How “Spaceman” Production Designer Jan Houllevigue Built Adam Sandler’s Sci-Fi Love Story
“I like the fact that there’s something a little bit strange in what we do,” production designer Jan Houllevigue tells The Credits about his collaboration with director Johan Renck (Chernobyl). The two have known each other for years, working on David Bowie music videos, Chanel No. 5 commercials, and the television mini-series The Last Panthers. Their latest is Spaceman, starring Adam Sandler as cosmonaut Jakub Prochazka on a solitary space mission to the edge of the galaxy.
“Dune: Part Two” Costume Designer Jacqueline West on Creating a Goth Rock God in Feyd-Rautha
In Part One of our conversation with veteran costume designer Jacqueline West, we talked about the monumental effort that went into weaving the sartorial visuals of the Fremen’s Sietch Tabr community and the southern Reverend Mothers on the desert planet Arrakis. Today, we conclude with the wardrobe fashioned for some of the most intense action sequences in Denis Villeneuve’s sci-fi opus.
Paul Atreides goes from a young man who had never seen battle to losing his father after surviving the Harkonnens’ attack in Dune: Part One,
Air, Water, Earth, Fire: DP Michael Balfry Brings “Avatar: The Last Airbender” to Life
Netflix took on producing the live-action remake of the long-running, beloved Nickelodeon animation Avatar: The Last Airbender, about four elemental kingdoms (fire, air, water, and earth) who live in harmony until the Fire Nation starts a war to take over the world. The series, which premiered late last month, is true to the original story. Twelve-year-old Aang (Gordon Cormier) is the sole remaining airbender after a Fire Nation attack, and he survives after being frozen in an iceberg for a century before waking up in an icy part of the world of the Southern Water Tribe.
“Furiosa: A Mad Max Saga” Reveals a Younger (But Still Psychotic) Immortan Joe
One of the great villains of 21st-century cinema was also in a movie with one of its greatest heroes—Mad Max: Fury Road revealed the colossal fascist warlord Immortan Joe (the late, great Hugh Keays-Byrne), a carapace-wearing, skeleton-masked despot who ruled over a parched wasteland where he kept its inhabitants on the brink of starvation, dying of thirst, and much worse for the young women he took as wives. Yet he had in his midst a figure stronger than he was,
Unveiling the Bene Gesserit’s Secrets With “Dune: Part Two” Costume Designer Jacqueline West
After just nine days in release, Denis Villeneuve’s much-anticipated sequel to his first Dune film has already scored $367 million in worldwide box office. The massive response to Dune: Part Two is due in no small part to costume designer Jacqueline West’s intricate designs that went beyond adding depth to the characters—they are integral in building a complex, harsh world thousands of years into the future.
After designing 2,000-plus costumes—including the bespoke stillsuits—for the first film,
“Iwájú” Visual Effects Supervisor Marlon West on Bringing Afrofuturism to Animation
Disney+ just released an exciting new 6-part animated series called Iwájú, representing the first collaboration with an outside studio in its partnership with Pan-African storytelling company Kugali Media. Kugali’s co-founders created a uniquely African story, which takes place in a futuristic Lagos, Nigeria. In fact, every single character that appears in Iwájú is Nigerian.
The series is a coming-of-age tale centered on an idealistic 10-year-old girl named Tola. She lives in the rarified and protected environment her tech mogul father Tunde has created on the island,
Legacy Forged: Christopher Nolan & “Oppenheimer” Have Huge Oscars Night
Christopher Nolan and his riveting, historic biopic Oppenheimer had a huge night at the 96th Academy Awards. Nolan notched his first-ever Oscar win after seven previous nominations, winning Best Director. “Movies are just a little bit over 100 years old,” Nolan said during his acceptance speech. “I would imagine being 100 years into painting or theater. We don’t know where this incredible journey is going from here, but to know that you think that I’m a meaningful part of it means the world to me.”
Oppenheimer had a huge night,
Oscar-Worthy Plastic Fantastic! “Barbie” Designers Sarah Greenwood & Katie Spencer Share Their Dreamhouse Secrets
*Ahead of the 96th Academy Awards, we’re re-posting our interview with Barbie production designer Sarah Greenwood and set decorator Katie Spencer, both of whom are nominated for Oscars. Barbie has eight nominations, including Best Picture, Best Adapted Screenplay, Best Achievement in Costume Design, Best Performance by an Actress and Actor in a Supporting Role, America Ferrera and Ryan Gosling, respectively.
“It was trying to find a solution to what makes a toy,” says production designer Sarah Greenwood about creating the charmed sets of Barbie alongside set decorator Katie Spencer.
Andes to Oscars: How Makeup Masters Turned “Society of the Snow” Actors Into Survivors
Director J.A. Bayona’s Society of the Snow, which recounts the experience of a Uruguayan rugby team whose plane crashed in the Andes in 1972, is Spain’s Oscar entry for best international feature. But the film, which depicts the crash and subsequent survival of 16 out of 45 passengers in exquisitely painful detail, is also nominated in another category. The passengers break bones. They sustain face injuries. They starve. For their incredible work creating the visual reality of this suffering,
Christopher Nolan on Detonating Myths & Baring Humanity in “Oppenheimer”
*Ahead of the 96th Academy Awards, we’re re-posting our interview with Christopher Nolan. He’s nominated for three Oscars—Best Picture, Best Director, and Best Adapted Screenplay.
