The Future of Batman at DC Studios Includes Giving a Surprising Villain His Own Film
When DC Studios co-chiefs Peter Safran and James Gunn delivered an update on their upcoming slate of films and TV shows at a screening room on the Warner Bros. studio lot in Burbank, they were revisiting the location of their first public reveal about their initial slate.
Two years ago, in January 2023, Gunn and Safran sat in the very same spot and updated the press on specifics for their new-look DC Studios.
From Acclaimed Ads to the Andes: Director Dougal Wilson’s Charming Feature Film Debut “Paddington in Peru”
Arguably the world’s most beloved (fictional) British immigrant, Paddington the Talking Bear arrived in London from South America in 2014 by way of the eponymous animated hit movie. Three years later, he returned for a sequel opposite Hugh Grant. This month, PG-rated Paddington in Peru (in theaters) continues the adventure as the marmalade-loving creature, based on Michael Bond’s children’s books and voiced by Ben Whishaw, returns to his native land in search of his beloved Aunt Lucy.
Red Alerts & Cherry Blossom Brawls With “Captain America: Brave New World” Production Designer Ramsey Avery
When Steve Rodgers (Chris Evans) passed the Captain America shield to Sam Wilson (Anthony Mackie), the former Falcon sidekick had big boots to fill. The same could be said for production designer Ramsey Avery in developing director Julius Onah’s Captain America: Brave New World, which has earned over $200 million worldwide at the time of publishing.
Avery, who touts decades of credits, including being on the art department teams of Guardians of the Galaxy Vol.
Be Still My Bursting Chest: “Alien: Romulus’s” Oscar-Nominated VFX Team on Finding Fresh Horror for the Franchise
Alien: Romulus Visual Effects Supervisor Eric Barba and FX Designer Alec Gillis bring the past and future together. Set between the events of Ridley Scott’s ferocious opener Alien and James Cameron’s muscular sequel Aliens, Barba, Gillis, and their team fused the tangible, practical horror and decay of the original films with a more modern, rock-and-roll sensibility. The viscerally immersive results earned the film an Academy Award nomination for Best Visual Effects.
Electric Shock: How “A Complete Unknown’s” Oscar-Nominated Sound Team Re-Created Bob Dylan Going Electric
In the first part of our conversation with the Oscar-nominated sound team of James Mangold’s music biography A Complete Unknown, they talked about delivering an intensely music-centric film without using playback and differentiating between the soundscapes of 1961 New York, when Bob Dylan (an immaculate portrayal by Timothée Chalamet) first arrives in the city, and four years later towards the end of the film. Now, we continue the discussion with sound mixer Tod A.
“The Substance” of Nightmares: Oscar-Nominated Makeup Effects Master Pierre Olivier Persin on His Terrifying Transformations
Since its release last fall, writer/director Coralie Fargeat’s body horror thriller The Substance has artfully shocked Academy Award voters to the tune of five Oscar nominations, including Best Picture, Best Director, and Best Screenplay. Outstanding Actress nominee Demi Moore portrays aging actress Elisabeth, who gets way more than she bargained for after injecting herself with a serum that makes her look younger in the form of lithe “Sue,” played by Margaret Qualley.
“A Complete Unknown”: Orchestrating 60+ Live Performances for Oscar-Worthy Sound
In one of this year’s tour de force performances, Timothée Chalamet’s Oscar-nominated portrayal of one of America’s greatest singer-songwriters took almost six years to perfect (partly thanks to COVD-19 delays in production). For director James Mangold’s music biopic, A Complete Unknown, Chalamet not only learned to play the guitar and harmonica for the film, but also mastered Dylan’s famously idiosyncratic style to deliver over 40 flawless live-to-camera performances as the narrative charts his meteoric rise after arriving in New York in 1961.
First Image From Christopher Nolan’s “The Odyssey” Reveals Matt Damon as Odysseus
Matt Damon had a meaty role in Christopher Nolan‘s Oscar-winning Oppenheimer, playing Leslie Groves, the United States Army Corp of Engineers officer who directed the Manhattan Project, cherry-picking Robert J. Oppenheimer (Cillian Murphy) despite the government’s concerns about his loyalties. As great as Damon was, it was Murphy’s movie—he had the title role, after all—but now it seems it’s Damon’s turn. A new image released on X reveals that in Nolan’s latest,
No More Games: “September 5’s” Oscar-Nominated Writers on the Day Terror Took Center Stage
The thriller September 5, directed and co-written by Tim Fehlbaum, revisits the day the Palestinian militant group Black September took nine Israeli athletes hostage during the 1972 Munich Olympics. Nominated for an Oscar for Best Original Screenplay, the script, which Fehlbaum wrote with Moritz Binder, is a tightly-paced journalism procedural centered on the ABC Sports studio’s broadcast of the attack as it happened.
Peter Sarsgaard stars as Roone Arledge,
How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret
Iranian filmmaker Mohammad Rasoulof wanted to tell a big story — so he went small. The Seed of the Sacred Fig explores his country’s authoritarian rule, repressive justice, patriarchal dominance, and women’s rights through its impact on one family.
