“Maestro” Costume Designer Mark Bridges on Charting the Bernstein’s Ever-Changing Style
It’s no accident that Maestro (on Netflix and in theaters) begins with Bradley Cooper’s elderly Leonard Bernstein reflecting on how much he misses his late wife Felicia, portrayed by Carey Mulligan. The biopic, of course, includes bits of Bernstein’s greatest hits as a composer and conductor, from West Side Story to Mahler’s 2nd Symphony. But the movie concentrates mainly on the complicated relationship between the bisexual Bernstein and the stylish actress who found herself living in the shadow of America’s most celebrated classical music talent.
The Final “Mean Girls” Trailer Reveals Reneé Rapp’s New Regina George
The final trailer for Mean Girls has arrived, giving us a last look at Paramount’s upcoming movie musical, which was appropriately first glimpsed by audiences who went and saw Taylor Swift’s concert film in the theater. This musical version, from directors Samantha Jayne and Arturo Perez Jr., is adapted from the 2018 Broadway play, which itself was an adaptation of the hit 2004 film. The original film, the Broadway musical,
“The Boys in the Boat” Star Callum Turner on Going With the Flow
Callum Turner plays Joe Rantz in The Boys in the Boat, based on the real-life story of the University of Washington rowing team that won a gold medal in the 1936 Olympics. George Clooney directed the film, adapted by Mark L. Smith from Daniel James Brown’s best-seller of the same title, and it’s a classic underdog story. Coach Al Ulbrickson, played by Joel Edgerton, took a big risk by taking the junior varsity team to the Olympics instead of the far more experienced varsity rowers.
Creating the World of “The Color Purple” With Production Designer Paul D. Austerberry & Set Decorator Larry Dias
For production designer Paul D. Austerberry and set decorator Larry Dias, The Color Purple was a challenge in grounding post-Antebellum South aesthetics with whimsical musical environments. Scouring every nook and cranny of Georgia, the town of Grantville provided seven shooting locations for director Blitz Bazawule’s retelling of the beloved story that follows Celie (Fantasia Barrino), a Black woman trying to find her identity while married to an abusive husband named Mister (Colman Domingo).
“Maestro” Cinematographer Matthew Libatique Makes Music With the Camera
Spanning four decades of love, art, and loss, the tortured yet deeply moving marriage of American composer and conductor Leonard Bernstein (Bradley Cooper) and Costa Rican actress Felicia Montealegre Bernstein (Carey Mulligan), serves as the crux of Cooper’s sophomore directorial offering. Rather than a pure biopic, Maestro — the visually (and sonically) absorbing musical drama from Netflix — anchors its narrative verve on the couple’s tumultuous marriage and the sacrifices that art demands.
“The Color Purple” Editor Jon Poll on Finding the Rhythm of This Moving Adaptation
Editor Jon Poll knows comedy structure forward and backward, having worked on such classics as Meet the Parents, The 40-Year-Old Virgin, and Austin Powers: The Spy Who Shagged Me. So, how did he wind up editing The Color Purple? The deeply dramatic musical, directed by Ghanian-born rapper-turned-Beyonce collaborator (Black is King) turned filmmaker Blitz Bazawule, features Fantasia Barrino,
“The Boys in the Boat” Production Designer Kalina Ivanov on Jumping On Board of George Clooney’s Stirring new Drama
For The Boys in the Boat, directed by George Clooney, production designer Kalina Ivanov had to make England of 2022 look like the Pacific Northwest of the United States in the midst of the Depression. No easy feat, but one the talented filmmaker was more than prepared to tackle. Ivanov, who worked with Clooney on The Tender Bar and currently helped create the iconic Gotham for the upcoming The Batman spinoff series The Penguin,
Best of 2023: Hit Makers Mark Ronson and Andrew Wyatt on Adding a Pop Punch to “Barbie” Soundtrack
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
Before Barbie, before producing Bruno Mars and Adele, before winning an Oscar for co-writing Lady Gaga’s duet “Shallow” for A Star Is Born, Mark Ronson made a living in New York City as a deejay pulling from his encyclopedic knowledge of musical genres from many eras. Ronson’s talents earned wide acclaim when he co-produced Amy Winehouse’s breakthrough album “Back to Black”
Best of 2023: Gina Prince-Bythewood, MPA Creator Award Recipient, Tells Her Story
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
An elite force of female soldiers, the Agojie, is all that stands between the African Kingdom of Dahomey and the combined forces of the Oyo Empire and Mahi people. The Oyo and Mahi plan to raid Dahomey villages and sell their captives to European slavers. We open on a Mahi village where raiders heat their machetes over a fire at night.
