Designed to Shred: How “Alien: Romulus” Costume Designer Carlos Rosario Stylized Horror
Previously, we talked to Alien: Romulus costume designer Carlos Rosario about how American farmers’ attire from the 1940s-1960s inspired some of the wardrobe for our Jackson’s Star inhabitants and several sartorial callbacks from the first two films in the franchise.
In part two, Rosario discusses how director Fede Alvarez’s approach to his ferocious interquel helped the designer account for the wear and tear on the costumes, caused,
“Alien: Romulus” Costume Designer Carlos Rosario’s Retro Vision & Vintage Style Blends – Part One
The only film so far to take this summer’s box office juggernaut Deadpool & Wolverine off the #1 spot for a spell was Fede Álvarez’s sci-fi horror Alien: Romulus, which brought back one of the most frightful monsters in cinematic history—the lobster-like face-strangling Xenomorphs! Taking place between Ridley Scott’s 1979 revered original and James Cameron’s 1986 fan-favorite sequel, Aliens, the cortisol-triggering interquel from 20th Century Studios centers on a new generation of colonists in their 20s,
“Ahsoka” Emmy-Winning Costume Designers Elissa Alcala & Devon Patterson on Carrying on a Cosmic Legacy
The late Shawna Trpcic, costume designer for Ahsoka, was posthumously awarded an Emmy this past weekend at the 76th Creative Arts Emmy Winners for Outstanding Fantasy/Sci-Fi Costumes, alongside her assistant costume designer Elissa Alcala and costume supervisor Devon Patterson, who won for the finale, “Part Eight: The Jedi, the Witch, and the Warlord.” It was an emotional win for Alcala and Patterson, who, like Trpcic, are Star Wars fans and highly regarded and now freshly minted Emmy winners.
Eye on the Emmys: Outfitting Feudal Japan with Emmy-Winning “Shōgun” Costume Designer Carlos Rosario: Part Two
*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume designer Carlos Rosario won for Outstanding Period Costumes for a Series for Shōgun, episode 6, “Ladies of the Willow World.” He won alongside his colleagues Carole Griffin, costume supervisor, and assistant costume designers Kenichi Tanaka, Paula Plachy, and Kristen Bond.
Eye on the Emmys: Outfitting Feudal Japan with Emmy-Winning “Shōgun” Costume Designer Carlos Rosario: Part One
*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume designer Carlos Rosario won for Outstanding Period Costumes for a Series for Shōgun, episode 6, “Ladies of the Willow World.” He won alongside his colleagues Carole Griffin, costume supervisor, and assistant costume designers Kenichi Tanaka, Paula Plachy, and Kristen Bond.
“Deadpool & Wolverine” Costume Designer Graham Churchyard on Bringing Back Logan’s Yellow Suit
Deadpool & Wolverine is more than a comic book movie—it’s like 20 comic book movies slashed and smashed into one, pulling characters from the past, present, and future of Marvel and 20th Century Fox’s film history. Audiences witnessed these characters all coming together again in the void, some even making history in the process.
The void is a post-apocalyptic wasteland where Deadpool (Ryan Reynolds) and Wolverine (Hugh Jackman) cross paths with familiar faces and new superheroes with stark new powers.
“The Acolyte” Costume Designer Jennifer Bryan on Dressing Jedis, Witches, Wookies & More
Note: this interview contains spoilers for the first three episodes.
In its newest Star Wars franchise, The Acolyte, Disney+ heads back in time to a century prior to the rise of the Galactic Empire. Amandla Stenberg stars as identical twins Osha and Mae, the former an ex-Jedi Padawan and the latter a vengeful warrior on the run. Both can use the Force, although the Jedi Order is neither twin’s birthright — the girls’ early childhood was spent in a coven of witches on Brendok,
“Horizon” Costume Designer Lisa Lovaas on Dressing Kevin Costner’s Epic Western
“I like big,” says costume designer Lisa Lovaas, and that’s exactly what she got by signing up for Kevin Costner’s new mega-Western. Horizon: An American Saga – Chapter 1, in theaters now, runs three hours, and its sequel, two hours and 44 minutes long, hits in August. Production on Chapter 3 is now in progress. Filmed in Utah, Chapter 1 follows white settlers battling Native Americans in and around the frontier town of Horizon,
“The Bikeriders” Costume Designer Erin Benach’s Vintage Vibes for Rough Riders
They never achieved the notoriety of the Hell’s Angels, but during the 1960s, when the California biker gang became infamous outlaws, the Vandals were wreaking their own brand of hog-riding havoc in Chicago. The Bikeriders (in theaters June 21) dramatizes the rise and fall of the Midwest club led by Tom Hardy’s “Johnny” and his violent right-hand man Benny (Austin Butler), as observed through the often-astonished eyes of Benny’s wife Kathy (Jodie Comer).
How “SNL” Costume Designer Tom Broecker Recreated Barbenheimer for Ryan Gosling’s Sensational Monologue
It’s the week of April 13th and on the call sheet to host the 17th episode of SNL’s 49th season is Ryan Gosling, an actor who’s been capturing the hearts of hopeless romantics since The Notebook. The Canadian’s filmography is a treasure trove of unforgettable performances, from Blue Valentine, Drive, The Big Short, La La Land,
How the “Bridgerton” Costume Designers Dialed up the Romantic Fantasy in Season 3
In the Bridgerton universe, imagination is key. One of the reasons the show skyrocketed in popularity since its season one debut is that it’s a romance and a period drama reimagined. It’s a romance set in a royal world with diverse characters, whimsical clothing, and orchestral covers of modern-day pop hits that give the period trappings a modern sensibility.