Robert Oppenheimer (Cillian Murphy) stares wide-eyed into the pond spread out in front of him; his last conversation with Albert Einstein (Tom Conti) on the potential catalytic effects of the atomic bomb has rendered him speechless. The music swells as the screen fades to black — this is the final scene of Christopher Nolan’s Oscar-laden Oppenheimer,
Final Warning: “3 Body Problem” Trailer Drops, Unveiling New Saga From “Game of Thrones” Creators
The final trailer for easily one of the biggest upcoming series of the year has arrived. Netflix’s 3 Body Problem makes first contact in a mere three weeks, the first new series from Game of Thrones creators David Benioff and Dan Weiss since their HBO juggernaut ended in 2019. Benioff, Weiss, and True Blood writer/producer Alexander Woo have adapted their hugely ambitious series from author Liu Cixin’s “Remembrance of Earth’s Past” trilogy centered on how humanity preps for a coming alien invasion.
Oscar-Nominated Editor Laurent Sénéchal’s High Wire Act in “Anatomy of a Fall”
After sweeping this awards season with trophies at the BAFTAs, France’s César Awards, Critics Choice, and the recent Spirit Awards, writer-director Justine Triet and co-writer Arthur Harari’s cerebral courtroom drama is headed for the home stretch, with five Academy Award nominations on the line. Anatomy of a Fall is a masterclass of filmmaking across the board, and that surely includes the surgical work done by editor Laurent Sénéchal (C’est ça l’amour,
Nicholas Hoult on Becoming the New Lex Luthor in James Gunn’s “Superman”
Nicholas Hoult has revealed a bit about what it was like to audition for James Gunn’s upcoming Superman, the first movie to be released by Gunn and Peter Safran’s new DC Studios.
Hoult initially auditioned for the role of Superman himself, becoming one of the last three actors on Gunn’s list, alongside Tom Brittney and David Corenswet. The role ultimately went to Corenswet, who will star alongside Rachel Brosnahan as Lois Lane.
Double Oscar Nominee Richard King Unveils the Aural Secrets of “Oppenheimer” and “Maestro”
Richard King, one of Hollywood’s most successful sound designers, is known for creating increasingly complex aural environments that help achieve a director’s vision, giving the movie its own rhythm and texture. Over the past two decades, he’s won four Academy Awards. And at this year’s Oscars, he’s nominated for two more for his contributions to Bradley Cooper’s Leonard Bernstein biopic Maestro and Christopher Nolan’s Oppenheimer, an R-rated historical drama about the first atomic bomb,
Fire & Fury Return: “House of the Dragon” Season 2 Takes Flight in June
HBO’s going to send you back to Westeros this summer.
House of the Dragon season 2 will be premiering this June, a dragon egg-sized nugget revealed by Warner Bros. Discovery streaming and gaming chief J.B. Perrette during an interview on Monday.
The first season of House of the Dragon, the first Game of Thrones spinoff to make it to air, managed the tricky feat of giving GoT fans a heaping helping of the palace intrigue,
“Henry Sugar” Costume Designer Kasia Walicka Maimone on Weaving an Oscar-Worthy Story for Wes Anderson
When she was five years old, Kasia Walicka Maimone started making her own clothes. “Growing up in Poland, a lot of people had that skill,” she says. “My grandmother made clothes. My mother, a doctor, made clothes. And I did clothes for my musician friends without giving it a thought. I was like, ‘What’s the big deal?'”
As it turned out, Maimone’s talent for costuming became quite a big deal. After studying English in Warsaw,
Architect of Arrakis: “Dune: Part Two” Editor Joe Walker on Forging a Ferocious Masterpiece
There’s a scene in Dune: Part Two where Chani (Zendaya) tells Paul Atreides (Timothée Chalamet), “You’ll never lose me as long as you stay who you are.” Editor Joe Walker, who won an Academy Award for his work on Dune: Part One, allowed the foretelling moment to breathe. “There’s quite a pause after that line,” he shares with The Credits about the tragedy to come. The chemistry between Paul and Chani was just one of several storylines in the second installment of Denis Villeneuve’s Dune saga Walker navigated with ambition and care.
“Spaceman” Director Johan Renck on Guiding Adam Sandler Through the Cosmos
The vast expanse and harsh conditions of space can impose solitude or offer a fresh perspective. As astronaut Jakub Prochazka (Adam Sandler) is nearing the climax of a six-month interplanetary investigation, he sails farther from the problems he left behind on Earth in director Johan Renck’s Spaceman. With four young children, Renck understands the forces that pull at a working parent – especially a career that requires long stretches of separation.
The Daily Planet Gets a New Boss: Wendell Pierce Joins James Gunn’s “Superman”
The beloved Wendell Pierce—the kind of actor who elevates every scene he’s in—will now be making a trip to Metropolis in James Gunn’s Superman, The Hollywood Reporter scoops. Pierce will be playing Perry White, the Editor-in-chief of “The Daily Planet,” the paper where Clark Kent (David Corenswet) and Lois Lane (Rachel Brosnahan) work.
Clark and Lois’s new boss will have all the gravitas necessary in Pierce,
Hans Zimmer on Unearthing New Sounds for “Dune: Part Two”
If you’ve seen any notable film in the past 40-something years, chances are you’ve heard Hans Zimmer’s work.
From his two Academy awards (The Lion King in 1994 and Dune: Part One in 2021) to his three Golden Globes, four Grammys, a BAFTA, and various other accolades — his resume extends beyond any category, label or genre and becomes almost a style all on its own.