“Gladiator II” Production Designer Arthur Max on Rebuilding a Decadent, Debased Ancient Rome
In the first installment of our conversation with Gladiator II production designer Arthur Max, he talked about making Ridley Scott’s sequel on an even bigger scale than the original film and staging a naval battle sequence in the desert of Morocco for the opening sequence. Now, let’s find out what it took to flood the Colosseum to recreate the mock naval battle in the third act.
Did you use mostly local crew on the sequel?
Maximus Effort: “Gladiator II” Production Designer Arthur Max on Creating Colossal Constructions
Oscar-nominated production designer Arthur Max has worked on 16 of Ridley Scott’s films. These include some of American cinema’s most indelible cinematic spectacles, such as the original Gladiator (for which Max scored his first Oscar nod), Black Hawk Down, and The Martian. Despite the impressive body of work between them, Max thinks that the Roman epic actioner, Gladiator II, is their most ambitious yet.
“Wicked” Cinematographer Alice Brooks on Casting a Magical Light Over This Dazzling Adaptation
Embracing Old Hollywood and a plethora of source material, cinematographer Alice Brooks knew her Wicked vision for Oz would be rich and luxurious.
Wicked is a prequel to The Wizard of Oz, inspired by the long-running stage show based on Gregory Maguire’s 1995 novel. It stars Cynthia Erivo as Elphaba, a misunderstood green-skinned woman. She finds an unusual kinship with Ariana Grande’s popular girl, Glinda. When their paths lead them to the Wonderful Wizard of Oz,
“Gladiator II” Screenwriter David Scarpa on the Herculean Task of Writing a Worthy Sequel
It’s been a long time coming, but the sequel to Ridley Scott’s 2000 epic, which won the Oscar for Best Picture, opens in theaters nationwide on November 22. Starring Oscar nominee Paul Mescal (Aftersun), Pedro Pascal (The Last of Us), the iconic Denzel Washington, and original cast member Connie Nielsen, Gladiator II finally came to fruition thanks to the script from David Scarpa, who’d previously penned Scott movies All the Money in the World and Napoleon.
Mushroom Couture: “Wicked” Costume Designer Paul Tazewell on Drawing Inspiration From the Natural World
Few films this year showcase intricate detail and epic scale like director Jon M. Chu’s Wicked does. The breathtaking costuming created by acclaimed costume designer Paul Tazewell is a vital element of the filmmaker’s captivating vision.
Wicked, a prequel to The Wizard of Oz, is inspired by the long-running stage show based on Gregory Maguire’s 1995 titular novel. Cynthia Erivo plays Elphaba,
“Wicked” Review Round-Up: Cynthia Erivo & Ariana Grande Dazzle in Mesmerizing Musical
The reviews for director Jon M. Chu’s Wicked have finally arrived, confirming what was first reported around Halloween—the first big-screen adaptation of the Broadway phenomenon is a dazzling smash. In case you’ve been kept in a chamber deep within the bowels of Emerald City, we’ll lay out the broad strokes—Cynthia Erivo and Ariana Grande star as Elphaba, the future Wicked Witch of the West, and Glinda, the future Glinda the Good,
Crime, Crazy Rich Rom-Coms, and More: Producer Janice Chua on Bringing Asian Stories to the World
Raised in a working-class Chinese family in Singapore, Janice Chua says, “Like every Asian person, I grew up with Hong Kong martial arts movies that inspired so much of my imagination. There was a sense of excitement and pride in those action-heavy films with crazy sound effects.”
But her world changed when she encountered Ang Lee’s Crouching Tiger, Hidden Dragon, which “just came across as very poetic…and the way women were portrayed was very different.
Prepare to Defy Gravity: “Wicked” Will Have Sing-Along Screenings This Christmas
Talk about a Christmas miracle.
Universal will offer roughly 1,000 chances for Wicked fans to sing along during the film in special interactive screenings across North America on December 25, Variety reports. This gives all those with the pipes to sing—and the rest of us who are just excited to see the film and could use the catharsis of a public sing-along—a month to train our vocal cords as director Jon M.
“Gladiator II” Enters International Arena With a Powerful Opening Weekend
Ridley Scott’s Gladiator II burst into the international arena this past weekend with a very strong start. Scott’s sequel to his 2000 Best Picture Winner opened across 63 markets, earning a massive thumbs up from audiences and boasting an $87 million dollar start. This makes Gladiator II Scott’s overseas debut in his long, illustrious career.
Gladiator II also conquered $7 million on IMAX across 453 screens, another formidable opening salvo.
Cameron Diaz is “Back in Action” Alongside Jamie Foxx in the Trailer for Her First Film in 11 Years
Cameron Diaz is literally Back in Action for the first time after an 11-year hiatus from acting and makes a quick case for how much a weary nation needs her comedic chops. Netflix has dropped the first trailer for the spy action comedy starring Diaz and Jamie Foxx as two of the most surprising parents of all time—they used to be spies for the CIA, and their kids are really confused at how this could be possible considering they’re not cool enough.
