The Shared DNA Between Writer/Director Jean de Meuron’s “Edge of Space” and “Top Gun: Maverick”
A visually lavish and emotionally captivating short film about the early days of manned spaceflight exploration, writer/director/producer Jean de Meuron’s directorial debut, Edge of Space, is set in 1961. The 18-minute film follows U.S. Air Force test pilot Glen Ford (played by the Sniper film series’ Chad Michael Collins), who risks it all for a suborbital test flight in the X-15 hypersonic rocket-powered aircraft. The film provides a refreshing glimpse into the decade leading to the Apollo missions,
“Maria” Cinematographer Ed Lachman on Painting Angelina Jolie’s Mythic Opera Legend With Light
Passionate Greek-American soprano Maria Callas was the world’s premier opera star when she was struck with various ailments that limited her capacity to sing. She led a life rivaling any opera drama, including a tumultuous relationship with Aristotle Onassis and explosive interactions with collaborators and fans that made her increasingly controversial. She said, “I will always be as difficult as necessary to achieve the best.”
Director Pablo Larraín chose to highlight Callas in his new film Maria.
Regional Sustainability Advisor Clara George on Greening Netflix’s “Virgin River”
A film or TV set is usually powered almost exclusively by diesel generators. These generators were loud, hot, large, environmentally unfriendly, and often used at such a low capacity that they were practically idling. They weren’t just bad for the environment; they were wasteful and highly unpleasant.
This is increasingly no longer the case, as new technologies come onto the market and new, less fuel-dependent approaches to how filmmakers and TV creators get their shots become possible.
How “Gladiator II” Editors and the VFX Supervisor Shaped Three Ferocious Scenes
Gladiator II picks up fifteen years following the events of Russell Crowe’s portrayal of Maximus Decimus Meridius in Gladiator (2000), an epically visceral film from Ridley Scott that not only won five Oscars, including Best Picture at the 73rd Academy Awards but is considered one of the greatest action films in movie history – a notion underpinned by its quotable dialogue that has become part of the public lexicon.
“Maria” Costume Designer Massimo Cantini Parrini on Designing Angelina Jolie as a Legendary Diva
“I am happy with the theater behind my eyes,” utters legendary American-born Greek soprano Maria Callas (portrayed by Angelina Jolie after seven months of intense vocal lessons) at the film’s beginning. Drenched in the melancholy of a woman well aware that her days are numbered, the stunning film traverses between the heights of La Callas’ massive successes in the 1950s and 1960s and present day in her extravagant Parisian apartment, where she reflects on the triumphs,
“Only Murders in the Building” Editor Matthew Barbato Blends on Season 4’s Complex Delights
Only Murders in the Building began as a cozy, non-sequitur-filled whodunit anchored by three immensely winning performances by Steve Martin, Martin Short, and Selena Gomez, and it’s never lost sight of that winning formula. Yet season over season, the series has become funnier, more ambitious, and more heartfelt, increasing the body count, laugh count, and guest star firepower while never losing sight of its chief pleasure: three lonely people who are impossibly, perfectly suited to become lifelong friends.
“Gladiator II” Costume Designers Janty Yates and David Crossman on Lunatic Emperors & Blood-Splattered Warriors
She won an Oscar for outfitting the first Gladiator, and 20 years later, costume designer Janty Yates once again teamed with Ridley Scott to cloak ancient Rome’s ruling class in bespoke finery. Gladiator II stars Paul Mescal as a slave who fights his way to freedom, with Denzel Washington, Pedro Pascal, Connie Nielsen, Joseph Quinn, and Fred Hechinger in featured roles. Yates and military expert David Crossman, who costumed the downtrodden gladiators,
A New Spin on “Wicked”: Choreographer Christopher Scott on his Whirlwind Creations
Wicked has danced its way through theaters, earning rave reviews and the adoration of fans all over the globe. The kinetic, kaleidoscopic movement accompanying the iconic songs was largely thanks to choreographer Christopher Scott, who crafted all-new, original numbers for the show-stopping music, ranging from intimate to epic.
The adaptation of the stage musical, based on Gregory Maguire’s “Wicked: The Life and Times of the Wicked Witch of the West,” follows Elphaba (Cynthia Ervo) and Glinda (Ariana Grande) to Shiz University in the land of Oz,
“Wicked” Director Jon M. Chu Takes us Behind the Curtain of His Gravity Defying Adaptation
Spoilers aplenty!
Black hat seated atop her head, Elphaba (Cynthia Erivo) peers around the corner of the Ozdust ballroom, excited to attend her first party ever.
She tentatively takes her first steps down the stairs, silhouette illuminated by the spotlight, when the music suddenly halts and her peers begin to laugh.
The excitement quickly drains from her face as she realizes that the acceptance she so desperately craved did not come.
“Gladiator II” Cinematographer John Mathieson on Capturing Robotic Rhinos & Colossal Carnage
If you’re in the mood for a visually stunning film with gladiators battling to the death in a flooded Colosseum and a very ripped Paul Mescal going head-to-head with a rhinoceros and a baboon, Ridley Scott’s pulse-pounding period actioner is the movie you’ve been waiting for. Twenty-three years after his first Oscar nomination for the original Gladiator, British cinematographer John Mathieson (Logan, Mary Queen of Scots) is back with the long-anticipated sequel,
Production Designer Nathan Crowley: The Visionary Behind “Wicked’s” Stunning Sets
Before Wicked, British production designer Nathan Crowley worked on eight Christopher Nolan movies, earning six Oscar nominations along the way. Now he’s made the unlikely pivot from dark Gotham City to effervescent Emerald City as world builder-in-chief for Universal Pictures’ Wizard of Oz prequel. Based on the Broadway musical, Wicked topped the box office this past weekend with $114 million, making it Hollywood’s most popular movie musical to date.
