Interview
Cinematographer
Eye in the Sky: How “F1” Aerial Cinematographer Phil Arntz Delivered Cinema’s Most Heart-Pounding Racing Sequences
Continuing in the tradition of his last blockbuster, Top Gun: Maverick, director Joseph Kosinski returns this summer with Apple’s most successful theatrical outing to date, with the sleek and thrilling racing drama F1, grossing north of $144 million on opening weekend. In a world where every fraction of a second could cost you a trophy—or worse, your life— Brad Pitt’s veteran driver, Sonny Hayes, wants to build “a car for combat” in order to salvage his old buddy Ruben’s (Javier Bardem) APXGP team.
“F1: The Movie” Review Round-Up: Brad Pitt & Damson Idris Blaze Through Joseph Kosinski’s High-Octane Racing Drama
The reviews are in, and F1 has roared onto the scene with all the sound, speed, and spectacle one could hope for in a modern racing blockbuster. Helmed by Top Gun: Maverick director Joseph Kosinski and bolstered by real Grand Prix footage and a star-powered cast led by Brad Pitt and Damson Idris, F1 is being hailed as a slick, turbo-charged thrill ride, doing for the race track what Maverick did for the fighter-jet-carved skies.
