“Alien: Romulus” Costume Designer Carlos Rosario’s Retro Vision & Vintage Style Blends – Part One

The only film so far to take this summer’s box office juggernaut Deadpool & Wolverine off the #1 spot for a spell was Fede Álvarez’s sci-fi horror Alien: Romulus, which brought back one of the most frightful monsters in cinematic history—the lobster-like face-strangling Xenomorphs! Taking place between Ridley Scott’s 1979 revered original and James Cameron’s 1986 fan-favorite sequel, Aliens, the cortisol-triggering interquel from 20th Century Studios centers on a new generation of colonists in their 20s,

Eye on the Emmys: Outfitting Feudal Japan with Emmy-Winning “Shōgun” Costume Designer Carlos Rosario: Part Two

*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume designer Carlos Rosario won for Outstanding Period Costumes for a Series for Shōgun, episode 6, “Ladies of the Willow World.” He won alongside his colleagues Carole Griffin, costume supervisor, and assistant costume designers Kenichi Tanaka, Paula Plachy, and Kristen Bond. 

Eye on the Emmys: Emmy-Winning “Shōgun” Editors Aika Miyake and Maria Gonzales on Mariko’s Heroic Journey

*After the 76th Creative Arts Emmy Winners were announced on September 8 and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Editors Maria Gonzales and Aika Miyake won the Emmy for Outstanding Picture Editing for a Drama Series for the season finale, “A Dream of a Dream.” 

The first season of Justin Marks and Rachel Kondo’s masterful Shōgun was an expertly paced slow-burn drama that plunged viewers into 17th-century Japan with a passionate obsession with the rigors and wonders of the period and location.

Eye on the Emmys: Outfitting Feudal Japan with Emmy-Winning “Shōgun” Costume Designer Carlos Rosario: Part One

*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume designer Carlos Rosario won for Outstanding Period Costumes for a Series for Shōgun, episode 6, “Ladies of the Willow World.” He won alongside his colleagues Carole Griffin, costume supervisor, and assistant costume designers Kenichi Tanaka, Paula Plachy, and Kristen Bond.

Eye on the Emmys: “True Detective: Night Country” Writer/Director Issa López Delivers a Chilling New Season

*Ahead of the 2024 Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Issa Lopez notched three nominations this year—for Outstanding Limited or Anthology Series, Outstanding Directing, and Outstanding Writing (for episode 6.) 

Issa López loves to challenge herself. The writer/director, best known for the mystical 2017 feature Tigers Are Not Afraid, believes your comfort zone is the last place to find stories worth telling.

A Symphony of Success: Emmy Nominees Talk VFX, Composing, and Editing

We had the pleasure of hosting two panels this year—check out our first panel here— ahead of the 2024 Emmy Awards, which will be held live on ABC on Sunday, September 15, from 8-11 ET. For our second panel, our Emmy nominees came from a wide-ranging group of shows—Lessons in Chemistry‘s ace director Millicent Shelton, nominated for directing episode 6, “Poirot,” Shōgun‘

The Rewards of the Craft: Emmy Nominees on the Joys & Challenges of Television

We had the pleasure of hosting two panels this year—check out our second panel here— ahead of the 2024 Emmy Awards, which will be held live on ABC on Sunday, September 15, from 8-11 ET. Like last year, we sat down with some nominees from some great, disparate, challenging shows. In our first panel, Planet Earth III composers Jacob Shea and Sara Barone (nominated for episode 6,

“Emily in Paris” Star Ashley Park on ‘brat summer’, Her Singing Chops, and Season 4’s Stakes

As the first five episodes of season four of the hit series Emily in Paris dropped on Netflix on August 15, fans were eager to delve back into the world of Emily (Lily Collins) and Mindy (Ashley Park) as they navigate messy relationships, major career changes, and general adulthood woes, in Paris. 

At the conclusion of season three, Mindy was dating her former high school crush (and real-life boyfriend) Nicolas (Paul Forman) and also found out she had been accepted to the Eurovision competition with her former boyfriend,

Benetone Films Co-Founder Kulthep Narula on Taking Thailand’s Film Industry to the Next Level

From Hollywood to Bollywood, Benetone Films has provided production services for over 100 feature films, TV series, and 1,000 TV commercials in over two decades. The Bangkok-based company is also a key provider for foreign productions filmed on location in Thailand. Ten projects have been approved through Thailand’s incentive scheme, including 2020’s The Forgotten Army for Amazon Studios and 2022’s Blood & Treasure season 2 for CBS Studios.

In recent years,

Twin Forces: “The Acolyte” Director Hanelle M. Culpepper on Crafting Amandla Stenberg’s Dual Roles

When she helmed the first episode of Star Trek: Picard in 2020, director Hanelle M. Culpepper made history as the first woman to launch a Star Trek series. She went on to win the NAACP Image Award for Outstanding Directing in a Drama Series for that project. This, along with her work on shows like Westworld, The Last Days of Ptolemy Grey, Kung Fu,

“Fancy Dance” Producer Heather Rae on Putting Together Erica Tremblay’s Moving New Film

For Heather Rae, it’s all about heart. The award-winning producer of Frozen River, Wind Walkers, and Tallulah, and the director/producer of the acclaimed documentary Trudell, believes her place is at the heart of a production. And just as important, Rae is driven to make films with heart.