Taking place during the 2022 Woman, Life, Freedom movement, a nationwide protest sparked by the arrest of Mahsa Amini, a 22-year-old Iranian woman jailed for not wearing a hijab and beaten to death while in custody,
“Conclave” Oscar Nominee Peter Straughan on Scripting a Devilishly Good Vatican Thriller
Conclave is great, gripping entertainment from the first shot to the last. It’s a drama, both honest and escapist, deftly shot, performed, and staged by artists at the top of their respective games. In the hands of Academy Award-nominated screenwriter Peter Straughan, Edward Berger’s contemplative film moves briskly within the Vatican walls. A movie that takes us into one of the most secretive rituals on Earth – about the search for a new pope – is remarkably light on its holy feet.
Julian Brave NoiseCat & Emily Kassie’s on “Sugarcane”: Their Oscar-Nominated Exploration of Trauma and Truth
Toronto-born filmmaker and investigative journalist Emily Kassie has covered conflict around the globe, from the Taliban’s crackdown on women to child labor in Turkey. “But I had never turned the lens on my own country,” says Kassie. That’s changed with Sugarcane, which mixes a grassroots investigation with personal and collective reckoning of years of forced separation, assimilation, and abuse of Indigenous children by Catholic priests at St. Joseph’s Mission Indian residential school in British Columbia,
Oscar-Nominated Producer Maria Carlota Bruno on Recreating a Transcendent Heroine in “I’m Still Here”
In 1964, a coup d’état overthrew Brazilian president João Goulart, initiating a military dictatorship that lasted until 1985. The former congressman Rubens Paiva went into self-exile at the time of the coup but returned to Rio de Janeiro in 1970, where he settled into a pleasant household near Leblon Beach with his wife, Eunice Paiva, and their five children. Rubens continued quietly supporting dissident Brazilian expatriates and, in January 1971, was arrested and disappeared during a military raid.
“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film
An introspective, promising teenager hitchhiking to college gets a ride in a car that turns out to be stolen. The driver is Black, and so is the boy. Deemed an accomplice despite his innocence, Elwood (Ethan Herisse) is remanded to Nickel Academy, a segregated Florida reform school. Nickel Boys, the Oscar-nominated film based on Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys, follows the harrowing path Elwood is placed on by the Jim Crow South.
“Conclave’s” Oscar-Nominated Costume Designer Lisy Christl on the Fashion of Faith
Following his Oscar-winning WWI epic, All Quiet on the Western Front, Edward Berger’s latest, Conclave, focuses on a different kind of battle, dropping us into the Vatican in his twisty ecclesiastical thriller. After the death of the current Pontiff, the honorable and evenhanded Cardinal Lawrence (Ralph Fiennes) is charged with convening one of the most secretive rituals in the world, the conclave, where over 100 cardinals from around the world are sequestered until they decide who amongst them will be the next leader of the Catholic Church.
Director Wes Ball & Oscar-Nominated VFX Supervisor Erik Winquist on the Groundbreaking Visuals of “Kingdom of the Planet of the Apes”
Kingdom of the Planet of the Apes took the franchise to new heights of photorealism and immersive filmmaking. The groundbreaking series has pushed the envelope in motion capture and beyond, starting with 2011’s Rise of the Planet of the Apes and carrying on through three subsequent films. The latest film, Wes Ball‘s 2024 epic Kingdom of the Planet of the Apes, was nominated for Best Visual Effects at the Academy Awards,
Oscar-Nominated VFX Supervisor Paul Lambert on Infrared Insanity in “Dune: Part Two”
In the first part of our conversation with Oscar nominee Paul Lambert, the visual effects supervisor of Dune: Part Two emphasized the benefits of utilizing as many of the practical shots as possible to maximize believability. A veteran of more than 25 years, he is aware that his best work may well go unnoticed: “My goal with visual effects is more about trying to hide everything I do than to make it stand out.” Today,
“The Brutalist” Producers on the Demands and Delights of Building a Masterpiece
“Everybody was paddling in the same direction to support Brady’s vision, from the producers, the cast, the crew,” says The Brutalist producer Nick Gordon. “It’s a very special movie, and we’re glad it’s connecting with audiences in the way that it is.”
On a call with Gordon and fellow producer Trevor Matthews, the tandem behind Brookstreet Pictures explained how they helped director Brady Corbet create his masterpiece. At Brookstreet,
Oscar Nominated VFX Supervisor Paul Lambert on Turning the Worm in “Dune: Part Two”
Just nominated for his fourth Oscar for Dune: Part Two, VFX Supervisor Paul Lambert is a three-time Oscar winner—for Damien Chazelle’s First Man and two of director Denis Villeneuve’s films, Blade Runner 2049 and Dune: Part One. Having now worked on three of Villeneuve’s films thanks to Part Two, he has developed a shorthand with the director that makes overseeing hundreds of visual effects staff across multiple VFX houses go as smoothly as possible.
The Bad Guys Assemble in Meaty “Thunderbolts” Super Bowl Trailer
Marvel’s antiheroes unleashed a new trailer during Sunday night’s Super Bowl (in which the Philadelphia Eagles decimated the Kansas City Chiefs). The Super Bowl trailer for Marvel’s Thunderbolts is set to Starship’s “Nothing’s Gonna Stop Us Now,” with Florence Pugh’s Yelena Belova/Black Widow feeling a lot less confident then we’ve seen her in the past. In fact, she needs her fellow ‘Bolts to give her a pep talk and get her head back in the game.
