“Gen V” Director Shana Stein on Penultimate Episode’s Tie-In With “The Boys”
Gen V, the quick-footed spinoff to Prime Video’s debauchery-filled superhero satire The Boys, mimics its collegiate environment in its primed-for-combustion filming style. In the inaugural season’s penultimate episode, titled “Sick,” the main characters are confronted with institutional roadblocks and a boiling fervor on campus regarding supe rights.
“What I think the writers have done so beautifully and brilliantly in The Boys and Gen V is they’ve taken current issues and put the superhero spin on them to make social commentary,” Shana Stein,
“The Persian Version” Writer/Director Maryam Keshavarz on the Joys of Iranian American Culture
The Persian Version won both the Audience Award and the Waldo Salt Screenwriting Award in the U.S Dramatic Competition at Sundance this year, and for good reason. The film is a feel-good dramedy that combines stories of traditional Iranian culture with those of the Iranian American experience with a decidedly modern touch. The story follows Leila (Layla Mohammadi), a queer Iranian American working to keep her parents and many brothers who love her at a distance while navigating her ever more complicated personal life.
“Pain Hustlers” Director David Yates on Departing From the “Harry Potter” Films in Subversive Style
In Pain Hustlers, the opioid crisis takes on a different tenor than that previously seen in hard-hitting dramas like Hulu’s limited series Dopesick and fellow Netflix’s own Painkiller. While still inspired by actual events, David Yates’ retelling of a “fascinating state of the nation” falls more in line with the big-bang type of storytelling akin to The Wolf of Wall Street and The Big Short.
“Fellow Travelers” Director/ Executive Producer Daniel Minahan’s Scorching Trip Through Turbulent Times
Director and executive producer Daniel Minahan wanted to be part of Fellow Travelers as soon as he read the first script by Ron Nyswaner, an Oscar nominee for Philadelphia.
“It was a beautifully devised script. Ron saw parallels between the 1950s persecution of gay people in government and what happens in San Francisco with activism and trying to survive AIDS in the ‘80s,” said Minahan. “Ron and I worked together before [on the series Ray Donovan] and knew each other socially from Provincetown.
Martin Scorsese on Finding Truth in Tragedy in “Killers of the Flower Moon”
When Martin Scorsese was young, he had an experience where he became painfully aware of how Native Americans were being treated, and since then, it’s taken him years to find a story he could tell about the culture in a respectful way. Killers of the Flower Moon, which opens in theaters October 20 with a runtime of 3 hours and 26 minutes, presents that lifelong desire with a gentle, examining eye in what could easily be the director’s best work to date.
“Special Ops: Lioness” Cinematographer & Director Paul Cameron on Taylor Sheridan’s International Thriller – Part Two
As noted in part one of our interview with Paul Cameron, he took his first turns at directing for series helming two episodes of Westworld, and he drew on his experience as a cinematographer and from his work for some pretty important mentors. “I learned so much from working with Tony Scott,” Cameron said, referring to collaborating with Scott on films like Man on Fire and Déjà Vu.
“Special Ops: Lioness” Cinematographer & Director Paul Cameron on Taylor Sheridan’s International Thriller
As director of photography, Paul Cameron has shot such disparate films and series as Man On Fire, Collateral, Déjà Vu, Pirates of the Caribbean: Dead Men Tell No Tales, and Westworld. He has worked with a slew of top-tier directors, including Michael Mann, Tony Scott, and Jonathan Nolan. Now, for Paramount+’s acclaimed limited series, Special Ops: Lioness, Paul Cameron – as he did with Westworld – worked both as a cinematographer and director.
“Story Ave” Writer/Director Aristotle Torres Brings the Bronx to the Big Screen
Writer/director Aristotle Torres‘ feature debut, Story Ave, is centered on Kadir (Asante Blackk), a bright teenager from the South Bronx with a gift for visual arts filled with promise. But when Kadir’s younger brother dies, the loss amplifies the pressure cooker of modern teenage life—the demands of school, the expectations of family—and specifically the life of a kid living life in the Bronx, where an entire world of opportunity and danger is just a few steps out of your front door.
“Fair Play” Writer/Director Chloe Domont Makes a Killing on Male Fragility
Fair Play, writer/director Chloe Domont‘s feature debut, is somehow both an old-school erotic thriller and a shrewd, scalpel-sharp dissection of how far we have and have not come with gender equality in the workplace and in the headspace of men, even those who consider themselves allies.
The film is largely set at the hedge fund One Crest Capitol, where Emily (Phoebe Dynevor) and Luke (Alden Ehrenreich) are low-level but promising analysts trying to take the next step in their careers.
