BAFTA Film Award Nominations: “One Battle After Another” & “Sinners” Lead the Pack Again
The 2026 BAFTA Film Award nominations are here! Paul Thomas Anderson's "One Battle After Another" leads with 14 noms, followed by Ryan Coogler's "Sinners" with 13.
“Sinners” Makes Oscars History as Full 2026 Nominations Are Announced
The 2026 Oscar nominations are here! Ryan Coogler's "Sinners" leads with 16 noms, making history in the process.
Interview
Composer
“Marty Supreme” Composer Daniel Lopatin on Blending Synths & Orchestra for Timothée Chalamet’s Ultra Ambitious Striver
Oscar-shortlisted composer Daniel Lopatin earned a reputation amongst electronic music fans for his steady stream of experimental solo albums recorded under the name OneOhTrix Point Never. But it’s Lopatin’s pulsating score for Marty Supreme that will surely expose his synth-driven compositions to a broader audience.
Filmed in New York City and set in 1952, writer-director Josh Safdie’s fact-based movie stars Timothée Chalamet as ping-pong hustler Marty Mauser,
“You’re One of the Best Actors of All Time”: Timothée Chalamet Praises Adam Sandler at “Sandler x Chalamet” Event
Timothée Chalamet and Adam Sandler took a break from their respective schedules to spend an evening together in Fairfax High School’s gymnasium in Los Angeles. To play a game of pickup? Well, kind of, but first, they broke down their most iconic roles.
On Saturday night, November 15, the “Sandler x Chalamet” event commenced with a packed crowd of students and other audience members. The pair gave a sneak peek of their respective upcoming films.
“Marty Supreme” First Reactions: Josh Safdie Delivers an Overhand Smash With a Career Best From Timothée Chalamet
The synopsis for co-writer/director Josh Safdie’s Marty Supreme is sublimely simple: “Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.” In the film, Timothée Chalamet plays Marty, an up-and-coming ping pong prodigy whose ambition and pluck will drive him no matter how hard the world pushes back, and push back it will. Safdie’s film, his first solo directorial work since his 2008 debut,