2026 Emmys: “Widow’s Bay” Casts a Spell as Matthew Rhys Makes History and Jean Smart, “The Pitt” Prevail

Matthew Rhys made Emmy history, Jean Smart continued her remarkable run, and “Widow’s Bay” completed a sweeping victory on television’s biggest stage. Here are the biggest winners, tributes, surprises, and unforgettable moments from the 78th Emmy Awards.

By The Credits  |  September 15, 2026

Interview

Costume Designer

How “Lord of the Flies” Costume Designer Maja Meschede Turned School Uniforms Into Survival Gear

For Netflix’s “Lord of the Flies,” costume designer Maja Meschede charted the boys’ descent from order to chaos through subtle, emotionally grounded costume design. She discusses vintage clothing, continuity challenges, and filming in Malaysia.

By Bryan Abrams  |  September 14, 2026

Interview

Composer

“Beef” Composer Finneas O’Connell on Building a Synth-Driven Score for Netflix’s Emmy Juggernaut

Composer Finneas O’Connell explains how he built the retro synth-driven score for “Beef” Season 2, collaborating with creator Lee Sung Jin to chart the series’ escalating tensions, generational conflicts, nostalgia, and explosive emotional reckoning.

By Bryan Abrams  |  September 14, 2026
Patient Zero: Zach Cregger Takes “Resident Evil” in a New Direction

Fresh off the success of “Weapons,” Zach Cregger is taking a bold swing with “Resident Evil.” The filmmaker discusses fan backlash, positive test screenings, Austin Abrams' starring role, and why removing jokes made the franchise reboot even scarier.

By The Credits  |  September 11, 2026

Interview

Editor

“Lanterns” Editor Vikash Patel on Pace, Performance & Power Rings

Veteran editor Vikash Patel takes us inside the making of “Lanterns,” discussing its blend of drama, comedy, action, and visual effects, his collaboration with showrunner Chris Mundy, and the editorial choices that shape Aaron Pierre and Kyle Chandler’s cosmic mystery.

By Bryan Alkemeyer  |  September 10, 2026

Interview

Sound Designer

How VFX Wizard John Knoll & Sound Master David Acord Made “The Mandalorian and Grogu” Bigger Than Ever

For “The Mandalorian and Grogu,” VFX supervisor John Knoll and sound designer David Acord blended photogrammetry, practical effects, virtual production, and immersive sound to expand Din Djarin and Grogu's galaxy without losing the spirit fans fell in love with.

By Daron James  |  September 9, 2026
Summer of Love: How Moviegoers, Original Hits, and Big Swings Delivered a Record-Breaking Season

The record-breaking $4.76 billion Summer 2026 box office was fueled by original hits like “Obsession” and “Backrooms,” blockbuster successes like “The Odyssey” and “Spider-Man: Brand New Day,” and a renewed audience appetite for the theatrical experience.

By The Credits  |  September 8, 2026
Nathan Fielder & Lance Oppenheim’s Elizabeth Holmes Doc “You Can See Everything” Stuns Telluride

Nathan Fielder and Lance Oppenheim's “You Can See Everything” arrives after years of Elizabeth Holmes coverage, yet the filmmakers have crafted something startlingly new. Following its surprise Telluride debut, the A24 documentary is already generating major awards buzz.

By The Credits  |  September 8, 2026
Martin McDonagh’s “Wild Horse Nine” Gallops Into Awards Season After 13-Minute Venice Ovation

John Malkovich was visibly moved after Martin McDonagh's “Wild Horse Nine” premiered to a 13-minute standing ovation at the Venice Film Festival. The enthusiastic response immediately fueled awards-season speculation for McDonagh's latest and its acclaimed cast.

By The Credits  |  September 4, 2026
Paradise Lost, Headlines Won: Netflix Unveils Trailers for “East of Eden” & “Ink”

Zoe Kazan's ambitious adaptation of John Steinbeck's “East of Eden” and Danny Boyle's electrifying take on James Graham's “Ink” showcase powerhouse casts, visionary filmmakers, and stories driven by obsession, ambition, and consequence

By The Credits  |  September 3, 2026

Interview

Composer

Web of Loss: Composer Michael Giacchino on Rebuilding Spider-Man’s Theme Note by Note

Composer Michael Giacchino reveals how he reshaped Spider-Man's music for “Spider-Man: Brand New Day,” stripping notes from Peter Parker's theme to reflect loss, loneliness, and growth as Tom Holland's hero confronts a powerful new chapter.

