Day One on the “Spider-Man: Brand New Day” Set Feels Different for Tom Holland
“Putting the suit on feels different this time,” Tom Holland says at the top of a new video from day one on the set of Spider-Man: Brand New Day. One new element for Holland’s fourth spin as Peter Parker is that the Brand New Day set marks the first time fans have been on the set, and as you’ll see in the video, it made for some very special moments.
We see Holland suited up as Spider-Man riding on top of an armored vehicle that he rips the hatch off of (could Jon Bernthal’s The Punisher be in there?).
“Film is Forever”: How Maria Gabriela de Faría Embraced the Pain of Playing “Superman” Villain The Engineer
Maria Gabriela de Faría doesn’t pull her punches—or her spinning blades, for that matter. In Superman, the actress makes Angela Spica (aka The Engineer) fight like an animal, throwing raw punches with unwavering belief in Lex Luthor’s (Nicolas Hoult) idea that no individual should be trusted with superpowers. Whether the Engineer is slicing robots in the Fortress of Solitude or going toe-to-toe with Superman (David Corenswet) in the Cleveland Guardians’ ballpark (outfitted to look like the DC Meteors’
From Bismuth Crystal Rivers to Real Neon Signs: Supervising Art Director David Scott on Designing James Gunn’s “Superman”
David Scott admits that growing up, he was more of a Batman and Spider-Man fan, but after listening to writer-director James Gunn’s pitch for Superman, which has now grossed over $550 million globally, he was excited to support the vision. “It’s infectious when you sit and listen to him talk. I loved everything about it,” says the supervising art director, who has built worlds for Guardians of the Galaxy Vol.
Dave Bautista Poised to Play Iconic “Highlander” Villain Opposite Henry Cavill in Amazon MGM’s Remake
Dave Bautista can play the heavy.
The talented actor is well-regarded for not only playing villains, however, although he’s been aces in roles where his brawn has been used to aid his brutish beliefs, specifically in Denis Villeneuve’s Dune and Dune: Part Two. Yet Bautista’s been just as good playing more complicated brawlers, like he did in Villeneuve’s Blade Runner: 2049 and M. Night Shyamalan’s Knock at the Cabin.
Robert Pattinson Returning to Gotham: “The Batman Part II” Confirmed for 2027
Happy days are here again for fans of Matt Reeves and Robert Pattinson’s The Batman, and we are legion.
The Batman Part II will begin filming early next year, with Reeves’ script for the sequel completed this past June. The goal is to get The Batman Part II into theaters on October 1, 2027. The news was revealed in a letter to shareholders on Thursday,
Composing Chaos: How Amie Doherty Scored Disney’s Four-Way Body Swap in “Freakier Friday”
There are already two generations of hardcore fans who love Freaky Friday. Gen-Xers and their parents flocked to see Barbara Harris and Jodie Foster for the 1976 release, and in 2003, Disney struck gold again with Jamie Lee Curtis and Lindsay Lohan playing the body-switching mother/daughter duo, bringing millennials into the fandom fold. More than 30 years later, those Gen-X grandparents and Millennial moms and dads are poised to make fans of the youngest among us with a long-awaited sequel to the 2003 film,
“Superman” Composer John Murphy on Electrifying John Williams’ Iconic Score
John Murphy is a composer known for scoring films with dark undertones, whether they’re kinetic and terrifying or haunting and ethereal. To this day, his theme for Danny Boyle’s electric 2002 gamechanger, 28 Days Later, remains a deservedly beloved earworm, while his music for Boyle’s bittersweet 2007 sci-fi stunner, Sunshine, is at turns heartbreaking and inspiring. Now, he’s scored one of pop culture’s sunniest, noblest characters (Zack Snyder’s darker take notwithstanding),
“House of the Dragon” Star Matt Smith Lands Villain Role Opposite Ryan Gosling in “Star Wars: Starfighter”
Matt Smith is going from Westeros to a galaxy far, far away.
The House of the Dragon star is joining Shawn Levy’s Star Wars: Starfighter in a villain role. He’ll be sparring with Ryan Gosling, the film’s star, and Mia Goth, whose casting was announced this past June. Smith isn’t exactly new to the Star Wars franchise, however—he was considered to appear in J.J.
How Director Nisha Ganatra Captured the Real Magic of LA for Lindsay Lohan & Jamie Lee Curtis in “Freakier Friday”
Freakier Friday director Nisha Ganatra is no stranger to showcasing Los Angeles in her work for both the big and small screen. Having helmed episodes of such iconic shows as Transparent, Welcome to Chippendales, and the 2020 feature The High Note, she has a knack for capturing the many faces of the city that is home to Hollywood.
This legacy sequel to the 2003 Disney classic Freaky Friday sees Jamie Lee Curtis and Lindsay Lohan reunite as mother-daughter duo Tess and Anna.
Director Gareth Edwards on Why “Jurassic World: Rebirth” Needed Real Locations & Film Stock to Capture Its Magic
Having already directed Godzilla, Rogue One: A Star Wars Story, and The Creator, Gareth Edwards is used to fantastical storytelling on an epic scale, as well as handling some of the biggest and best-loved IPs in the history of cinema.