And what better way to sell a romantic, fantastical world than through the detailed costuming created by Bridgerton costume designers John Glaser,
Dressing a Spy in Plain Sight and Many Robert Downey Jrs. in “The Sympathizer”
Viet Thanh Nguyen’s 2015 novel “The Sympathizer” won the Pulitzer Prize and was subsequently adapted into a miniseries by showrunners Park Chan-wook and Don McKellar, a historical black comedy now airing on HBO. The show follows the journey of the Captain (Hoa Xuande), a communist operative working as a mole in South Vietnam’s army who winds up fleeing to the U.S. alongside the General (Toan Le) he putatively works for. Ultimately landing in California, the Captain remains embedded in a South Vietnamese refugee community whom he monitors and reports on to the Viet Cong.
The Sartorial Feast of Feudal Japan with “Shōgun” Costume Designer Carlos Rosario – Part Two
In Part One of our conversation with costume designer Carlos Rosario, we talked about the monumental effort his team went through to research, design, and handmake 2,300 costumes for FX Networks’ gripping historical saga. We continue the discussion today on how his team designed a distinct closet for each of the three main characters.
Unlike most other projects, Rosario could not design a collection that could be utilized throughout the series.
The Sartorial Feast of Feudal Japan with “Shōgun” Costume Designer Carlos Rosario: Part One
“I wanted to create from a white canvas without any mental references going into the project,” costume designer Carlos Rosario (The Girl in the Spider’s Web, Jolt) explains why he chose not to read the James Clavell bestselling novel before working on FX Networks’ cinematic historical saga, Shōgun (将軍), and only used the 1980 miniseries adaptation as a broad reference. “As a costume designer, you build a strong psychological,
“True Detective: Night Country” Costume Designer Alex Bovaird Fashions a Frozen World
Costume designer Alex Bovaird creates a tactile, frozen world in True Detective: Night Country. In the fourth season of the HBO series, filmmaker Issa Lopez takes Bovaird and audiences to the fictional town of Ennis, Alaska. As the True Detective formula goes, two badge-wearers, Chief Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis), try to crack a mystery. A past case once brought the two together, and a new case – eight men gone missing and found frozen to death in ice – reunites them.
“Dune: Part Two” Costume Designer Jacqueline West on Creating a Goth Rock God in Feyd-Rautha
In Part One of our conversation with veteran costume designer Jacqueline West, we talked about the monumental effort that went into weaving the sartorial visuals of the Fremen’s Sietch Tabr community and the southern Reverend Mothers on the desert planet Arrakis. Today, we conclude with the wardrobe fashioned for some of the most intense action sequences in Denis Villeneuve’s sci-fi opus.
Paul Atreides goes from a young man who had never seen battle to losing his father after surviving the Harkonnens’ attack in Dune: Part One,
Unveiling the Bene Gesserit’s Secrets With “Dune: Part Two” Costume Designer Jacqueline West
After just nine days in release, Denis Villeneuve’s much-anticipated sequel to his first Dune film has already scored $367 million in worldwide box office. The massive response to Dune: Part Two is due in no small part to costume designer Jacqueline West’s intricate designs that went beyond adding depth to the characters—they are integral in building a complex, harsh world thousands of years into the future.
After designing 2,000-plus costumes—including the bespoke stillsuits—for the first film,
“Henry Sugar” Costume Designer Kasia Walicka Maimone on Weaving an Oscar-Worthy Story for Wes Anderson
When she was five years old, Kasia Walicka Maimone started making her own clothes. “Growing up in Poland, a lot of people had that skill,” she says. “My grandmother made clothes. My mother, a doctor, made clothes. And I did clothes for my musician friends without giving it a thought. I was like, ‘What’s the big deal?'”
As it turned out, Maimone’s talent for costuming became quite a big deal. After studying English in Warsaw,
“Lisa Frankenstein” Costume Designer Meagan McLaughlin Luster on Dressing a Muse and a Monster
In Juno and Jennifer’s Body, screenwriter Diablo Cody depicted the worldview of alienated teenage girls with pitch-perfect wit. Her latest film, Lisa Frankenstein (in theaters now), directed by Zelda Williams, grafts Mary Shelley’s 19th-century monster myth onto the modern horrors of high school. Set in 1989, the movie casts Kathryn Newton as depressed Goth girl Lisa Swallows, who gains a whole new perspective after a muddy corpse (Cole Sprouse of Riverdale fame) breaks out of the graveyard and into her life.
“Mean Girls” Costume Designer Tom Broecker on Dressing the Plastics as Gen Z
The movie based on the musical based on the 2004 movie Mean Girls is here, with Angourie Rice taking Lindsey Lohan’s place as Cady, the homeschooled teenager plunged into the catty horror of American public high school social politics. Written by Tina Fey and directed by Samantha Jayne and Arturo Perez Jr., in this musical Gen Z update, everyone has smartphones now, but the movie stays true to the original’s most beloved beats.