“Deadpool & Wolverine” Sound Designers on the Splatter-and-Slash Acoustics of a Honda Odyssey Brawl
In our last conversation about Shawn Levy’s Deadpool & Wolverine, sound designers Craig Henighan and Ryan Cole discussed the hilarious opening sequence where Ryan Reynolds’ Deadpool uses Wolverine’s adamantium claws and bones to take down some Time Variance Authority goons, all set to NSYNC’s “Bye Bye Bye,” and some sound tricks to make the adamantium hits stand out. Today, they break down the savage Honda Odyssey brawl and the stunning cameo extravaganza.
Lupita Nyong’o to Star in Christopher Nolan’s Top-Secret Next Film
Lupita Nyong’o is the newest star to join Christopher Nolan’s mysterious new film for Universal Pictures.
The Hollywood Reporter scoops that Nyong’o is the latest big name to board Nolan’s next film, joining Matt Damon, Anne Hathaway, Tom Holland, and Zendaya. Of course, Nolan will direct his own script, and Universal has slated the film for a July 17, 2026, release.
Speculating what Nolan’s new film will be is part of the fun every time the writer/director starts populating his new project.
“Deadpool & Wolverine” Sound Designers on Turning Frozen Tea Towels Into Broken Bones
Three months after debuting in theaters this summer, Deadpool & Wolverine’s winning streak still wasn’t over. It eventually surpassed Barbie’s domestic gross in its 13th weekend, with director Shawn Levy’s R-rated box office juggernaut ranking as the 12th highest-grossing movie of all time, with a domestic haul of over $636M.
It has been a hectic year for Oscar-nominated and Emmy-winning sound designer Craig Henighan, who not only worked on 2024’s second biggest film but also delivered Apple TV+’s two-hander dark comedy,
“Mission: Impossible – The Final Reckoning” Trailer Finds Tom Cruise on Last Epic Mission
Now we know the title of the 8th Mission: Impossible movie, which carries the weight of the franchise’s history and the possible final mission for Tom Cruise’s Ethan Hunt. Mission: Impossible—The Final Reckoning’s first trailer is an action epic through and through. The film’s logline reads, “Every choice has led to this.”
The trailer has many hallmarks of a classic Mission: Impossible movie: Cruise’s Hunt sprinting on foot always toward danger or the hope of saving somebody (or everybody).
A New Hope for a Fresh “Star Wars” Saga: New Trilogy to be Written & Produced by “X-Men” Alum Simon Kinberg
From the sprawling, brawling world of mutants on X-Men to the intergalactic intrigue in a galaxy far, far away—this is the path for former X-Men writer, director, and producer Simon Kinberg. Although it’s a path that Kinberg knows well.
News broke that Kinberg is working with Lucasfilm on a brand-new Star Wars trilogy alongside Lucasfilm studio chief Kathleen Kennedy, which will kickstart a whole new set of characters separate from the previous trilogy,
“Forrest Gump” DP Don Burgess Re-Teams with Tom Hanks, Robin Wright, and Director Bob Zemeckis on “Here”
Cinematographer Don Burgess earned an Oscar nomination and helped make an American classic when she shot Forrest Gump in 1994. He’s since re-teamed with star Tom Hanks and director Bob Zemeckis on The Polar Express, Cast Away, and Disney’s live-action remake of Pinocchio. Now, he’s the man behind the camera in Here (in theaters) which pairs Hanks and his Gump co-star Robin Wright in a story that mainly unfolds across ten decades within one New Jersey living room.
How The “Blitz” Sound Team Shook Steve McQueen’s Harrowing World War II Film
While researching Small Axe, a riveting series about the political awakening of London’s West Indian community, director Steven McQueen found a photograph of a young Black boy standing on a train platform holding a large suitcase. The stark image had the director questioning who the child was and what his story was during the London Blitz, a period in World War II when the city was bombed by Germany over eight long months.
“Venom: The Last Dance” Stunt Coordinator James Churchman on Tom Hardy, Wild Horses and Flying Kids
When he was nine years old, James M. Churchman bought his first motorcycle and started riding the backroads of his native Florida. A few years later, he became a professional stuntman, and by the late nineties, he’d invented a computerized flying system that is still in use today. In the 2000s, Churchman emerged as a go-to stunt coordinator for the Marvel Cinematic Universe, winning the 2014 Taurus World Stunt Award for staging Iron Man 3‘s 14-man free-fall spectacle.
“Here” Production Designer Ashley Lamont on Building an Entire Life in a Single Room for Tom Hanks & Robin Wright
Robert Zemeckis’ new film Here is based on an unusual concept: the entire movie takes place in one location, and the camera never moves. The living room at the center of the film is set in an early 20th-century house in New England, although as the story revisits different eras, the set also transforms into a forest and a colonial-era drive, both of which represent the same site before the house’s construction in 1907.
“The Wild Robot” Composer Kris Bowers on Accessing a Robot’s Humanity Through Music
Emmy and Oscar-winning composer Kris Bowers has become one of the go-to composers in Hollywood. Known for his work on films and TV shows like King Richard, The Color Purple, The Last Repair Shop, and Bridgerton, he has created well-known scores for a wide diversity of genres. For writer/director Chris Sanders‘ The Wild Robot, Bowers has added feature animation to his list of credits.
