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Marvel’s Misfits Hit Big: Florence Pugh-Led “Thunderbolts*” Strikes a Chord With Critics
Blues, Blood, & Big Formats: How DP Autumn Durald Arkapaw Brought “Sinners” to Epic, IMAX-Sized Life
Dwayne Johnson Enters the Ring in First Trailer for Benny Safdie’s “The Smashing Machine”
“Sinners” Takes a Big Second Bite: Ryan Coogler’s Vampire Thriller Has Historic Second Weekend
Ledgers and Lethal Force: Gavin O’Connor on Directing Ben Affleck in “The Accountant 2”
No Heroes Available: “Thunderbolts*” Clip Showcases Marvel’s First Villain-Centered Film
From Barbie to Blasters: What to Know About Ryan Gosling’s Standalone “Star Wars” Film
Dawn of a New DC: Go Behind-the-Scenes of James Gunn’s “Superman”
Ryan Coogler Does it Again: The Auteur’s Ambitious Epic “Sinners” Wins Box Office Crown
Along With “The Amateur,” Sate Your Spy Appetite With These 6 Can’t-Miss Classics
From Script to Scream: Stephanie Allain on Producing Blumhouse’s Latest Nightmare, “The Woman in the Yard”
The Architecture of Espionage: Maria Djurkovic on Designing Rami Malek’s Revenge in “The Amateur”
Calculated Frames: DP Martin Ruhe on Capturing “The Amateur’s” Deadly Chess Game
Lethal Intelligence: How DP Martin Ruhe Shot a Decoder’s Revenge in “The Amateur”
Cannes Lineup Revealed: Ari Aster, Richard Linklater, Scarlett Johansson, Wes Anderson & More
“Connecticut’s Cinema Secret: How Dillon Bentlage’s “Watching Mr. Pearson” Found Its Perfect Location
Ryan Coogler’s Big Swing With “Sinners” is Also a Love Letter to the Movie Theater
Robert Pattinson Circling Shape-Shifting Villain Role in Denis Villeneuve’s “Dune: Messiah”
Jesse Garcia on his Joyous Reunion with Eva Longoria in “Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip”
Rachel Brosnahan Talks “Superman”: It’s Not an Origin Story, But is it a Love Story?