Jurassic World: Rebirth, the seventh installment in the multibillion-dollar Jurassic film franchise, is one of the year’s biggest box office hits both globally and domestically.
Crystal Vision: How “Superman” Production Designer Beth Mickle Built the Fortress of Solitude
Director James Gunn started small with his 2010 micro-budgeted indie film Super, followed by his acclaimed Guardians of the Galaxy films for Marvel. Now, he’s made a crowd-pleasing new version of Superman that’s raked in more than half a billion in global box office since its release earlier this summer. DC Comics’ original superhero returns in a big way, as Gunn’s universe-corraling reboot pits the title character (David Corenswet),
Suited Up and Ready to Swing: Tom Holland Reveals New Spider-Man Suit
Sony really got into the swing of things on Saturday.
In a surprise new video the studio posted on Saturday morning, we’ve got our first glimpse of Tom Holland in his new Spider-Man suit. Holland is certainly ready to roll; he’s hopping from foot to foot in a shadowy hangar, then approaches the camera, mask off but otherwise suited up, and asks, “We ready?”
The new suit boasts a larger spider emblem on his chest than in previous iterations we’ve seen him wear in Spider-Man: No Way Home,
“The Naked Gun” Writer/Director Akiva Schaffer’s Dead Serious Mission to Resurrect the Spoof Comedy
The Naked Gun director Akiva Schaffer is on a quest to bring people back to the movie theaters to laugh—hysterically, if he’s done his job right—and, while he’s at it, to bring the filmmaking process back to Los Angeles as much as possible.
His franchise revival stars Liam Neeson as Detective Frank Drebin Jr., the son of Leslie Nielsen’s iconic Police Squad cop, tasked with solving a murder and saving his department from shutting down.
Denis Villeneuve’s James Bond Movie Enlists “Peaky Blinders” Creator Steven Knight to Write Script
Knight, Steven Knight.
Pardon the terrible pun, but the Peaky Blinders creator, Steven Knight, a well-respected world-builder and ace writer, has been tapped to write the script for Denis Villeneuve’s upcoming James Bond film. The prolific Knight’s TV credits also include A Thousand Blows, Rogue Heroes, and All the Light We Cannot See. On the film side, he earned an Oscar nomination for his 2002 script for Dirty Pretty Things,
Aaron Sorkin Eyeing Jeremy Allen White & Mikey Madison for “The Social Network Part II”
Aaron Sorkin’s Social Network sequel might be close to a major development—Deadline reports that Sorkin is circling Jeremy Allen White and Mikey Madison to lead his sequel. Madison recently nabbed an Oscar for her mesmerizing turn in Sean Baker’s Anora, while White’s star has been rising for years as the Emmy-winning lead in The Bear,
Flying at 125 MPH to Keep Up With “F1” Cars: Aerial Cinematographer Phil Arntz on the Abu Dhabi Grand Prix Sequence
It was especially fun for aerial cinematographer Phil Arntz to return to Abu Dhabi with his camera pilot, Will Banks, for the climactic racing sequence in Joseph Kosinski’s pedal-to-the-metal epic F1. “I used to live in Dubai around 2012 or 2013, when I did a lot of filming for extreme sports. So, it was nice coming back because many of the crew, like the Shotover technician and the team with the helicopter,
“The Naked Gun”: A Refresher Course in the History of Frank Drebin’s Charmed Stupidity
On August 1st, Lt. Frank Drebin’s uniquely oblivious approach to detective work returns, with The Naked Gun reboot starring Liam Neeson as Drebin’s son, Frank Jr., and Pamela Anderson as Beth, his client and love interest. Following in the goofy footsteps of his father, played in the first three films by Leslie Nielsen, it looks like the biggest difference between the Drebin generations will be Neeson’s husky voice. But the mix-ups,
Guillermo del Toro’s Dream Project Comes to Life: New “Frankenstein” Images Showcase Jacob Elordi’s Monster
Frankenstein is ready for his close-up.
Netflix has released nearly a dozen new images from Guillermo del Toro’s upcoming Frankenstein, which is slated to have its world premiere at the Venice Film Festival, followed by a global release on Netflix in November.
The new images include a look, at long last, at Jacob Elordi as the iconic monster, along with Oscar Isaac’s mad scientist,
“The Fantastic Four: First Steps” Director Matt Shakman on Re-Building Marvel’s First Family
While there have been numerous cinematic adaptations of the superheroes known as The First Family of Marvel, The Fantastic Four: First Steps has been lauded by audiences and critics alike as having the team most true to its Marvel origins. The new film takes place in a retrofuturistic version of New York, set in a 1960s-inspired era influenced by the creative genius of the smartest man in the universe. That would be Mister Fantastic,
The Willem Dafoe of Dinosaurs: How “Jurassic World: Rebirth” VFX Supervisor Charmaine Chan Created the Distortus Rex
Charmaine Chan began working at Industrial Light & Magic 18 years ago—it was her first gig out of college, starting off as an assistant technical director and contributing to Michael Bay’s Transformers. Chan stayed on at ILM and continued to work on some of the biggest franchises there are, becoming a digital compositor on Star Wars, Mission: Impossible, and films within the Marvel Cinematic Universe. As her talent sustained her and her capacities grew,
