“They Will Kill You” Trailer: Zazie Beetz Has an Axe to Grind in Kirill Sokolov’s Horror-Comedy

We open on a stormy New York night in the first trailer for writer/director Kirill Sokolov’s They Will Kill You, Warner Bros. and New Line Cinema’s upcoming horror-comedy produced by, among others, It filmmaker Andy Muschietti. We quickly proceed inside the Virgil Building, which is “one of the most exclusive buildings in Manhattan,” we’re told. And who’s doing the telling? The always-excellent Patricia Arquette, who welcomes a stranger to her door,

By The Credits  |  January 6, 2026

Interview

Cinematographer

Inside “Stranger Things” Season 5: DP Caleb Heymann on Will’s Visions, Vecna’s Mind-Maze, & Demogorgon Drones

The fifth and final season of Stranger Things may take place over the course of a few November days, but the Duffer Brothers’ ever-ambitious epic took almost a year to shoot. Volume 1, the season’s first four episodes, saw Eleven (Millie Bobby Brown) putting her powers to work in the Upside Down, Will (Noah Schnapp) telepathically connecting with demogorgons, and the youngest Wheeler sibling, Holly (Tinsley Price), taken prisoner by Vecna (Jamie Campbell Bower),

By Susannah Edelbaum  |  January 6, 2026

Interview

Actor

“Avatar: Fire and Ash” Scene-Stealer Oona Chaplin on Creating the Captivating, Vengeful Varang

If ever there was an actor more perfectly aligned with the ethos of James Cameron and the world of Pandora, it’s Oona Chaplin. Chaplin’s first conversation with Cameron revolved around biodynamic and organic farming. She is an activist and environmentalist whose humanitarian efforts span from Brazil, Cuba, Chile, Mexico, and beyond. She’s volunteered in refugee camps and supported film education for Saharawi refugees through the FiSahara Festival. 

In Avatar: Fire and Ash,

By Jack Giroux  |  January 6, 2026

Interview

Costume Designer

“Wake Up Dead Man” Costume Designer Jenny Eagan on Priestly Fashion and Daniel Craig’s ’70s-Inspired Suits

For her third collaboration with writer-director Rian Johnson on his Knives Out Mystery franchise, costume designer Jenny Eagan recalibrated her color palette to suit Wake Up Dead Man‘s darker tone. Daniel Craig, of course, returns as detective Benoit Blanc, but the new installment co-stars Josh O’Connor and Josh Brolin as small-town priests. Rounding out the cast of killers, victims, and innocent bystanders are Glenn Close,

By Hugh Hart  |  January 5, 2026

Interview

Production Designer

Inside & Upside Down on “Wicked: For Good”: Production Designer Nathan Crowley on His Anti-Gravity Architecture

In order for production designer Nathan Crowley to be able to realize his vision for director Jon M. Chu’s Wicked films, he needed to assemble a crack team of artisans he has relied on for decades. Combining age-old skills and techniques with organic materials foraged from forests, seeing locations as sculptures that needed to evolve with the filmmaking and storytelling process.

Wicked: For Good focuses on the maelstrom surrounding Cynthia Erivo’s Elphaba,

By Simon Thompson  |  January 5, 2026
Critics Choice Awards: “One Battle After Another” Wins Best Picture, “Sinners” & “Frankenstein” Nab 4 Awards

A few battles have already been won for writer/director Paul Thomas Anderson.

Anderson’s thrilling One Battle After Another was named best picture at the Critics Choice Awards on Sunday night, and Anderson took home the best director trophy. One Battle’s wins come a little less than a month after Anderson’s epic led the pack for Golden Globe nominations, with nine, including for best picture,

By The Credits  |  January 5, 2026

Interview

Screenwriter

Best of 2025: “Part Debate Club and Part Therapy”: Inside “The Pitt” Writers’ Room With Cynthia Adarkwa & Valerie Chu

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

HBO’s The Pitt emerged as one of television’s most gripping medical dramas in years by doing something deceptively simple yet extraordinarily difficult: following a single, brutal 15-hour shift in a Pittsburgh emergency room in real time. What made the series so compelling wasn’t just its relentless intensity or unflinching medical realism (the “floating face”

By Bryan Abrams  |  January 2, 2026

Interview

Cinematographer, Director

Best of 2025: “Alien: Earth” Cinematographer and Director Dana Gonzalez on Bringing Cinema’s Most Iconic Monster to TV

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

On Earth, everyone can hear you scream. No apologies for the dreadful play on the classic logline for Alien, which continues to reach new, strange heights in FX’s Alien: Earth, created by Fargo‘s Noah Hawley.

By Jack Giroux  |  January 1, 2026

Interview

Production Designer

Best of 2025: How “Superman” Production Designer Beth Mickle Built the Fortress of Solitude

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

Director James Gunn started small with his 2010 micro-budgeted indie film Super, followed by his acclaimed Guardians of the Galaxy films for Marvel. Now, he’s made a crowd-pleasing new version of Superman that’s raked in more than half a billion in global box office since its release earlier this summer. 

By Hugh Hart  |  December 31, 2025

Interview

Actor

Best of 2025: Jennifer Lawrence and Robert Pattinson on ‘Die My Love’: Motherhood, Madness, and That Wild Ending

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

All sorts of spoilers below!

