From Stone to Shadow: Oscar Nominee Tamara Deverell on Crafting Guillermo del Toro’s “Frankenstein”

In our interview, Oscar‑nominated production designer Tamara Deverell breaks down how she and Guillermo del Toro shaped "Frankenstein"’s towering sets, shadowed interiors, and intimate spaces—using architecture, texture, and scale to reflect both the monster’s isolation and the fragile humanity at the story’s core.

Stitching Humanity Into Horror: Oscar Nominee Kate Hawley on Costuming “Frankenstein”

In our interview, Oscar‑nominated costume designer Kate Hawley breaks down how clothing became a storytelling language in "Frankenstein"—from shaping character psychology to honoring motherhood, grief, and humanity within a tale often defined by horror.

Oscar‑Nominated Songwriter EJAE on Turning Rejection Into “Golden” Success in “KPop Demon Hunters”

In our conversation, EJAE reflects on the long road to “Golden,” including years of near‑misses, creative setbacks, and moments when walking away from songwriting felt inevitable. Her story is a powerful reminder that success in the film industry is often built not on overnight wins, but on resilience—and on finding the right project at exactly the right moment.

How Oscar Nominee Adolpho Veloso Turned the Pacific Northwest Into the Soul of “Train Dreams”

Oscar nominee Adolpho Veloso shot "Train Dreams" entirely on location across Washington State — no artificial light, no wide-screen spectacle, just natural beauty captured at the right moment. The Brazilian-born cinematographer talks about channeling Dorothea Lange, choosing a Depression-era aspect ratio, and why getting out of nature's way is sometimes the most powerful creative choice you can make.

How “The Night Agent” Keeps It Real: Shawn Ryan on Panama Papers Inspiration and Filming in New York

Shawn Ryan has spent much of his career writing about the cracks in America’s institutions, from corrupt cops on The Shield to rogue commanders on Last Resort. But "The Night Agent," his hit Netflix thriller now entering Season Three, lets him imagine something different: principled people fighting back.

Costume Designers Guild Awards: “One Battle After Another,” “Frankenstein,” & “Wicked: For Good” Designers Honored

Costume designers Colleen Atwood ("One Battle After Another"), Kate Hawley ("Frankenstein"), and Paul Tazewell ("Wicked: For Good") took home top film honors at the 28th Costume Designers Guild Awards

Surprise Super Bowl Spot Reveals David Fincher’s “The Adventures of Cliff Booth” With Brad Pitt

In a genuine Super Bowl surprise, Netflix revealed the first teaser for David Fincher's "The Adventures of Cliff Booth" — a spinoff of Tarantino's "Once Upon a Time in Hollywood" starring Brad Pitt. Written by Tarantino, directed by Fincher.

How “The Rip” Writer/Director Joe Carnahan Turned a Real Heist Into his Gripping Ben Affleck/Matt Damon Caper

“They’ve got to care about the people they’re watching. They have to have a rooting interest in the people on screen," says "The Rip" writer/director Joe Carnahan.

“Stranger Things” Hair Designer Sarah Hindsgaul on Wigs, Grit, and Grounding Season 5’s Fantasy

"We went right into the action. The vanity has gone out of these people, even Steve." Sarah Hindsgaul, hair designer since Season 1, on how "Stranger Things" Season 5's grittier tone shaped Nancy, Steve, and the rest of Hawkins' final battle.

Editor Kirk Baxter on Syncing Three POVs Down to the Second in “A House of Dynamite” — Part 2

How do you edit the same 20-minute countdown three times without it feeling repetitive? Oscar winner Kirk Baxter breaks down the sound, pacing, and POV choices that made "A House of Dynamite" unbearably tense.

“A House of Dynamite” Editor Kirk Baxter on Sculpting Kathryn Bigelow’s Cinéma Vérité Nuclear Thriller

Editor Kirk Baxter on maintaining tension in Kathryn Bigelow's "A House of Dynamite" without exhausting the audience: "The actors slow down when the reality dawns on them, air gets sucked out of the room."

Co-Writer Emily Mortimer on Balancing Agony and Hilarity in Noah Baumbach’s “Jay Kelly”

"Jay Kelly" co-writer Emily Mortimer shares how months of conversation became a script about aging, regret, and finding one friend who matters.

