Editing the Extraordinary: Sarah Broshar on Finding Humanity in Steven Spielberg’s “Disclosure Day”
Editor Sarah Broshar reveals how she shaped Steven Spielberg’s “Disclosure Day,” balancing gripping suspense with raw emotion, and harnessing Emily Blunt’s electrifying performance to anchor a story about alien contact and human transformation.
“The Pitt” EP & Writer Simran Baidwan on Building TV’s Most Immersive Medical Drama
Executive producer Simran Baidwan breaks down how "The Pitt" achieves its gripping realism—from real-time storytelling to a deeply collaborative writers’ room—revealing the humanity, chaos, and craft behind one of TV’s most immersive dramas.
“Leviticus” Writer/Director Adrian Chiarella Reimagines Exorcism as a Weapon of Queer Erasure
Writer/director Adrian Chiarella reimagines exorcism in “Leviticus,” a chilling queer horror starring Joe Bird and Stacy Clausen, where desire, repression, and fear collide—and the true evil may be what’s forced inside.
New “Spider-Man: Brand New Day” Trailer Finds Tom Holland’s Peter Parker Alone—and Losing Control
In "Spider-Man: Brand New Day," Tom Holland’s Peter Parker swings back into action in a world that no longer remembers him. As his powers spiral out of control and a new threat rises, Peter turns to an unexpected ally to confront the darkness.
From Albuquerque to Air Force One: Inside Production Designer Denise Pizzini’s Vision for “Pluribus”
In Pluribus, production designer Denise Pizzini crafts a world where isolation and spectacle collide—building everything from a custom Albuquerque neighborhood to Air Force One, all to support Rhea Seehorn’s journey through a transformed global landscape.
