The Polymath: Chatting With John Ottman, Composer and Editor of Jack the Giant Slayer

Perhaps one of the most famous film sequences of the past thirty years was edited together in a living room using a splicer. By somebody who is also a composer. A composer who has gone on to score a slew of films (while somewhat begrudgingly continuing to edit, too), making him one of the few people in the film industry who is a professional at both of these demanding positions. John Ottman,