Interview

Producer

SXSW 2025: Tapping Into Texas’s Vast Potential to Become the Next Cinematic Frontier

This year’s SXSW film festival in Austin blew into town with a considerable tailwind of enthusiasm for the Lone Star state’s film and TV future. Every state in the union can claim unique cultures, geographies, and mythologies, but there’s no disputing that Texas looms very large in our collective cultural imagination. It’s a state that takes very seriously the notion that it’s really a country.

Texas’s hold on our imagination is evident in how many great films and TV series are set there (whether they’re actually filmed there or not—we’ll get to that in a second),

By Bryan Abrams  |  March 13, 2025

Interview

Producer

From “Elf” to “Blue Bloods”: Veteran Producer Santiago Quiñones on the Unique Advantages of Filming in New York

Santiago Quiñones was a co-executive producer on Blue Bloods, CBS’s long-running police procedural that followed the Reagan family through their dynastic run within the NYPD. Quiñones, a born and bred New Yorker, joined the show assuming that, like previous projects, he might be moving on after a little while for another opportunity. Instead, he stayed for a decade, which kept him home alongside his family as his children grew and his colleagues became extended family members.

By Bryan Abrams  |  March 4, 2025
How “One Royal Holiday” Was One Royal Savior for an Inn in Connecticut

The premise of Hallmark Channel’s One Royal Holiday is as cozy as a snowy Christmas morning—Anna (Laura Osnes) helps a mother and son who are stranded in a blizzard, only to discover the pair are actually royalty. Gabriella and James Galant (played by Victoria Clark and Aaron Tveit) are members of the Royal Family of Galwick, yet they’re (very fancy) ducks out of water in Anna’s hometown. It’s up to Anna to show the Galants what a Christmas in Connecticut is all about,

By The Credits  |  January 28, 2025
How a Historic House in Connecticut Gave “Christmas on Honeysuckle Lane” the Perfect Location

Christmas may be over, but Christmas movies are a delight anytime. There are plenty of classic Christmas movies for pretty much every taste. The sentimental (or viewers of a certain age) might tell you that there’s no improvement upon Frank Capra’s 1946 classic It’s a Wonderful Life or, just a year later, George Seaton’s seminal 1947 film Miracle on 34th Street. Bob Clark’s 1983 film A Christmas Story immortalized Ralphie Parker (Peter Billingsley)’s quest to secure a Red Ryder Range 200 Shoot BB Gun into a domestic epic,

By The Credits  |  January 6, 2025

Interview

Production Designer

Best of 2024: How “The Penguin” Production Designer Kalina Ivanov Helped Bring Gotham Back to New York City

*This interview was selected by measures having nothing to do with science as one of our standouts from 2024. The creation of Gotham for HBO’s shockingly good series The Penguin fell, in large part, to ace production designer Kalina Ivanov. Here’s how she pulled it off.

Production designer Kalina Ivanov was destined to be part of the HBO spin-off series The Penguin from creator Lauren LeFranc,

By Daron James  |  December 23, 2024

Interview

Costume Designer

“The Penguin” Costume Designer Helen Huang on Gotham’s Gritty Glamour

Costume designer Helen Huang bridges reality and comic book storytelling in The Penguin, finding a brilliant balance that gives the series weight and a churlish glamour befitting a story set in Gotham’s criminal underworld.  The hit series led by showrunner Lauren LeFranc is familiar—Gotham is our most explored comic version of New York City—yet heightened and deliciously detailed, blending a tactical mob story with the haunting metropolis in a period of rapid decay following the Riddler’s bombing and flooding of the city at the end of The Batman—The Penguin is set in that tragedy’s aftermath.

By Jack Giroux  |  October 30, 2024

Interview

Hair/Makeup

“Smile 2” Prosthetic Makeup Designer Jeremy Selenfriend on the Sequel’s Gruesome, Grinning Details

Editor’s Note: The story contains spoilers to the movie Smile 2.

Prosthetic makeup designer Jeremy Selenfriend is no stranger when it comes to creating blood-curdling horror. He grew up watching Freddy Kruger films and turned an interest of the spooky into a career of conjuring some of the most terrifying dread imaginable. “It’s a weird thing to say, but when I was eight years old, I was in love with the Nightmare on Elm Street films,” he tells The Credits.

By Daron James  |  October 29, 2024

Interview

Cinematographer

“Smile 2” DP Charlie Sarroff on Lighting a Curse-Afflicted Pop Star in the Big City

Life as a pop star isn’t as great as it looks, if the smiles surrounding global sensation Skye Riley (Naomi Scott) are any indicator. Smile 2, director Parker Finn’s sequel to 2022’s surprise hit Smile, demonstrates the horror of having a public psychological breakdown triggered by the triple threat of hidden trauma, the immense pressures of fame, and a deadly curse.

After an addiction-induced meltdown and a car accident that killed her boyfriend,

By Susannah Edelbaum  |  October 29, 2024

Interview

Production Designer

How “The Penguin” Production Designer Kalina Ivanov Helped Bring Gotham Back to New York City

Production designer Kalina Ivanov was destined to be part of the HBO spin-off series The Penguin from creator Lauren LeFranc, which stars Colin Farrell as the title character, Oz Cobb, reprising his role from Matt Reeves’ The Batman and remaining, once again, utterly unrecognizable.

“The very first movie I saw in the theater after Covid stopped being Covid was The Batman,

By Daron James  |  September 17, 2024
Benetone Films Co-Founder Kulthep Narula on Taking Thailand’s Film Industry to the Next Level

From Hollywood to Bollywood, Benetone Films has provided production services for over 100 feature films, TV series, and 1,000 TV commercials in over two decades. The Bangkok-based company is also a key provider for foreign productions filmed on location in Thailand. Ten projects have been approved through Thailand’s incentive scheme, including 2020’s The Forgotten Army for Amazon Studios and 2022’s Blood & Treasure season 2 for CBS Studios.

