Shawn Levy Celebrates “Star Wars: Starfighter” Wrapping Filming With New Image
It’s official—Star Wars: Star Fighter has finished filming. We are that much closer to the first new Star Wars film since Star Wars: The Rise of Skywalker, J.J. Abrams’ trilogy capper, which revealed that Rey (Daisy Ridley) is a direct descendant of Emperor Palpatine.
Director Shawn Levy shared the news on Instagram with a fresh look at himself—we’ve previously gotten a glimpse of Gosling and co-star Flynn Gray somewhere on the Mediterranean—running through an Inception-style corridor (he’s practically running on the wall).
Melting Ice: How “Heated Rivalry” Became the Year’s Hottest Sports Romance
Based on Rachel Reid’s bestselling book series, "Heated Rivalry" has become one of the hottest sports dramas of the year.
Steven Spielberg’s First Original Sci-Fi in Years: “Disclosure Day” Teaser Reveals Emily Blunt’s Chilling Alien Encounter
“If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you?”
This is the question posed in the opening seconds of the first glimpse at Steven Spielberg’s upcoming Disclosure Day, his first original sci-fi thriller in years, which he directed from a script he co-wrote with Jurassic Park scribe David Koepp. From the unsettling opening question, we’re taken into a television studio in Kansas City,
Production Designer Kevin Thompson on Capturing NYC’s Iconic Comedy Scene in Bradley Cooper’s “Is This Thing On?”
Production designer Kevin Thompson knows New York and its environs like the back of his hand (one of those old, paper MTA maps), and few things give him more joy than showcasing his knowledge of and love for the city on the big screen. His work on director Bradley Cooper‘s Is This Thing On? is a perfect example.
Having already immortalized the Big Apple in Birdman or (The Unexpected Virtue of Ignorance),
“Wake Up Dead Man” Cinematographer Steve Yedlin on Framing Rian Johnson’s Darkest “Knives Out” Yet
When I walked into the theater to see Wake Up Dead Man, the third installment in Rian Johnson’s Knives Out series, I wasn’t thinking about the fact that I’d soon be talking to Steve Yedlin, the cinematographer behind the film’s meticulous, moody visual world. I was just excited by the thought of revisiting a universe that has become something like comfort food to me. I’ve watched Knives Out and Glass Onion more times than I care to admit publicly,
