“The Late Show” Ends: Stephen Colbert Caps an Era With Paul McCartney and a Legendary Sign-Off

Stephen Colbert closed “The Late Show” with laughter, music, and a touch of the surreal, as Paul McCartney and a stage full of stars helped mark the end of a late-night institution.

By The Credits  |  May 22, 2026

Interview

Director, Screenwriter

“Is God Is” Writer/Director Aleshea Harris on Faith, Fury, and Igniting a Scorching Revenge Odyssey

Writer/director Aleshea Harris brings a blazing, genre-bending vision to “Is God Is,” a revenge road movie steeped in biblical myth and emotional fire. In adapting her own play, Harris crafts a singular cinematic experience—one where questions of fate, faith, and family burn just as fiercely as the story’s quest for vengeance.

By Jack Giroux  |  May 21, 2026

Interview

Actor

“Lord of the Flies” Stars Winston Sawyers, David McKenna & Ike Talbut on Brotherhood, Brutality & Real Chemistry

The young stars of “Lord of the Flies” didn’t just act—they lived it. From sweltering heat and rugged terrain to a raw, improvisational approach encouraged by director Marc Munden, Winston Sawyers, David McKenna, and Ike Talbut reveal how they brought emotional truth to Netflix’s haunting adaptation of William Golding’s classic.

By Hugh Hart  |  May 20, 2026

Interview

Screenwriter

“Mortal Kombat II” Screenwriter Jeremy Slater on Johnny Cage, Kitana & the Perfect Finishing Move

Jeremy Slater approached “Mortal Kombat II” with a simple mandate: deliver the moments fans came to see. From brutal, inventive fight scenes to the emotional core of Johnny Cage and Kitana, Slater crafted a lean, relentless sequel designed to keep audiences locked in from the first blow to the final fatality.

By Jack Giroux  |  May 20, 2026

Interview

Cinematographer

From an Octopus’s Perspective to Paranoia: DP Ashley Connor on “Remarkably Bright Creatures” & “The Chair Company”

Ashley Connor doesn’t start with the camera—she starts with emotion. In “Remarkably Bright Creatures” and “The Chair Company,” the cinematographer crafts two radically different visual worlds, each grounded in character, psychology, and a shared search for human connection.

By Evelyn Lott  |  May 19, 2026

Interview

From Gaga & Madonna to Breakout Stars: Music Supervisor Julia Michels on Crafting “The Devil Wears Prada 2” Sound

Even veteran music supervisors can be stumped. When asked to distill her year-long sprint building the soundtrack for “The Devil Wears Prada 2,” Julia Michels needed time. Her answer—Michael Jackson’s “Working Day and Night”—captures the relentless pace behind a project that demanded she honor a beloved original while redefining what “Prada” sounds like two decades later.

By David Thorpe  |  May 19, 2026

Interview

Director, Screenwriter

Curry Barker’s “Obsession”: The Indie Horror That Turned L.A. Into a Nightmare Playground

Shot in just 20 days for under $1 million, “Obsession” turned writer-director Curry Barker into one of TIFF’s breakout filmmakers—transforming a simple premise into a dark, feverish crowd-pleaser that caught the eye of Focus Features and proved that scrappy indie horror can still erupt into something big.

By Simon Thompson  |  May 18, 2026
“The Mandalorian and Grogu” Early Buzz: A Charming, Action-Packed Return to Theaters

First reactions to “The Mandalorian and Grogu” are in, with critics praising Jon Favreau’s charming, action-packed return to the big screen for Pedro Pascal’s Din Djarin and his Force-sensitive companion.

By The Credits  |  May 15, 2026
The Hunt for 007 Is On: Casting Director Nina Gold Leads High-Stakes Search for Denis Villeneuve’s James Bond

“The search for the next James Bond is underway,” Amazon MGM Studios said as Oscar-nominated casting director Nina Gold begins auditions for Denis Villeneuve’s upcoming film, setting the stage for one of the most high-stakes casting decisions in Hollywood.

By The Credits  |  May 15, 2026

Interview

Costume Designer

How Costume Designer Daniel Lawson Gave Carrie Preston’s “Elsbeth” a New York Glow-Up

“She uses her dress to disarm people… It’s her Trojan horse,” says costume designer Daniel Lawson. On “Elsbeth,” Carrie Preston’s brilliantly offbeat sleuth isn’t just solving murders—she’s doing it in bold colors, daring patterns, and a wardrobe designed to distract, delight, and ultimately deceive.