In recent years,

By Silvia Wong  |  August 19, 2024

Interview

Graphic Designer

“Manhunt”: A Visual Journey Through Time with Graphic Designer Gina Alessi

Manhunt graphic designer Gina Alessi had a significant assignment when she was brought on board Apple TV+’s stellar limited series about the hunt for John Wilkes Booth (Anthony Boyle) in the aftermath of Abraham Lincoln’s (Hamish Linklater) assassination—among other historical recreations, Alessi was tasked with making sure Abraham Lincoln’s deathbed at the Petersen House next to the Ford Theater, down to the pattern on the blanket, was period perfect. It was not an insignificant challenge,

By Bryan Abrams  |  August 15, 2024
Following Its Predecessor’s Successful Path, “Twisters” Touches Down in Oklahoma

When the disaster thriller Twister was released in 1996, the film turned out to be one of the summer’s biggest blockbusters and the second-highest-grossing movie of the year (the first was Independence Day). Helen Hunt starred as Jo, a meteorologist who was out to revolutionize tornado alert systems through a small, censor-filled device named Dorothy, conceived by her almost ex-husband, weatherman Bill (Bill Paxton). Almost thirty years later, a sequel is on the way: Twisters,

By Susannah Edelbaum  |  July 15, 2024
Reimagining Korea’s Dynamic Film & TV Industry With Wow Point Executive Producer Yoomin Hailey Yang

Wow Point CEO and executive producer Yoomin Hailey Yang is blazing a trail for young female producers in the Korean film and TV industry.

After stints working with Korean broadcaster MBC and agency-producer BH Entertainment, she co-founded Wow Point with leading Korean filmmaker Yeon Sang-ho (Train To Busan, Peninsula) in 2021. The Seoul-based company has launched two series on Netflix so far this year: Parasyte: The Grey,

By Liz Shackleton  |  May 15, 2024
Lights, Camera, Action! How Tax Breaks and Funding Can Lure Film Productions to Germany

The panelists on stage at the law firm Greenberg Traurig for a discussion held in conjunction with the Motion Picture Association during the 74th Berlin International Film Festival represented a notable list of luminaries from across the film and television industry. Mediated by Greenberg Traurig Partner Laura Zentner, they were largely in agreement regarding the panel’s topic, German film funding in 2025 and beyond. The panel members emphasized that filming in Germany, from infrastructure to local talent,

By The Credits  |  March 13, 2024
“Dune: Part Two” Set for a Sandworm-Sized Opening Weekend

Denis Villeneuve’s Dune: Part Two is rumbling towards theaters this weekend with the thunderous power of a sandworm. The second part of Villeneuve’s possibly three-part epic (he’s currently working on the script for Part Three, which has yet to be confirmed, and would be based on “Dune Messiah,” Frank Herbert’s sequel to his original book) was delayed from releasing this past fall due to the actor’s strike. This has meant that with this weekend’s release,

By The Credits  |  February 28, 2024

Interview

Production Designer

“Drive-Away Dolls” Production Designer Yong Ok Lee on Transforming Pittsburgh Into the Whole East Coast

Ethan Coen’s solo directorial debut, Drive-Away Dolls, stars Margaret Qualley as Jamie, an unhindered Texan attached at the hip to her best friend and human hand-brake, Marian, played by Geraldine Viswanathan. The only trait these two twenty-somethings seemingly share is that they are both lesbians, but when an impromptu road trip to Tallahassee turns into a game of cat and mouse involving a couple of hired goons, Arliss (Joey Slotnick) and Flint (C.J.

By Susannah Edelbaum  |  February 28, 2024

Interview

Screenwriter

Best of 2023: “Rustin” Screenwriter Julian Breece on Giving a Legend his Due

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

There are countless unsung heroes of the civil rights movement who will never get the recognition they deserve, yet it’s hard to imagine an overlooked figure more central to the cause and more courageous and capacious in spirit than Bayard Rustin. While historians are well aware of the impact Rustin had on the civil rights movement writ large and specifically the March on Washington,

By Bryan Abrams  |  December 29, 2023

Interview

Screenwriter

“Rustin” Screenwriter Julian Breece on Giving a Legend his Due

There are countless unsung heroes of the civil rights movement who will never get the recognition they deserve, yet it’s hard to imagine an overlooked figure more central to the cause and more courageous and capacious in spirit than Bayard Rustin. While historians are well aware of the impact Rustin had on the civil rights movement writ large and specifically the March on Washington, most Americans are not.

George C. Wolfe‘s Rustin (in theaters now) offers a course correction.

By Bryan Abrams  |  November 9, 2023

Interview

Director, Editor, Producer, Screenwriter

Filmmaker & TV Creator Mann Robinson on Getting it Done in Georgia

Mann Robinson gets it done. The former rapped-turned-filmmaker and television creator can do it all—write, direct, produce, edit—with a tirelessness that would seem inhuman if he wasn’t so even-keeled about how he approaches his work.

“What’s allowing me to have so many things coming up?” he says when we spoke toward the end of summer, as he took a rare break to chat about his career. “First thing I do in the morning is write whatever project I may be on at the time,

By Bryan Abrams  |  October 26, 2022
How Skylight Studios Transforms Inaccessible Spaces into Inspiring Locations

What people love, fear and crave are constantly defined by their location. From first noticing the otherworldly star band the Milky Way presents in a clear night sky to reading about CERN potentially ending the world while strapped to an airline seat 10,000 feet above the earth – the location of every moment serves as a lens through which we all see the world. And all those moments stay with us.

For storytellers,

By The Credits  |  August 2, 2022