Interview

Composer

From Basement Bandmates to “Resident Evil”: Composers Hays & Ryan Holladay on Reuniting With Zach Cregger

“Resident Evil” composers Hays and Ryan Holladay discuss reuniting with Zach Cregger, drawing inspiration from Miles Davis, and creating the pulsating, dread-filled score that powers one of the year's biggest horror hits

By Hugh Hart  |  11 hours ago

Interview

A Commonwealth of Stories: 2026 MPA Industry Champion Honoree Senator Robert Stivers on Kentucky’s Production Future

2026 MPA Industry Champion honoree Senator Robert Stivers discusses Kentucky's growing production industry, the workers behind the credits, and why film and television can help diversify the Commonwealth's economy while creating opportunities statewide.

By Bryan Abrams  |  11 hours ago

Interview

The Power of Storytelling: 2026 MPA Industry Champion Honoree Senator Reverend Raphael Warnock on Georgia’s Production Future

2026 MPA Industry Champion honoree Senator Reverend Raphael Warnock discusses Georgia's emergence as a global production hub, the workers and businesses that power the industry's success, and why storytelling remains one of America's most valuable exports.

By Bryan Abrams  |  12 hours ago

Interview

Director

Making His Own Odds: 2026 MPA Creator Award Winner Francis Lawrence on Building Blockbusters With Heart

2026 MPA Creator Award recipient Francis Lawrence reflects on his rise from music videos to blockbuster filmmaking, the enduring power of “The Hunger Games,” and why he believes “The Hunger Games: Sunrise on the Reaping” ranks among the franchise’s strongest films.

By Bryan Abrams  |  September 22, 2026

Interview

Director, Screenwriter

From Plague to Protest: Paul Greengrass Finds Modern Parallels in his Andrew Garfield-Led Epic “The Uprising”

Director Paul Greengrass discusses why Andrew Garfield’s reluctant hero became the emotional center of “The Uprising,” how the 1381 Peasants’ Revolt echoes modern unrest, and why ordinary people remain at the heart of history’s biggest movements.

By Andria Moore  |  September 21, 2026

Interview

Cinematographer

Dreams, Memories, & Killer Perspectives: Cinematographer Doug Emmett on Shooting “Lucky” and “Furious”

Cinematographer Doug Emmett takes us inside some of his favorite images from “Lucky” and “Furious,” revealing how hand-cranked film cameras, anamorphic lenses, color palettes, and point-of-view photography helped shape romance, suspense, and danger.

By Daron James  |  September 17, 2026

Interview

Costume Designer

No Capes, No Gloss, No Problem: How Costume Designer Cynthia Ann Summers Grounded “Lanterns”

For “Lanterns,” costume designer Cynthia Ann Summers traded superhero perfection for authenticity, crafting battle-worn armor, carefully contrasting looks for Aaron Pierre and Kyle Chandler, and a grounded visual world inspired by Anthony Bourdain and “True Detective.”

By Jack Giroux  |  September 16, 2026

Interview

Costume Designer

How “Lord of the Flies” Costume Designer Maja Meschede Turned School Uniforms Into Survival Gear

For Netflix’s “Lord of the Flies,” costume designer Maja Meschede charted the boys’ descent from order to chaos through subtle, emotionally grounded costume design. She discusses vintage clothing, continuity challenges, and filming in Malaysia.

By Bryan Abrams  |  September 14, 2026

Interview

Composer

“Beef” Composer Finneas O’Connell on Building a Synth-Driven Score for Netflix’s Emmy Juggernaut

Composer Finneas O’Connell explains how he built the retro synth-driven score for “Beef” Season 2, collaborating with creator Lee Sung Jin to chart the series’ escalating tensions, generational conflicts, nostalgia, and explosive emotional reckoning.

By Bryan Abrams  |  September 14, 2026

Interview

Editor

“Lanterns” Editor Vikash Patel on Pace, Performance & Power Rings

Veteran editor Vikash Patel takes us inside the making of “Lanterns,” discussing its blend of drama, comedy, action, and visual effects, his collaboration with showrunner Chris Mundy, and the editorial choices that shape Aaron Pierre and Kyle Chandler’s cosmic mystery.