By Jack Giroux  |  September 2, 2026

Interview

Costume Designer

Denim Against Dinosaurs: How Erin Benach Built Anne Hathaway’s Vintage Armor for “The End of Oak Street”

Costume designer Erin Benach takes us inside the creation of the early-1980s world of “The End of Oak Street,” revealing how vintage fashion, character-driven design, and practical stunt-ready costumes helped bring Anne Hathaway’s dinosaur thriller to life.

By Susannah Edelbaum  |  September 1, 2026

Interview

Director

“The Dog Stars”: Ridley Scott on Preparing For the End of the World

Ridley Scott discusses his visually stunning adaptation of “The Dog Stars,” why Westerns continue to influence his filmmaking, how storyboarding shapes every shot he makes, and why optimism remains essential to surviving both filmmaking and the apocalypse.

By Jack Giroux  |  September 1, 2026

Interview

Editor

How “The End of Oak Street” Editor John Axelrad Crafted Anne Hathaway & Ewan McGregor’s Lean, Mean Dinosaur Thriller

Editor John Axelrad discusses how he streamlined “The End of Oak Street” into a tight, suspenseful thrill ride, balancing family drama, horror, humor, and prehistoric chaos while finding the perfect rhythm for Anne Hathaway and Ewan McGregor's dinosaur-infested adventure.

By Hugh Hart  |  August 31, 2026
Full Throttle: Tom Cruise and Anne Hathaway Race Into a New “Days of Thunder”

Nearly four decades after the original film roared into theaters, Tom Cruise is returning as Cole Trickle in a sequel to “Days of Thunder.” Joining him is Anne Hathaway as a team owner and engineer, putting a fresh spin on the NASCAR story.

By The Credits  |  August 31, 2026
The Heat Is On: Danny Ramirez Joins Michael B. Jordan and Austin Butler in “Miami Vice ’85”

Joseph Kosinski’s “Miami Vice ’85” continues to build momentum as Danny Ramirez joins Michael B. Jordan and Austin Butler in the filmmaker’s new take on the iconic crime saga, inspired by the neon-soaked style and danger of the original series.

By The Credits  |  August 28, 2026

Interview

Director, Screenwriter

From Personal Loss to Emmy Nomination: Writer/Director Jim Rash’s Journey With “Miss You, Love You”

Emmy-nominated filmmaker Jim Rash discusses drawing from personal loss to create “Miss You, Love You,” directing Allison Janney and Andrew Rannells, filming ambitious long takes, and finding humor, healing, and connection in grief.

By Daron James  |  August 27, 2026

Interview

Special/Visual Effects

Creature Discomforts: Inside “Alien: Earth” With the Artists Behind Its Monsters

Noah Hawley's “Alien: Earth” expands the franchise with a terrifying new lineup of creatures. Prosthetics designer Steve Painter and VFX supervisor Jonathan Rothbart reveal how they created the Eye Midge, the Orchid, and the season's most unforgettable kills.

By Bryan Abrams  |  August 26, 2026
Dolly’s First Day at the Office: Revisiting Dolly Parton’s Brilliant “9 to 5” Film Debut

Dolly Parton was already a music legend when she stepped onto a movie set for the first time. Her performance as Doralee Rhodes in "9 to 5" alongside Jane Fonda and Lily Tomlin revealed a natural screen star whose warmth, wit, and charisma lit up the film.

By Bryan Abrams  |  August 26, 2026

Interview

Screenwriter

Inside the Mind Games of “The Beast in Me” With Emmy-Nominated Creator/Writer Gabe Rotter and Writer Daniel Pearle

Emmy-nominated writers Gabe Rotter and Daniel Pearle discuss crafting the combustible relationship between Claire Danes and Matthew Rhys in Netflix's “The Beast in Me,” balancing character drama and suspense while exploring the stories people tell themselves.

By Hugh Hart  |  August 25, 2026