. The film is focused on Count Orlok’s obsession with Ellen Hutter, and considering Eggers’ attention to detail in films as striking as The Northman, The Lighthouse,  and The Witch, it’s a safe bet that Nosferatu will feel as if we are right there in that cold and shadowy world.

Nosferatu is set to rise on December 25.

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Featured image: Lily-Rose Depp stars as Ellen Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2023 FOCUS FEATURES LLC

Ariana Grande & Cynthia Erivo’s “Wicked” Wows at CinemaCon

Director John M. Chu’s Wicked cast a spell at CinemaCon with a little help from his wonderful witches.

Universal unveiled a new look at Chu’s Wicked, with Chu on hand in Las Vegas, alongside Ariana Grande (a Grammy-winning, multiple-platinum superstar) and Cynthia Erivo (a two-time Oscar nominee and Emmy, Grammy, and Tony-winner), to reveal the footage. The Wicked presentation took place in a packed theater at the annual Con, where studios and theater owners get together to celebrate the theater experience and reveal the films that will be filling seats, and with Wicked, it was an especially emotional presentation. Chu teared up as he recalled what it was like to land on Grande and Erivo to play the witches Glinda and Elphaba, respectively. Magic indeed.

A poster for Universal Pictures’ “Wicked.”

Chu, Grande, and Erivo weren’t the only members of the Wicked realm on stage—Oscar winner Michelle Yeoh was there, as were Jeff Goldblum and Jonathan Bailey, along with veteran stage and film producer Marc Platt. The audience was handed lanyards and found tulips in their seat cupholders to help get everyone into the magical mood.

It was a sign of the excitement and belief in their film that Universal, led by chief Donna Langley, who introduced the Wicked team, showed 30 minutes of the musical. “You all got a taste of this stunning film at last year’s CinemaCon,” said Langley. “And the world has loved this musical and celebrated it for more than 20 years. It’s proof that our future is unlimited — if that will give you a little bit of a tease. Thank you all for being here today. The wizard will see you now.”

When the house lights went down, the audience’s lanyards lit up, as did the tulips, which glowed pink and green in honor of Glinda and Elphaba, the latter of whom is tormented as a child over her green skin.

The screen then revealed a giant Oz, who spoke directly to the theater audience. “Who are you, and why do you seek me? Behold CinemaConians! A spectacle awaits that will glorify your palaces of light and sound this holiday season. … Remember, there’s no place like Oz. There’s no place like Oz.”

Oz might be a tough act to follow, but not for Jeff Goldblum, who came up next to reflect on his “long-ish” career and marvel at the magic of making not one but two Wicked films back-to-back. When Chu took the stage, he reflected on first reading Gregory Maguire’s novel 25 years ago, which is set before Dorothy arrives in Oz in a story that helps restore the Wicked Witch of the West’s humanity in the incredible person of Elphaba.

“In a stroke of luck that now seems like destiny,” Chu recalled how he happened to be in San Francisco when the musical adaptation of Maguire’s book was workshopped. “It imprinted itself on me permanently,” he said, and he related to Elphaba, who was someone “who was judged for the way she looks. We dreamed very, very, very big for Wicked. A magical land of sights and sounds that will astonish and performances that will lift your spirits and occasionally break your heart.”

As for landing Grande and Erivo, producer Marc Platt had this to say: “These characters are so aspirational for young people and mean so much to so many people, and we knew we had to get it exactly right. We saw so many hopeful women from every corner of the world.” Then they met with Grande and Erivo, who “claimed each of their roles. When we finally saw them, we knew that we landed on the right pairing. Two strong young women who were destined to play these roles.”  

Wicked enchants in theaters on November 27, with Wicked Part Two arriving on November 26, 2025.

Featured image: LAS VEGAS, NEVADA – APRIL 10: (L-R) Ariana Grande and Cynthia Erivo speak onstage during the Universal Pictures and Focus Features Special Presentation, featuring footage from their upcoming slate, during CinemaCon, the official convention of the National Association of Theatre Owners, at Caesars Palace on April 10, 2024 in Las Vegas, Nevada. (Photo by Jerod Harris/Getty Images for CinemaCon)

Blumhouse & Lionsgate Working on a New “Blair Witch” Movie

We’re headed back into the freakiest forest of them all, courtesy of Blumhouse and Lionsgate, who are partnering for a new Blair Witch Project movie.

