Interview

Cinematographer, Director, Editor, Screenwriter

Back To Film School: On Location At CalArts


Across the country, aspiring filmmakers are hard at work honing their craft at film schools. Whether it's learning about the cultural impact of cinema, getting a technical training education in directing or cinematography, or advancing a lifelong love of cinema, we're celebrating film schools everywhere with a week of film school-themed content.

The Credits recently traveled to the California Institute of the Arts–one of the country's premier arts schools located just outside of Los Angeles.

By  |  October 8, 2012

Interview

Actor, Composer, Editor, Location Scout, Props, Screenwriter, Stunt Coordinator/Stunt Person

50 Reasons to Love James Bond

Last week marked the highly anticipated arrival of BOND 50 – the complete James Bond film collection showcasing all 22 classic titles on Blu-ray together for the first time ever, in one sleek collectable box-set. This Limited Edition set marks the debut of nine James Bond films previously unavailable in high definition Blu-ray and comes with a dossier of more than 122 hours of bonus features

Bond’s impact on our culture is such that the Museum of Modern Art in New York City is saluting her majesty’s favorite spy (for the second time,

By  |  October 2, 2012

Interview

Editor, Special/Visual Effects

The Wired Theater: Audiences Get Social At The Cinema

There is a well-known myth of movie audiences in the late 19th century fleeing for the exits at the sight of a train that seemed to be barreling straight toward them. In reality, audiences’ early fascination with motion pictures quickly turned to admiration, a sacred respect for the movie going experience. Talking during movies became, almost instantaneously, strictly verboten. Decades later, other rules reared their heads to stomp out social distractions in the cinema. First it was,

By  |  September 4, 2012

Interview

Editor, Special/Visual Effects

The Return of Smell-O-Vision, the Advent of 4D Cinema, and the Brave New World of Sensory Film

TIME Magazine might have deemed it one of the worst 100 ideas in history, but it’s hard not to harbor a fond nostalgia for the wonderfully bizarre promise Smell-O-Vision once afforded moviegoers. Making movies that smelled was a bold and definitively quirky concept intended to persuade the television-hooked masses of 1950s Americana to migrate from their plastic-covered couches and microwaved TV dinners in order to experience movies in a ‘scent’sational new way. Of course,

By  |  August 28, 2012