Fancy Dance, Rae’s latest film, now streaming on Apple TV+,

MPA Creator Award Recipient Writer/Director JA Bayona’s Epic Journey

J.A. Bayona’s Society of the Snow, a reimagining of the real-life 1972 Uruguayan plane crash in the Andes Mountains that caught the world’s attention, is a viscerally astonishing feat of empathetic filmmaking. It was nominated for two Oscars: Best International Feature for Spain and Best Makeup and Hairstyling (Ana López-Puigcerver, David Martí, and Montse Ribé), a sweet coda for a filmmaker who returned to his home country of Spain for the majority of the film’s production.

“Space Cadet” Writer/Director Liz Garcia on Crafting Her Cosmic Comedy

It was an article about NASA’s first class of astronaut candidates in which women constituted half the participants that piqued Liz Garcia’s curiosity about the highly competitive candidacy process and ultimately prompted her to write about it. As the writer/director/producer (The Lifeguard, The Sinner) notes in her Director’s Statement, “Once I learned how astonishingly competitive it is to even get to the point that you’re being considered, I knew I wanted to set a movie in that world,

“Fancy Dance” Writer/Director Erica Tremblay on the Power of Indigenous Storytelling

Fans of Lily Gladstone will be happy to know they can see her on the big screen again in Apple’s new release, Fancy Dance. The film centers on Jax (Gladstone) and Roki (newcomer Isabel Deroy-Olson), an Indigenous aunt and niece who live on the Seneca-Cayuga reservation and are dealing with the disappearance of Tawi, Jax’s sister and Roki’s mom. Jax and Roki are hoping they’ll meet up with Tawi at the annual powwow if she’s not found beforehand.

Writer/Director Andrew Haigh Revisits His Career at the Provincetown International Film Festival

Each June for 26 years, the Provincetown International Film Festival (PIFF) unspools a singular mix of first-rate features, documentaries, and shorts; in-person filmmakers; and an unpretentious vibe that’s uniquely Provincetown.

A highlight this year was British writer-director Andrew Haigh, who was feted with the PIFF’s highest honor, the annual Filmmaker on the Edge Award. Haigh traveled from London to appear at the historic Town Hall to accept the award and converse with director John Waters,

“Shōgun” Editors Aika Miyake and Maria Gonzales on Cutting Mariko’s Heroic Path

The first season of Justin Marks and Rachel Kondo’s masterful Shōgun was an expertly paced slow-burn drama that plunged viewers into 17th-century Japan with a passionate obsession with the rigors and wonders of the period and location. The new Shōgun shifts its center of balance from the swashbuckling but woefully out of his depth British pirate Blackthorne (Cosmo Jarvis) to his Japanese captors. Blackthorne has washed ashore on a land in the midst of a tectonic power shift,

“Under the Bridge” EP/Director Quinn Shephard on Lily Gladstone & Riley Keough’s Twisty Murder Mystery

In 1997, fourteen-year-old Reena Virk went to a party and never came home, then became front page news around the world when a tight-knit circle of girls and one troubled teenage boy were implicated in her murder. Journalist Rebecca Godfrey wrote about the crime in her acclaimed book “Under the Bridge”, and now Hulu’s narrative series of the same name delves into the life of the victim, as well as those involved in her death.

Netflix’s Production of “One Hundred Years of Solitude” is a Bold Showcase of Latin American Culture

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.” 

With these haunting words, acclaimed as one of the best opening lines in literature, Gabriel García Márquez introduces readers to the enchanting world of Macondo in his celebrated novel, “One Hundred Years of Solitude.” Now, after a decade since the passing of the Nobel laureate,

Reimagining Korea’s Dynamic Film & TV Industry With Wow Point Executive Producer Yoomin Hailey Yang

Wow Point CEO and executive producer Yoomin Hailey Yang is blazing a trail for young female producers in the Korean film and TV industry.

After stints working with Korean broadcaster MBC and agency-producer BH Entertainment, she co-founded Wow Point with leading Korean filmmaker Yeon Sang-ho (Train To Busan, Peninsula) in 2021. The Seoul-based company has launched two series on Netflix so far this year: Parasyte: The Grey,

Writer/Director Jane Schoenbrun on Their Stunning New Film “I Saw the TV Glow”

While a student at Boston University, writer/director Jane Schoenbrun enjoyed “many formative movie experiences” at the nearby  Coolidge Corner Theater. “A fond memory is of a zombie movie and me and all my friends dressing in zombie makeup,” says Schoenbrun. “It was one of the happiest memories of my college experience, and it probably says something about me.”

So it’s a fitting, full circle moment for Schoenbrun when they returned to the historic Boston theater on May 11 as the 2024 recipient of the Coolidge Breakthrough Artist Award.