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From Bauhaus to Frankenstein: Production Designer Karen Murphy’s Radical World-Building in “The Bride!”
“The Bride!” Prosthetics Wizards Jason Collins and Scott Stoddard on Turning Christian Bale into Frankenstein
How Composer Hildur Guðnadóttir Brought Tension, Electricity, and Love to Maggie Gyllenhaal’s “The Bride!”
“Spider-Man: Brand New Day” Trailer Finds Spider-Man Teaming Up With Bruce Banner & Punisher
Steven Spielberg’s “Disclosure Day” Trailer Teases Aliens, Secrets, and a World‑Shaking Reveal
Early Reactions: Maggie Gyllenhaal’s “The Bride!” Lets Jessie Buckley & Christian Bale Electrify a Ferocious Outlaw Romance
How “The Night Agent” Keeps It Real: Shawn Ryan on Panama Papers Inspiration and Filming in New York
How “Marty Supreme” Put Oscar-Nominated Production Designer Jack Fisk in a New York State of Mind
“Song Sung Blue” Writer/Director Craig Brewer on Touring Kate Hudson & Hugh Jackman Through America’s Heartland
“Marty Supreme” Composer Daniel Lopatin on Blending Synths & Orchestra for Timothée Chalamet’s Ultra Ambitious Striver
Steven Spielberg’s First Original Sci-Fi in Years: “Disclosure Day” Teaser Reveals Emily Blunt’s Chilling Alien Encounter
Production Designer Kevin Thompson on Capturing NYC’s Iconic Comedy Scene in Bradley Cooper’s “Is This Thing On?”
“Black Rabbit” Creators Zach Baylin and Kate Susman on Cooking Up Their NYC-Set Thriller
“Marty Supreme” First Reactions: Josh Safdie Delivers an Overhand Smash With a Career Best From Timothée Chalamet
Scarlett Johansson on Her Directorial Debut “Eleanor the Great”: “I Don’t Think I Could Have Done It 10 Years Ago”
Maggie Gyllenhaal’s “The Bride!” Rises: Christian Bale is Frankenstein’s Monster & Jessie Buckley is his Resurrected Companion
Novelist & Screenwriter Charlie Huston on Preserving the Raw Truth of “Caught Stealing” With Darren Aronofsky
“SNL 50,” “The Pitt” and More Win Big at the Creative Arts Emmys
The Studio Giant You’ve Never Heard Of: How MBS Group Powers James Cameron and Some of Hollywood’s Biggest Productions
Cinematographer Matthew Libatique on Shooting Back-to-Back NYC Thrillers for Spike Lee & Darren Aronofsky
