“Godzilla x Kong: The New Empire” Cinematographer Ben Seresin Unleashes Cinema’s Most Iconic Titans

Godzilla x Kong: The New Empire is a vision as large and in charge as its two titular characters. In this MonsterVerse sequel, director Adam Wingard and cinematographer Ben Seresin (Pain & Gain) not only doubled down but quadrupled down on the robust vibrancy of Godzilla v Kong. It’s a pure crowd-pleasing aesthetic, which, for Seresin, is about far more than presenting the cleanest or prettiest sights or the most bombastic Titan takedown.

How “Ghostbusters: Frozen Empire” Cinematographer Eric Steelberg Brought Slimer & the Firehouse Back to Life

Ghostbusters: Frozen Empire has a visual style reminiscent of the iconic 1984 film, a palette cinematographer Eric Steelberg (Ahsoka, Hawkeye) intentionally crafted for this story that sees characters new and old strap on a proton pack to bust a chilling demon terrorizing their city. “We wanted to capture the texture, color, and grit of the original movie so nothing seemed too new,” Steelberg tells The Credits about creating the look that artfully blends rich hues and deep blacks for a heightened,

“Dune: Part Two” Cinematographer Greig Fraser on Finding Clarity in Chaos

In part one of our interview with Dune: Part Two cinematographer Greig Fraser, the Oscar-winner took us on a trip to the planet of Giedi Prime, home to the vampiric Harkonnen clan, to reveal how he captured that bloodless light during Feyd-Rautha (Austin Butler)’s gladiator scene, those inky blacks during Feyd’s fateful meeting with Lady Margot, and how the surprising inspiration for those “anti-fireworks” after Feyd’s victory.

Now we turn to Fraser’s method for filming action sequences,

Scarlett Johansson May Be Headlining New “Jurassic World” Movie

Scarlett Johansson is looking to be the likely candidate to lead Universal Pictures’ new dinosaur epic. Johansson is in talks to star in the new Jurassic World movie by The Creator director Gareth Edwards.

Universal is moving with the speed of a velociraptor to put the pieces together, which already includes a script from original Jurassic Park screenwriter David Koepp.

This would mark Johansson’s return to the movie franchise business of which she was a part for so long and knows so well.

“Shōgun” Score: Atticus Ross & Co Meld Ancient Soul to Modern Tech

Composer Atticus Ross teamed with Trent Reznor over the past 15 years to conjure dread-filled tension in David Fincher thrillers The Social Network, Gone Girl, and The Girl with the Dragon Tattoo before plunging into afterlife limbo with their Oscar-winning score for Soul. But Atticus was on a new journey to the realm of feudal Japan when, in 2021, producer Jamie Wheeler approached him about scoring Shōgun in collaboration with his younger brother Leo Ross and longtime engineer Nick Chuba.

From “SNL” to the Director’s Chair: Julio Torres Lights Up With “Problemista”

There is a cornucopia of comedy happening in Problemista, Julio Torres’ debut feature. In a little over 90 minutes, writer/director Torres pokes fun at cryonics, the Kafkaesque bureaucracy of the U.S. immigration system, and the eccentricities of the art world. Along the way, there are jabs at Craigslist, FileMaker Pro, and Bank of America. All of it is wrapped around a virtuoso performance by Tilda Swinton as a madcap,

“Dune: Part Two” Cinematographer Greig Fraser on Poisoning the Light of Giedi Prime

If you polled all the people who have now seen Denis Villeneuve’s Dune: Part Two in theaters about what was the most visually striking moment, my guess is it would be the Sandworm Express in a runaway. We’re talking, of course, about Paul Atreides (Timothée Chalamet) riding the universe’s most dangerous mode of transport—a colossal sandworm—across the dunes of Arrakis. And while that sequence is staggering in its audacity and surprising in its alchemical verisimilitude (it feels as if that’s precisely what it would be like to try and surf on a skyscraper-sized alien terrestrial annelid),

“Irish Wish” Director Janeen Damian Makes a Rom-Com Dream Come True with Lindsay Lohan

Lindsay Lohan discovers the magic of romance high atop the majestic Cliffs of Moher in the windswept romcom Irish Wish. When book editor Maddie Kelly’s (Lohan) crush launches into a whirlwind engagement with her friend Emma (Elizabeth Tan), Maddie turns green with envy. Yet, when she gets the chance to switch places with her romantic rival, she discovers fate sometimes takes the winding, scenic road to love.

Director Janeen Damian (Falling for Christmas) invested a lot of planning into granting Maddie’s wish.

The Sartorial Feast of Feudal Japan with “Shōgun” Costume Designer Carlos Rosario – Part Two

In Part One of our conversation with costume designer Carlos Rosario, we talked about the monumental effort his team went through to research, design, and handmake 2,300 costumes for FX Networks’ gripping historical saga. We continue the discussion today on how his team designed a distinct closet for each of the three main characters.

Unlike most other projects, Rosario could not design a collection that could be utilized throughout the series.

“Damsel” Director Juan Carlos Fresnadillo on Flipping the Fantasy Script With Millie Bobby Brown

Sure, she’s in distress, but Millie Bobby Brown’s Elodie is hardly in need of saving in director Juan Carlos Fresnadillo‘s revisionist fantasy film Damsel. Fresnadillo’s fantasy epic takes the typical story of a young woman desperate for a prince to puzzle out her troubles in a medieval setting, turns it upside down, and sinks it deep into a dragon’s cave. Brown’s Elodie is as resourceful as she is noble, and in a nice twist,

“The American Society of Magical Negroes” Writer/Director Kobi Libii Puts a Spell on Old Tropes

The American Society of Magical Negroes has a provocative premise: What if Black people could join an underground league that gave them the power to erase any white person’s distress? Racism, the movie argues, stems from white anxieties. If that discomfort can be vanished, Black bodies won’t face as much risk. 

