Interview

Sound Designer

Hearing Is Believing: MPAA’s TED2013 Master Class With Music Supervisor Randall Poster

Everyone knows ‘seeing is believing,’ but master music supervisor Randall Poster will tell you: what you hear in motion pictures is just as tantamount to the images whirring across the screen. Poster is one of the most sought after music supervisors in Hollywood (a sampling from his impressive oeuvre: Rushmore!, Velvet Goldmine, Boardwalk Empire) —and he brought his prowess to TED2013, where he hosted the dynamic MPAA sponsored-Master Class,

By  |  March 4, 2013

Interview

Editor, Sound Designer

Sound Supervisor Scott Gershin on His Job As An ‘Audio Photographer’


The Credits recently chatted with Sound Supervisor Scott Gershin at Soundelux Studios about his work on some of the most iconic movies in recent memory. Among his credits? The Doors, The Last of the MohicansGladiator, Kill Bill: Volume 1American Beauty, and Braveheart–and that hardly scratches the surface. Gershin has contributed to the scores of several award-winning movies and has worked on over 100 features.

By  |  November 7, 2012

Interview

Sound Designer

Did You Hear That? Nightmare on Elm Street Foley Artist Gary Hecker Reveals How Horror Movies’ Scariest Sound Effects Are Made

Ear-splitting screams. Ominous silence. The howling wind. The telltale creak of the stairs. It’s hard to imagine horror films without these heart-pounding audio elements, but they wouldn’t exist without the talented foley artists who use everything from celery stalks to leather belts to create aural terror.

As Halloween approaches, we thought we’d check in with industry vet Gary Hecker, who’s been honing his craft for 30 years and now works as the supervising foley artist at Todd-AO.

By  |  October 29, 2012