“The Pitt,” “The Studio,” “Adolescence,” and “The Late Show With Stephen Colbert” Have Big Night at the Emmys

The 2025 Emmys Awards telecast crowned the year’s big winners on Sunday night, with The Pitt, The Studio, Adolescence, and The Late Show With Stephen Colbert winning big.

The Pitt nabbed three Emmys, including for Best Drama Series. Star Noah Wyle also took home the Best Actor in a Drama Series win, and his co-star, Katherine LaNasa, topped four White Lotus stars to pull in the Emmy for Best Supporting Actress in a Drama.

“SNL 50,” “The Pitt” and More Win Big at the Creative Arts Emmys

During the second night of the Creative Arts Emmys, SNL 50 garnered seven wins for its massive, decades-spanning celebration, including wins for directing (Liz Patrick), production design, makeup, and hairstyling.

Love on the Spectrum won for Outstanding Unstructured Reality Programming, while Queer Eye won for Structured Reality Programming. In a nice moment for a veteran director,

Emmy Nominees Cathy Sandrich Gelfond & Erica Berger on Casting the Scrappy Young Doctors of “The Pitt”

When The Pitt started streaming on HBO Max in January, the influx of intense young actors just kept coming. ER star Noah Wyle anchors the medical drama as the cracked tower of strength, Doctor Michael “Robby” Rabinovitch; nearly all the other characters on his fractious emergency room team are portrayed by relatively unknown talents delivering performances that are, by turns, wrenching and highly technical.

The Pitt,

How “The Pitt,” “Shrinking,” and “Paradise” Are Proving You Can Still Make Hit TV in Los Angeles

Runaway production in California accelerated in recent years as films and TV shows took advantage of tax credits offered by other states and countries. Shut downs caused by Covid and strikes didn’t help matters, nor did the fires that raged through Los Angeles in January. To help reinvigorate Hollywood, the state of California in July passed a $750 million tax rebate program that rewards productions with cash incentives to stay in L.A. This is great news for the many,

“Part Debate Club and Part Therapy”: Inside “The Pitt” Writers’ Room With Cynthia Adarkwa & Valerie Chu

HBO’s The Pitt emerged as one of television’s most gripping medical dramas in years by doing something deceptively simple yet extraordinarily difficult: following a single, brutal 15-hour shift in a Pittsburgh emergency room in real time. What made the series so compelling wasn’t just its relentless intensity or unflinching medical realism (the “floating face” fracture in episode 2 will haunt my dreams), but how writers like Valerie Chu and Cynthia Adarkwa managed to weave deeply human character arcs through the chaos of trauma bays and life-or-death decisions.

Precision and Passion: How Director Amanda Marsalis Choreographed the Chaos of “The Pitt”

There are few careers that could fill an entire season of TV with a single day’s work, but The Pitt proves that the emergency room is a source of endless inspiration. Drama and trauma pump into a Pittsburgh hospital led by attending Dr. Robby (Noah Wyle) over fifteen hours.

Medical dramas aren’t new to the screen – in fact, Wyle is well known for his role as Dr. John Carter on ER.

Emergency Realism: Production Designer Nina Ruscio’s Blueprint for “The Pitt’s” Immersive Medical World

Producer John Wells and creator R. Scott Gemmill took a big swing with The Pitt and hit a home run that would have cleared the 410-foot deep left-center field wall of Pittsburgh’s PNC Park. The riveting series, which has garnered the kind of collective enthusiasm we usually associate with dark comedies set at fancy resorts, is powered by gruesome surgical procedures, arcane medical terminology, and volatile personalities. The high concept: each episode constitutes one hour in an emergency room over the course of a 12-hour shift,