How the “Springsteen: Deliver Me from Nowhere” Sound Team Captured The Boss’s Raw Emotion

The Boss doesn’t just sing into a microphone; he commands attention. His raw charisma and rich baritone were evident when he burst onto the music scene in the mid-1970s at the Stone Pony in Asbury Park, New Jersey, but arguably the strength and comfort of his singing voice became settled on his album “Nebraska.” That was the energy the sound team aimed to bottle in writer-director Scott Cooper’s Springsteen: Deliver Me from Nowhere,

Eye on the Emmys: “The Bear” Emmy-Winning Sound Team on Capturing the Chaos of the Kitchen

*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume

The Bear’s Re-recording mixer Steve “Major” Giammaria, ADR mixer Patrick Christensen, foley mixer Ryan Collinson, and production mixer Scott D. Smith recently won for Oustanding Sound Mixing for a Comedy or Drama Series (Half-Hour) for the episode “Forks.”

“The Bear” Emmy-Nominated Sound Team on Capturing the Chaos of the Kitchen

The first thing you might notice in Season 2 of Christopher Storer’s hit drama The Bear is how well you can hear chef-owner Carmen (Jeremy Allen White) and his team of kitchen underdogs as they set to work reopening their Chicago restaurant. Restaurant kitchens, especially those still under construction, as the Bear’s is for most of the season, are not quiet places. But no matter how prevalent the sledgehammers and steel cookware may be on screen,