Producer Vanridee Pongsittisak on Driving Thai Film & TV’s Global Breakthrough

The past few years have marked a period of remarkable momentum for Thai producer Vanridee Pongsittisak.

While the foundations of her career were built over more than a decade, supported by the Bangkok-based GTH and GDH 559 studios, Vanridee has recently led the charge as Thai filmmakers expand their international horizons.

Most visibly, this mission has played out in real time through the runaway success of the Pat Boonnitipat-directed comedy-drama How to Make Millions Before Grandma Dies.

The Architect of the Upside Down: Inside “Stranger Things” Production Designer Chris Trujillo’s Epic Season 5 Builds

We’ve come a long way from a group of boys playing Dungeons & Dragons in a basement, and their chance encounter with a shy girl with massive powers shivering in the rain. With Season 5, Matt and Ross Duffer’s Stranger Things came to a close, but not without leaving audiences emotionally spent and deeply satisfied. The production of the closing chapter was wildly ambitious. The first table read took place in December 2023 under the codename “Cedar Lodge,” before shooting for 237 days,

Netflix Unveils 2026 Slate Includes “Beef” Season 2, Greta Gerwig’s “Narnia,” Charlize Theron-led “Apex”

Netflix has unveiled its 2026 film slate, including a peek at one of the streamer’s homegrown superstars, Millie Bobby Brown, first post-Stranger Things project, the third installment of the series Enola Holmes. 

Also featured in the four-minute-plus look at their 2026 slate is the Ben Affleck/Matt Damon-led film The Rip, in which Affleck and Damon play two Miami police officers who lead the squad that works “the dope game,” which includes seizing money.

Inside “Stranger Things” Season 5: DP Caleb Heymann on Will’s Visions, Vecna’s Mind-Maze, & Demogorgon Drones

The fifth and final season of Stranger Things may take place over the course of a few November days, but the Duffer Brothers’ ever-ambitious epic took almost a year to shoot. Volume 1, the season’s first four episodes, saw Eleven (Millie Bobby Brown) putting her powers to work in the Upside Down, Will (Noah Schnapp) telepathically connecting with demogorgons, and the youngest Wheeler sibling, Holly (Tinsley Price), taken prisoner by Vecna (Jamie Campbell Bower),

“Wake Up Dead Man” Costume Designer Jenny Eagan on Priestly Fashion and Daniel Craig’s ’70s-Inspired Suits

For her third collaboration with writer-director Rian Johnson on his Knives Out Mystery franchise, costume designer Jenny Eagan recalibrated her color palette to suit Wake Up Dead Man‘s darker tone. Daniel Craig, of course, returns as detective Benoit Blanc, but the new installment co-stars Josh O’Connor and Josh Brolin as small-town priests. Rounding out the cast of killers, victims, and innocent bystanders are Glenn Close,

“Wake Up Dead Man” Composer Nathan Johnson: From Beauty to Darkness in Benoit Blanc’s Latest Mystery

Wake Up Dead Man: A Knives Out Mystery composer Nathan Johnson has scored all three of Rian Johnson‘s Knives Out films. Working alongside Johnson (his cousin), Nathan has created a unique sound for each film, culminating in a fantastical, orchestral finale for Benoit Blanc’s closing monologue. So how’d Johnson do? His work on Wake Up Dead Man has recently been shortlisted for an Oscar.

“Wake Up Dead Man” Cinematographer Steve Yedlin on Framing Rian Johnson’s Darkest “Knives Out” Yet

When I walked into the theater to see Wake Up Dead Man, the third installment in Rian Johnson’s Knives Out series, I wasn’t thinking about the fact that I’d soon be talking to Steve Yedlin, the cinematographer behind the film’s meticulous, moody visual world. I was just excited by the thought of revisiting a universe that has become something like comfort food to me. I’ve watched Knives Out and Glass Onion more times than I care to admit publicly,

“You Die, I Die”: “Stranger Things” Unleashes Dark New Trailer As Our Heroes Prepare to Risk Everything

The vibes are not awesome in the opening moments of the new trailer for Stranger Things‘ 5th and final season 5, volume 2, to be precise. Will (Noah Schnapp) says it as plainly as possible: “We failed. We never stood a chance.” His indefatigable mom, Joyce (Winona Ryder) won’t hear of it—this is not over, she promises her Upside Down-weary son, possibly the one person from Hawkins, Indiana,