By Chris Koseluk  |  May 14, 2026

Interview

Cinematographer

DP Charlie Gruet on Turning Tracy Morgan’s Comedic Genius Into Docu-Style Gold in “The Fall and Rise of Reggie Dinkins”

Cinematographer Charlie Gruet brings a documentary filmmaker’s eye to Tracy Morgan's “The Fall and Rise of Reggie Dinkins,” blending vérité camerawork, era-specific formats, and cinematic storytelling to create a world that feels as authentic as it is hilarious.

By Daron James  |  May 13, 2026
Christopher Nolan Reveals Lupita Nyong’o’s Powerful Dual Role in “The Odyssey”

Lupita Nyong’o will play both Helen of Troy and Clytemnestra in Christopher Nolan’s IMAX‑shot epic “The Odyssey.”

By The Credits  |  May 12, 2026

Interview

Cinematographer

How DP Tari Segal Found Joy, Whimsy, and Intimacy in “Margo’s Got Money Troubles”

Cinematographer Tari Segal breaks down how intimacy, color, and intention shaped the buoyant visual language of “Margo’s Got Money Troubles.”

By Evelyn Lott  |  May 12, 2026
James Gunn Adds Sinqua Walls to the Cast of “Superman: Man of Tomorrow”

Sinqua Walls has officially joined James Gunn’s “Superman: Man of Tomorrow,” now filming in Atlanta, as the DC Universe continues to take shape.

By The Credits  |  May 12, 2026
John Krasinski’s “A Quiet Place Part III” Has Begun Filming in New York City

John Krasinski confirms that filming has begun on “A Quiet Place: Part III,” bringing the Abbott family back into the silence.

By The Credits  |  May 11, 2026

Interview

Production Designer

Designing Agnes’s Gilead: Martha Sparrow on Crafting Chase Infiniti’s World in “The Testaments”

Production designer Martha Sparrow reveals how symmetry, craft, and beauty shape the dangerous calm of “The Testaments.”

By Susannah Edelbaum  |  May 11, 2026

Interview

Producer, Screenwriter

Fashion, Power, and Print Under Pressure: How Screenwriter Aline Brosh McKenna Cracked “The Devil Wears Prada 2”

The Devil Wears Prada 2 begins with Anne Hathaway’s reporter character, Andy Sachs, getting fired by text just before taking the stage to accept a prestigious journalism award. A few days after the movie opened, a Washington Post editor watched her colleagues win a Pulitzer Prize for a story she’d worked on before being laid off via email. In this David Frankel-directed sequel, which opened to a whopping $77 million, the realities of a shrinking print media industry co-exist vividly alongside the still-glamorous New York City fashion world...

By Hugh Hart  |  May 11, 2026
From “Hamnet” to Hell-Bound Romance: Paul Mescal and Jessie Buckley Reunite for “Hold On To Your Angels”

Paul Mescal and Jessie Buckley are reuniting for Benh Zeitlin’s “Hold On To Your Angels,” a mythic outlaw romance set in a disintegrating Louisiana bayou. The film follows a hell‑bound outlaw and a ferocious shepherd of lost souls caught in a catastrophic love story—one that doubles as a love letter to an endangered way of life at the edge of America.

By The Credits  |  May 8, 2026

Interview

Director, Screenwriter

Writer/Director Olivia Newman on Finding the Deep Soul of “Remarkably Bright Creatures”

Director Olivia Newman talks about shaping grief, humor, and purpose in “Remarkably Bright Creatures,” starring Sally Field—and why the film’s octopus had to feel as real as its human characters.

By Hugh Hart  |  May 7, 2026

Interview

Casting Director

Casting the Revolution: Margery Simkin on Finding an All-Star Barnyard for “Animal Farm”

Casting director Margery Simkin followed her instincts—and actors’ voices—to build the world of Andy Serkis’ “Animal Farm.” By ditching traditional auditions and listening closely to tone, rhythm, and essence, Simkin assembled a daring, star‑studded cast led by Seth Rogen, Glenn Close, and Gaten Matarazzo for a timeless political fable reimagined.

By David Thorpe  |  May 6, 2026