By Bryan Alkemeyer  |  September 10, 2026

Interview

Sound Designer

How VFX Wizard John Knoll & Sound Master David Acord Made “The Mandalorian and Grogu” Bigger Than Ever

For “The Mandalorian and Grogu,” VFX supervisor John Knoll and sound designer David Acord blended photogrammetry, practical effects, virtual production, and immersive sound to expand Din Djarin and Grogu's galaxy without losing the spirit fans fell in love with.

By Daron James  |  September 9, 2026

Interview

Composer

Web of Loss: Composer Michael Giacchino on Rebuilding Spider-Man’s Theme Note by Note

Composer Michael Giacchino reveals how he reshaped Spider-Man's music for “Spider-Man: Brand New Day,” stripping notes from Peter Parker's theme to reflect loss, loneliness, and growth as Tom Holland's hero confronts a powerful new chapter.

By Jack Giroux  |  September 2, 2026

Interview

Costume Designer

Denim Against Dinosaurs: How Erin Benach Built Anne Hathaway’s Vintage Armor for “The End of Oak Street”

Costume designer Erin Benach takes us inside the creation of the early-1980s world of “The End of Oak Street,” revealing how vintage fashion, character-driven design, and practical stunt-ready costumes helped bring Anne Hathaway’s dinosaur thriller to life.

By Susannah Edelbaum  |  September 1, 2026

Interview

Director

“The Dog Stars”: Ridley Scott on Preparing For the End of the World

Ridley Scott discusses his visually stunning adaptation of “The Dog Stars,” why Westerns continue to influence his filmmaking, how storyboarding shapes every shot he makes, and why optimism remains essential to surviving both filmmaking and the apocalypse.

By Jack Giroux  |  September 1, 2026

Interview

Editor

How “The End of Oak Street” Editor John Axelrad Crafted Anne Hathaway & Ewan McGregor’s Lean, Mean Dinosaur Thriller

Editor John Axelrad discusses how he streamlined “The End of Oak Street” into a tight, suspenseful thrill ride, balancing family drama, horror, humor, and prehistoric chaos while finding the perfect rhythm for Anne Hathaway and Ewan McGregor's dinosaur-infested adventure.

By Hugh Hart  |  August 31, 2026

Interview

Director, Screenwriter

From Personal Loss to Emmy Nomination: Writer/Director Jim Rash’s Journey With “Miss You, Love You”

Emmy-nominated filmmaker Jim Rash discusses drawing from personal loss to create “Miss You, Love You,” directing Allison Janney and Andrew Rannells, filming ambitious long takes, and finding humor, healing, and connection in grief.

By Daron James  |  August 27, 2026

Interview

Special/Visual Effects

Creature Discomforts: Inside “Alien: Earth” With the Artists Behind Its Monsters

Noah Hawley's “Alien: Earth” expands the franchise with a terrifying new lineup of creatures. Prosthetics designer Steve Painter and VFX supervisor Jonathan Rothbart reveal how they created the Eye Midge, the Orchid, and the season's most unforgettable kills.

By Bryan Abrams  |  August 26, 2026

Interview

Screenwriter

Inside the Mind Games of “The Beast in Me” With Emmy-Nominated Creator/Writer Gabe Rotter and Writer Daniel Pearle

Emmy-nominated writers Gabe Rotter and Daniel Pearle discuss crafting the combustible relationship between Claire Danes and Matthew Rhys in Netflix's “The Beast in Me,” balancing character drama and suspense while exploring the stories people tell themselves.

By Hugh Hart  |  August 25, 2026

Interview

Composer

Foghorns, Ghosts & Gamba: Emmy-Nominated Composer David Fleming Conducts the Weird Wonders of “Widow’s Bay”

Emmy-nominated composer David Fleming reveals how opera vocals, conch shells, bass flutes, and medieval instruments helped create the haunting sonic world of Apple TV+'s acclaimed horror-comedy "Widow's Bay."

By Hugh Hart  |  August 25, 2026

Interview

Actor, Producer

“Shōgun” Star Takehiro Hira & “Tokyo Vice” Producer Alex Boden on Japan’s Cinematic Power

Actor Takehiro Hira and producer Alex Boden reflect on filming “Shōgun,” “Tokyo Vice,” and more across Japan's castles, temples, mountain towns, and city streets, explaining why the country is quickly becoming a top destination for global productions.

By Gavin Blair  |  August 24, 2026