When you look at Robert Pattinson and Jennifer Lawrence’s careers, in many ways, they have had similar paths in Hollywood. They both rose to worldwide fame early in their careers as the leading stars of major franchises (Twilight and The Hunger Games,

By Andria Moore  |  December 31, 2025

Interview

Screenwriter

Best of 2025: “Wicked” and “Wicked: For Good” Screenwriter Dana Fox on Her Magical Musical Theater Homecoming

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

Screenwriter Dana Fox made a pact with director Jon M. Chu. After working with Chu on her Apple TV+ series, Home Before Dark, she told him she would sign up for a project with him, no matter what,

By Bryan Abrams  |  December 30, 2025

Interview

Director

Best of 2025: MPA Creator Award Recipient Jon M. Chu on Authentic Storytelling and the Power of Cultural Specificity

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

With Wicked: For Good set to complete the story that began with 2024’s blockbuster, director Jon M. Chu, the Motion Picture Association’s Creator Award recipient for 2025, continues our conversation about his evolution as a filmmaker and the power of culturally specific storytelling to reach universal audiences.

By Bryan Abrams  |  December 30, 2025

Interview

Cinematographer

Best of 2025: How DP Autumn Durald Arkapaw Captured Black Music’s Timeless Continuum in “Sinners”

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

In part one of our interview with Sinners cinematographer Autumn Durald Arkapaw, the groundbreaking DP discussed how she leveled up to frame Coogler’s soulful supernatural epic by learning to use the largest film format available. Coogler’s ambitions for his vampire thriller,

By Hugh Hart  |  December 29, 2025

Interview

Director, Producer, Screenwriter

Best of 2025: “Sinners” Writer/Director Ryan Coogler on Channeling Louisiana’s Creative Rhythm Into His Period Monsterpiece

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

Sinners, written, produced, and directed by Ryan Coogler, is hands down one of the year’s biggest cinematic successes. Coogler’s passion project found the filmmaker at the peak of his powers, and fans already primed to see anything from the still young visionary were ready to go once Sinners bowed.

By Simon Thompson  |  December 29, 2025

Interview

Production Designer

Best of 2025: “One Battle After Another” Production Designer Florencia Martin on Building PTA’s Three-Hour Action Thriller from the Ground Up

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

Paul Thomas Anderson’s action thriller One Battle After Another is loosely inspired by a section of Thomas Pynchon’s 1990 novel “Vineland,” but this three-hour epic is rooted in the present, a contemporary vision of a heightened clash between far-left and far-right,

By Susannah Edelbaum  |  December 26, 2025

Interview

Editor

Best of 2025: Inside the Breakneck Cut of Paul Thomas Anderson’s “One Battle After Another” With Editor Andy Jurgensen

It’s that time of year again—when we slow down, look back (overeat), and celebrate our favorite conversations from another surprising, often wonderful, and occasionally wild year in cinema and TV.

The best-reviewed movie of the season is also the most relentless. Paul Thomas Anderson‘s Oscar front-runner One Battle After Another races through its two-hour fifty-minute run time propelled by adrenalized performances from Leonardo DiCaprio,

By Hugh Hart  |  December 26, 2025

Interview

Costume Designer

Oscar Winner Jenny Beavan on “The Choral,” Ralph Fiennes, and Her Mother’s Wartime Love Story

Screenwriter Alan Bennett has given us The Madness of King George and The History Boys, and his latest film, The Choral, stays true to the writer’s oeuvre of zeitgeist-shifting English epic. Set in 1916 in Ramsden, a fictional Yorkshire mill town, the film follows the travails of the local Choral Society, which is determined to boost wartime morale by inviting young men to join their ranks and engaging a new choir master,

By The Credits  |  December 24, 2025
“Avengers: Doomsday” Trailer Confirms Chris Evans Returning to the MCU as Steve Rogers

Well, well, well…just when you thought 2025 couldn’t possibly have any more tricks up its sleeve, the Russo Brothers have revealed, a few days before Christmas, that Chris Evans is returning to the MCU in Avengers: Doomsday. The new teaser is all Evans as Steve Rogers, arriving at a bucolic home on a motorcycle, the camera making sure you note his wedding band, and then following him into the house to a baby. 

By The Credits  |  December 23, 2025
“Murderbot” Star Alexander Skarsgård Reveals How He Brought the Awkward Android to Life

Even though Alexander Skarsgård (Emmy winner for his nuanced and chilling performance in the HBO series Big Little Lies) is better known for his intense, dramatic roles—Robert Eggers’ 2022 Viking epic The Northman comes to mind—he has always been drawn to comedy. “My first job in Sweden and in Hollywood were both comedies,” the Swedish actor recalled, referring to his American debut in 2001’s wacky satirical comedy,

By Su Fang Tham  |  December 23, 2025

Interview

Composer

“Wake Up Dead Man” Composer Nathan Johnson: From Beauty to Darkness in Benoit Blanc’s Latest Mystery

Wake Up Dead Man: A Knives Out Mystery composer Nathan Johnson has scored all three of Rian Johnson‘s Knives Out films. Working alongside Johnson (his cousin), Nathan has created a unique sound for each film, culminating in a fantastical, orchestral finale for Benoit Blanc’s closing monologue. So how’d Johnson do? His work on Wake Up Dead Man has recently been shortlisted for an Oscar.

By Andria Moore  |  December 23, 2025