Oscar Winner Jenny Beavan on “The Choral,” Ralph Fiennes, and Her Mother’s Wartime Love Story
Screenwriter Alan Bennett has given us The Madness of King George and The History Boys, and his latest film, The Choral, stays true to the writer’s oeuvre of zeitgeist-shifting English epic. Set in 1916 in Ramsden, a fictional Yorkshire mill town, the film follows the travails of the local Choral Society, which is determined to boost wartime morale by inviting young men to join their ranks and engaging a new choir master,
“Avengers: Doomsday” Trailer Confirms Chris Evans Returning to the MCU as Steve Rogers
Well, well, well…just when you thought 2025 couldn’t possibly have any more tricks up its sleeve, the Russo Brothers have revealed, a few days before Christmas, that Chris Evans is returning to the MCU in Avengers: Doomsday. The new teaser is all Evans as Steve Rogers, arriving at a bucolic home on a motorcycle, the camera making sure you note his wedding band, and then following him into the house to a baby.
“Murderbot” Star Alexander Skarsgård Reveals How He Brought the Awkward Android to Life
Even though Alexander Skarsgård (Emmy winner for his nuanced and chilling performance in the HBO series Big Little Lies) is better known for his intense, dramatic roles—Robert Eggers’ 2022 Viking epic The Northman comes to mind—he has always been drawn to comedy. “My first job in Sweden and in Hollywood were both comedies,” the Swedish actor recalled, referring to his American debut in 2001’s wacky satirical comedy,
“Wake Up Dead Man” Composer Nathan Johnson: From Beauty to Darkness in Benoit Blanc’s Latest Mystery
Wake Up Dead Man: A Knives Out Mystery composer Nathan Johnson has scored all three of Rian Johnson‘s Knives Out films. Working alongside Johnson (his cousin), Nathan has created a unique sound for each film, culminating in a fantastical, orchestral finale for Benoit Blanc’s closing monologue. So how’d Johnson do? His work on Wake Up Dead Man has recently been shortlisted for an Oscar.
How James Cameron’s “Avatar: Fire and Ash” Uses Practical Filmmaking You’ve Never Seen Before
It has been three years since Avatar: The Way of Water became the third-highest-grossing movie, with $2.3 billion worldwide. The much-anticipated third installment in James Cameron’s cinematic spectacle, Avatar: Fire and Ash, launched this past Friday, once again immersing audiences in the lush forests and pristine oceans of the exomoon Pandora. The epic sci-fi from 20th Century Studios picks up after Jake (Sam Worthington), Neytiri (Zoe Saldaña),