“Reptile” Director Grant Singer on His Slithery Mystery Feature With Benicio Del Toro
A big fan of classic film noir and thrillers, Grant Singer knew that when it was time to make the leap from directing music videos for the likes of The Weeknd and Lorde to features, he wanted it to be a film filled with twists where every turn is clouded in mystery. Reptile delivers exactly that.
Premiering September 29 on Netflix, Singer’s first directing effort begins with a murder.
“Dumb Money” Director Craig Gillespie Dissects the Wall Street GameStop Debacle
Dumb Money director Craig Gillespie already knew all about “Roaring Kitty” when screenwriters Lauren Schuker Blum and Rebecca Angelo sent him their script detailing Wall Street’s Pandemic-era GameStop fiasco. The David and Goliath showdown pitted YouTube financial guru Keith Gill, AKA “Screaming Kitty,” against hedge fund billionaires who were “short-selling” GameStop stocks so they could drive down the value of the then-obscure video game retail outlet. Gill’s defiant advice to buy GameStop shares attracted some eight million followers.
“A Million Miles Away” Co-Writer/Director Alejandra Márquez Abella on Capturing a Dream Come True
Filmmaker Alejandra Márquez Abella learned of José Hernández 15 years ago when his inspirational story made headlines: Hernández, who toiled in the fields as a child alongside his family, is the first migrant farmworker to become a NASA astronaut and go into space — a lifelong dream he realized after nearly a decade of perseverance and pluck and with the unwavering support of his family and friends. When producers Mark Ciardi and Campbell McInnes approached Abella about bringing Hernández’s story to the screen,
“The Equalizer 3” Director Antoine Fuqua on Re-Teaming With Denzel Washington For Ferocious Finale
The Equalizer trilogy is a wrap. For the latest and supposedly final addition to the franchise, filmmaker Antoine Fuqua and his crew take Robert McCall (Denzel Washington, Fuqua’s longtime collaborator) to Southern Italy. Once again, this man of deep compassion but with an unparalleled gift for violence is tasked with protecting underdogs in a small seaside town on the Amalfi Coast under the bloody thumb of the mob.
It’s a lean,
Best of Summer 2023: “Talk To Me” Directors Danny & Michael Philippou on Crafting the Year’s Most Unsettling Horror Film
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
Danny and Michael Philippou do not pull their punches in their chilling feature film directorial debut Talk to Me.
Best of Summer 2023: “Brother” Writer/Director Clement Virgo on Returning to Filmmaking With His Quietly Devastating Adaptation
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
When he returned to feature filmmaking,
Best of Summer 2023: Gina Prince-Bythewood, MPA Creator Award Recipient, Tells Her Story
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
An elite force of female soldiers,
Best of Summer 2023: Christopher Nolan on Exploding Myths & Exposing Humanity in “Oppenheimer”
*It’s our annual “Best of Summer” look back at some (not all) of our favorite interviews from the past few months. This non-comprehensive look back includes the Barbenheimer phenomenon and the wonderful interviews that followed those two history-making films, chats with the talented folks behind Mission: Impossible, Spider-Man: Across the Spider-Verse, our profile of MPA Creator Award Recipient and filmmaker extraordinaire Gina Prince-Bythewood and more.
Spoilers below; approach with extreme caution if you haven’t seen the film yet.
“Red, White, & Royal Blue” Co-Writer/Director Matthew Lopez on Crafting a Modern Love Story
First-time feature director Matthew López also co-wrote the script of Red, White, & Royal Blue, based on the popular novel by Casey McQuiston, which arrives just in time to add a dash of romance to the end of your summer. It’s a love story about Alex (Taylor Zakhar Perez), the son of the President of the United States Ellen Claremont (Uma Thurman), and Henry (Nicholas Galitzine), the grandson of the British King (Stephen Fry),
“Heart of Stone” Director Tom Harper on Accepting an Impossible Mission With Gal Gadot
Mission: Impossible – Dead Reckoning Part One has had success both with critics and audiences and Barbie is breaking box office records. It makes good sense, then, that Skydance, the production company behind the M:I franchise, would want to partner with global superstar Gal Gadot to create a female-fronted action film. Enter Heart of Stone, the new Netflix release that puts Gadot front and center as intelligence operative Rachel Stone,
“Talk To Me” Directors Danny & Michael Philippou on Crafting the Year’s Most Unsettling Horror Film
Danny and Michael Philippou do not pull their punches in their chilling feature film directorial debut Talk to Me. Having honed their craft over years making short films, the twins crafted a horror movie that screams with confidence and passion, where not a single scare seems to miss the mark. There’s a reason the powerhouse mini-major studio A24, behind some of the best horror films of the last decade, got behind these two.
