“Scream VI” Filmmaking Team Radio Silence Helming Mysterious Horror Film for Universal

Directors Tyler Gillet and Matt Bettinelli-Olpin have been on a roll. Their last three films have been critical and commercial successes, and they’ve all come more or less one right after the other—Ready or Not (2019), Scream (2022), and Scream VI (2023). The directors, along with producing partner Chad Villella, are a filmmaking trio known as Radio Silence, and now they’re taking their talents to Universal to direct and produce a new horror film.

“Scream VI” Costume Designer Avery Plewes Gives Ghostface & Co an NYC Style Upgrade

Scream VI costume designer Avery Plewes was a big part of successfully moving the franchise out of Woodsboro and into the stylistically and energetically amped up New York City. The sequel goes big in every possible regard.

For a terrifying sequence set on Halloween night aboard a subway train, Plewes made 200 costumes to create a claustrophobic environment. Plewes and her team even produced one costume as a loving nod to directors Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not.

“Scream VI” Cinematographer Brett Jutkiewicz on Framing Scenes So They Cut Deep

Brett Jutkiewicz wanted the images to cut a little deeper in Scream VI. Inspired by the franchise’s move to New York City, the cinematographer wanted a crueler and harsher mood. To achieve this effect, Jutkiewicz ditched anamorphic lenses and brought a new aesthetic to the long-running series.

Filmmakers Matt Bettinelli-Olpin and Tyler Gillett, known as Radio Silence, embraced Jutkiewicz’s idea for a new style. The trio collaborated on Ready or Not and the previous Scream film.

“Scream VI” Editor Jay Prychidny on Stitching Together an Epic Slasher

Scream VI is packed to the brim. It’s an ensemble horror movie with familiar and new characters, not to mention a new location and new rules to go along with the franchise’s history. There was no shortage of moving pieces for editor Jay Prychidny to help assemble.

Prychidny is a new addition to the Scream franchise. With directors Matt Bettinelli-Olpin and Tyler Gillett, he took a more aggressive approach to the series.

“Scream VI” Review Round-Up: A Clever, Homicidal Shell Game in the Big City

The Radio Silence team that brought you last year’s Scream (the fifth installment in the franchise, although it lacked a number in the title) are back, and it seems they’ve delivered an even nastier, naughtier, more tightly-wound slasher with Scream VI. With reviews no longer under embargo, critics have begun weighing in on what the first film in the franchise to be set outside of Woodsboro, California, delivers now that the action has moved to New York City.

Paramount Reveals “Scream VI” Super Bowl Spot

While the Philadelphia Eagles and Kansas City Chiefs are doing battle on the field in Glendale Arizona at the Super Bowl (go Birds), Ghostface is going to be invading New York City. Paramount Pictures has released its big Super Bowl spot for Scream VI, and it reveals a super-charged Ghostface haunting the mean streets.

The latest installment in the venerable slasher franchise comes only a year after the successful Scream (technically the fifth installment,