“Gladiator II” Production Designer Arthur Max on Rebuilding a Decadent, Debased Ancient Rome
In the first installment of our conversation with Gladiator II production designer Arthur Max, he talked about making Ridley Scott’s sequel on an even bigger scale than the original film and staging a naval battle sequence in the desert of Morocco for the opening sequence. Now, let’s find out what it took to flood the Colosseum to recreate the mock naval battle in the third act.
Did you use mostly local crew on the sequel?
Maximus Effort: “Gladiator II” Production Designer Arthur Max on Creating Colossal Constructions
Oscar-nominated production designer Arthur Max has worked on 16 of Ridley Scott’s films. These include some of American cinema’s most indelible cinematic spectacles, such as the original Gladiator (for which Max scored his first Oscar nod), Black Hawk Down, and The Martian. Despite the impressive body of work between them, Max thinks that the Roman epic actioner, Gladiator II, is their most ambitious yet.
“Wicked” Cinematographer Alice Brooks on Casting a Magical Light Over This Dazzling Adaptation
Embracing Old Hollywood and a plethora of source material, cinematographer Alice Brooks knew her Wicked vision for Oz would be rich and luxurious.
Wicked is a prequel to The Wizard of Oz, inspired by the long-running stage show based on Gregory Maguire’s 1995 novel. It stars Cynthia Erivo as Elphaba, a misunderstood green-skinned woman. She finds an unusual kinship with Ariana Grande’s popular girl, Glinda. When their paths lead them to the Wonderful Wizard of Oz,
“Gladiator II” Screenwriter David Scarpa on the Herculean Task of Writing a Worthy Sequel
It’s been a long time coming, but the sequel to Ridley Scott’s 2000 epic, which won the Oscar for Best Picture, opens in theaters nationwide on November 22. Starring Oscar nominee Paul Mescal (Aftersun), Pedro Pascal (The Last of Us), the iconic Denzel Washington, and original cast member Connie Nielsen, Gladiator II finally came to fruition thanks to the script from David Scarpa, who’d previously penned Scott movies All the Money in the World and Napoleon.
Mushroom Couture: “Wicked” Costume Designer Paul Tazewell on Drawing Inspiration From the Natural World
Few films this year showcase intricate detail and epic scale like director Jon M. Chu’s Wicked does. The breathtaking costuming created by acclaimed costume designer Paul Tazewell is a vital element of the filmmaker’s captivating vision.
Wicked, a prequel to The Wizard of Oz, is inspired by the long-running stage show based on Gregory Maguire’s 1995 titular novel. Cynthia Erivo plays Elphaba,
Crime, Crazy Rich Rom-Coms, and More: Producer Janice Chua on Bringing Asian Stories to the World
Raised in a working-class Chinese family in Singapore, Janice Chua says, “Like every Asian person, I grew up with Hong Kong martial arts movies that inspired so much of my imagination. There was a sense of excitement and pride in those action-heavy films with crazy sound effects.”
But her world changed when she encountered Ang Lee’s Crouching Tiger, Hidden Dragon, which “just came across as very poetic…and the way women were portrayed was very different.
“Yellowstone” Costume Designer Johnetta Boone on Beth Dutton, Dueling Sons, and the End of an Era
Yellowstone rides again, six years after creator Taylor Sheridan defied Hollywood expectations by creating the country’s most-watched cable series. The show’s fifth season, part two, streaming weekly through December 15 on the Paramount Network, continues to follow the dysfunctional family of Montana ranchers formerly ruled by Kevin Costner’s grumpy patriarch, John Dutton. Now he’s gone, but his fierce daughter Beth (British actress Kelly Reilly), rivalrous sons Jamie (Wes Bentley) and Kayce (Luke Grimes),
“The Day of the Jackal” Cinematographer Christopher Ross Lenses Fatal Game of Spy vs Assassin
Eddie Redmayne stars as an unrivaled, anonymous assassin in The Day of the Jackal, a new Peacock series inspired by Frederick Forsyth’s 1971 novel. Reimagined in a contemporary setting, the Jackal is an English hitman pursued across Europe by Bianca (Lashana Lynch), a British intelligence officer determined to apprehend her target before he gets to his next hit.
Written by Top Boy’s Ronan Bennett and lensed for the first three of ten episodes by cinematographer Christopher Ross,
“The Penguin” Hair Department Head Brian Badie on Styling Gotham’s Gruesome Twosome
Spoiler warning…
The Penguin capped its remarkable eight-part run this past Sunday night and accomplished a rare feat—it’s a series set in a comic book world, boasting characters well known to the genre’s most read-in fans, that delivered a profoundly satisfying drama for a person unfamiliar with DC Comics or unenthused by Gotham’s most iconic resident, Bruce Wayne. The Penguin doesn’t even whisper Batman’s name nor allude to his presence until the very last shot in the series (a bat-signal,