Best of 2023: “Rustin” Screenwriter Julian Breece on Giving a Legend his Due
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
There are countless unsung heroes of the civil rights movement who will never get the recognition they deserve, yet it’s hard to imagine an overlooked figure more central to the cause and more courageous and capacious in spirit than Bayard Rustin. While historians are well aware of the impact Rustin had on the civil rights movement writ large and specifically the March on Washington,
Best of 2023: “Fair Play” Writer/Director Chloe Domont Makes a Killing on Male Fragility
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
Fair Play, writer/director Chloe Domont‘s feature debut, is somehow both an old-school erotic thriller and a shrewd, scalpel-sharp dissection of how far we have and have not come with gender equality in the workplace and in the headspace of men, even those who consider themselves allies.
The film is largely set at the hedge fund One Crest Capitol,
Best of 2023: “Poor Things” Costume Designer Holly Waddington on Bringing Yorgos Langthimos’ Ecstatic Vision to Life
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
Before costume designer Holly Waddington got started on Poor Things, Yorgos Lanthimos gave her a visual reference: inflatable pants. The futuristic-seeming trousers made by London College of Fashion graduate Harikrishnan buck the movie’s late-19th-century setting, which encouraged Waddington to ignore the norms of time and space.
Best of 2023: “Barbie” Casting Directors Allison Jones And Lucy Bevan on Populating Barbie Land
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
Since its release last month, Greta Gerwig’s Barbie has been hailed as a marvel of a balancing act between sincerity and hilarity. On top of the nuanced script, Barbieland is populated by a Barbie and Ken of every stripe, for every type, despite dozens of characters who share a mere two first names (plus the singular Allan).
Best of 2023: How the “Spider-Man: Across the Spider-Verse” Visual Team Created a Mesmerizing Multiverse
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
When Spider-Man: Into the Spider-Verse was released five years ago, its web of 2D and 3D animation became a box office hit and went on to win the Oscar for best animated feature. Incredibly, the return of Miles Morales (voiced by Shameik Moore) in Across the Spider-Verse has lived up to the hype,
Best of 2023: Christopher Nolan on Exploding Myths & Exposing Humanity in “Oppenheimer”
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year.
Robert Oppenheimer (Cillian Murphy) stares wide-eyed into the pond spread out in front of him; his last conversation with Albert Einstein (Tom Conti) on the potential catalytic effects of the atomic bomb has rendered him speechless. The music swells as the screen fades to black — the final scene of Christopher Nolan’s highly-anticipated Oppenheimer.
Best of 2023: How “The Color Purple” DP Dan Laustsen Made Visual Music
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. This interview with “The Color Purple” cinematographer Dan Laustsen more than qualifies, and, with the film opening wide in theaters today, it feels like a fitting Christmas Day post. Happy Holidays!
Danish cinematographer Dan Laustsen has been shooting movies for forty years, earning two Oscar nominations along the way for his contributions to Guillermo del Toro’s films The Shape of Water and Nightmare Alley.
Best of 2023: “The Color Purple” Costume Designer Francine Jamison-Tanchuck’s Stunning Creations
*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. This interview works doubly well as “The Color Purple” is in theaters today. Merry Christmas!
There’s a famous line in Alice Walker’s 1982 novel The Color Purple that goes: “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” It’s a message that even God can become annoyed when people overlook the wonderful things he creates.
“All of Us Strangers” Cinematographer Jamie Ramsay on Lighting a Lonely Life
Based on Taichi Yamada’s 1987 novel Strangers, writer and director Andrew Haigh’s All of Us Strangers takes place between a barren tower block in London, where Adam (Andrew Scott) leads a solitary existence, and his childhood home in the suburbs, where he frequently visits his parents, who died thirty years earlier. In London, Adam spends his days alone, until his neighbor Harry (Paul Mescal) appears outside his door, proffering whiskey.
“Maestro” Editor Michelle Tesoro on Orchestrating the Epic Bernstein Love Story
To tell the story of composer Leonard Bernstein’s (Bradley Cooper) courtship with Costa Rican-American actress Felicia Montealegre Cohn Bernstein (Carey Mulligan), Cooper, who also directed, and his editor, Michelle Tesoro (The Queen’s Gambit, When They See Us) varied the technical aesthetic throughout Maestro. As the couple first gets to know each other at a party, followed by wooing one another on stage at an empty theater,
Searching for That Ferocious “Ferrari” Sound With Supervising Sound Editor Tony Lamberti
How eager was Tony Lamberti to work on Michael Mann’s latest feature? Let’s just say the director had Lamberti, a Formula 1 enthusiast, at Ferrari.
The Oscar-nominated (Inglourious Basterds), Emmy-winning (John Adams) audio engineer got his first peek at the feature about Enzo Ferrari and his iconic racing legacy back in 2015. Overseeing a mix update on Mann’s crime thriller Blackhat,