Kobi Libii’s satirical take on racial dynamics is a bold swing, especially for a first-time director. Justice Smith plays Aren,

The Sartorial Feast of Feudal Japan with “Shōgun” Costume Designer Carlos Rosario: Part One

“I wanted to create from a white canvas without any mental references going into the project,” costume designer Carlos Rosario (The Girl in the Spider’s Web, Jolt) explains why he chose not to read the James Clavell bestselling novel before working on FX Networks’ cinematic historical saga, Shōgun (将軍), and only used the 1980 miniseries adaptation as a broad reference. “As a costume designer, you build a strong psychological,

Can You Hear the Fear? How Sound Shapes the Daring Missions of “Masters of the Air”

Masters of the Air, Apple TV+’s new World War II epic showcasing the heroics and travails of a fleet of young U.S. pilots in Europe, has been lauded for its classical filmmaking and realistic approach to mid-century flight. Focusing on sober, earnest Buck (Austin Butler) and Bucky (Callum Turner), a battle-ready scamp, the show toggles between dogfights in the air and quiet moments on the ground, on airfields in the English countryside and in medical wards where some of the crew suffer from as-yet undiagnosed PTSD.

“True Detective: Night Country” Costume Designer Alex Bovaird Fashions a Frozen World

Costume designer Alex Bovaird creates a tactile, frozen world in True Detective: Night Country. In the fourth season of the HBO series, filmmaker Issa Lopez takes Bovaird and audiences to the fictional town of Ennis, Alaska. As the True Detective formula goes, two badge-wearers, Chief Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis), try to crack a mystery. A past case once brought the two together, and a new case – eight men gone missing and found frozen to death in ice – reunites them.

How “Spaceman” Production Designer Jan Houllevigue Built Adam Sandler’s Sci-Fi Love Story

“I like the fact that there’s something a little bit strange in what we do,” production designer Jan Houllevigue tells The Credits about his collaboration with director Johan Renck (Chernobyl). The two have known each other for years, working on David Bowie music videos, Chanel No. 5 commercials, and the television mini-series The Last Panthers. Their latest is Spaceman, starring Adam Sandler as cosmonaut Jakub Prochazka on a solitary space mission to the edge of the galaxy.

“Dune: Part Two” Costume Designer Jacqueline West on Creating a Goth Rock God in Feyd-Rautha

In Part One of our conversation with veteran costume designer Jacqueline West, we talked about the monumental effort that went into weaving the sartorial visuals of the Fremen’s Sietch Tabr community and the southern Reverend Mothers on the desert planet Arrakis. Today, we conclude with the wardrobe fashioned for some of the most intense action sequences in Denis Villeneuve’s sci-fi opus.

Paul Atreides goes from a young man who had never seen battle to losing his father after surviving the Harkonnens’ attack in Dune: Part One,

Air, Water, Earth, Fire: DP Michael Balfry Brings “Avatar: The Last Airbender” to Life

Netflix took on producing the live-action remake of the long-running, beloved Nickelodeon animation Avatar: The Last Airbender, about four elemental kingdoms (fire, air, water, and earth) who live in harmony until the Fire Nation starts a war to take over the world. The series, which premiered late last month, is true to the original story. Twelve-year-old Aang (Gordon Cormier) is the sole remaining airbender after a Fire Nation attack, and he survives after being frozen in an iceberg for a century before waking up in an icy part of the world of the Southern Water Tribe.

Unveiling the Bene Gesserit’s Secrets With “Dune: Part Two” Costume Designer Jacqueline West

After just nine days in release, Denis Villeneuve’s much-anticipated sequel to his first Dune film has already scored $367 million in worldwide box office. The massive response to Dune: Part Two is due in no small part to costume designer Jacqueline West’s intricate designs that went beyond adding depth to the characters—they are integral in building a complex, harsh world thousands of years into the future.

After designing 2,000-plus costumes—including the bespoke stillsuits—for the first film,

“Iwájú” Visual Effects Supervisor Marlon West on Bringing Afrofuturism to Animation

Disney+ just released an exciting new 6-part animated series called Iwájú, representing the first collaboration with an outside studio in its partnership with Pan-African storytelling company Kugali Media. Kugali’s co-founders created a uniquely African story, which takes place in a futuristic Lagos, Nigeria. In fact, every single character that appears in Iwájú is Nigerian. 

The series is a coming-of-age tale centered on an idealistic 10-year-old girl named Tola. She lives in the rarified and protected environment her tech mogul father Tunde has created on the island,

Oscar-Worthy Plastic Fantastic! “Barbie” Designers Sarah Greenwood & Katie Spencer Share Their Dreamhouse Secrets

*Ahead of the 96th Academy Awards, we’re re-posting our interview with Barbie production designer Sarah Greenwood and set decorator Katie Spencer, both of whom are nominated for Oscars. Barbie has eight nominations, including Best Picture, Best Adapted Screenplay, Best Achievement in Costume Design, Best Performance by an Actress and Actor in a Supporting Role, America Ferrera and Ryan Gosling, respectively.

“It was trying to find a solution to what makes a toy,” says production designer Sarah Greenwood about creating the charmed sets of Barbie alongside set decorator Katie Spencer.