The two studios have struck a deal in which Blumhouse will be reimagining multiple horror films for Lionsgate after the success of their joint venture, director Jeff Wadlow’s horror film Imaginary, which has scared up $38.2 million since its March 8 release.

Writer/director duo Daniel Myrick and Eduardo Sánchez’s original The Blair Witch Project was a legitimate phenomenon. Released in 1999 and made for $35,000 (with an additional $200-500k in post-production), their fictional documentary about three film students investigating the local Blair Witch legend in the Maryland woods went on to gross an astonishing $249 million globally. The Blair Witch Project was a legitimately unsettling and ingeniously crafted film that benefited mightily from introducing audiences to the found footage concept and kickstarting the craze for that approach. It also led to two sequels, in 2001 and another in 2016. Producer Roy Lee, who worked on director Adam Wingard’s 2016 sequel Blair Witch, is back to produce the new film.

“I have been incredibly fortunate to work with Jason many times over the years,” said Lionsgate Film Chairman Adam Fogelson about Jason Blum. “We forged a strong relationship on The Purge when I was at Universal, and we launched STX with his film The Gift. There is no one better at this genre than the team at Blumhouse. We are thrilled to kick this partnership off with a new vision for Blair Witch that will reintroduce this horror classic for a new generation.” 

Blum praised the original Blair Witch for lighting the way through the darkness for his own found footage juggernaut.

“I don’t think there would have been a Paranormal Activity had there not first been a Blair Witch, so this feels like a truly special opportunity, and I’m excited to see where it leads.”

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Featured image: Heather Donahue in a scene from the film ‘The Blair Witch Project’, 1999. (Photo by Lauren Film/Getty Images)

Bong Joon Ho Reveals a Multiplicity of Robert Pattinsons in First “Mickey 17” Trailer

Oscar-winner Bong Joon Ho made his first trip to CinemaCon in Las Vegas to present the official trailer for Mickey 17, his first movie since his masterful Parasite devoured all the Oscars.

Bong’s new film deploys Robert Pattinson—again and again and again—in an irreverent sci-fi story that deals with human cloning, space colonization, and the nature of identity.

“It’s a story of a simple man who ultimately ends up saving the world,” Bong said at CinemaCon, a succinct summation of his latest film.

The film is based on Edward Ashton’s 2022 novel “Mickey7,” centered on the titular protagonist who works as a “disposable employee” on a dangerous mission. In Ashton’s novel, Mickey7 works on a human expedition setting out to colonize the frozen planet of Niflheim, a very dangerous job in which a constant procession of Mickeys are printed and rolled out to do work after they die over and over again. The genius of the “disposable employee” design is that while they can regenerate an entirely new body, most of their memories will remain intact. That is, until after six deaths when a replacement clone takes over. The key inflection point in Ashton’s book is when Mickey7 refuses to let Mickey8 take over his job. In Bong’s movie, Pattinson plays both Mickey 17 and 18, and has given each of them their own characteristics.

“The number is the number of times he dies. I killed him ten times more,” Bong said to laughs from the crowd. “It’s a sci-fi movie, but it’s a human story.”

The trailer hasn’t been released to the public yet, but it’s said to be set to a Frank Sinatra song, which somewhat offsets the unpleasant doings happening on screen, including the various ways Mickey is maimed and killed.

Warner Bros will be releasing Mickey 17 in South Korea on January 28, 2025, timed to the Lunar New Year Holiday. This is three days earlier than its global release on January 31. It’s a fitting choice for its world premiere location, considering Bong is one of South Korea’s most beloved filmmakers.

“Director Bong’s creativity, vision, and imagination always exceed expectations. Mickey 17 will surprise audiences with its original story and characters, unpredictable plot development and humor, as well as great production qualities,” Warners president of international distribution Andrew Cripps said in a statement.

Delayed due to the dual strikeswe’ve already gotten a brief, tantalizing sneak peek—way back in December of 2022. Mickey 17 returns Bong to the sci-fi genre in which he’s made some of his most ambitious films, from 2006’s The Host to 2013’s Snowpiercer and his 2017 Netflix film Okja. 

Pattison is joined by Steven Yeun, Naomi Ackie, Toni Collette, and Mark Ruffalo.

Featured image: Robert Pattinson stars in Bong Joon Ho’s “Mickey 17.” Courtesy Warner Bros.

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