“Metal Gear Solid” Movie Coming From “Final Destination” Duo Adam B. Stein & Zach Lipovsky

After the breakout success of “Final Destination: Bloodlines,” directors Adam B. Stein and Zach Lipovsky are officially stepping into the studio spotlight with a first-look deal at Sony Pictures, setting up a slate that spans blockbuster franchises, original films, and ambitious adaptations.

By The Credits  |  April 10, 2026
Cannes 2026 Lineup Revealed: Pedro Almodóvar, Ira Sachs, Léa Seydoux & More With Films in Competition

The Cannes Film Festival has unveiled its 2026 lineup, and this year’s slate brings a powerful mix of international auteurs, major stars, and buzzy indie voices. New films from Pedro Almodóvar (“Bitter Christmas”), Asghar Farhadi (“Parallel Stories”), and Ira Sachs (“The Man I Love”), along with stars like Catherine Deneuve, Léa Seydoux, Rami Malek, Penélope Cruz, and Javier Bardem.

By The Credits  |  April 9, 2026
Marvel’s New “X-Men” Takes Shape With “Beef” and “The Bear” Creators at the Helm

Marvel Studios’ next "X-Men" film is still years away, but its creative DNA is already coming into focus. With "Thunderbolts*" director Jake Schreier working alongside creators from "Beef" and "The Bear," the reboot promises to return the mutant saga to its roots — where ideology, identity, and deeply personal stakes collide.

By The Credits  |  April 7, 2026

Interview

Producer

Inside RSH Studios: The Historic Hollywood Lot Behind “Moneyball,” Brad Pitt’s Upcoming “Cliff Booth” Movie & More

For more than a century, the studio lot along Cahuenga Boulevard has been a quiet workhorse of Hollywood history. Now known as RSH Studios, the boutique lot has hosted everything from "I Love Lucy" to "Moneyball," adapting through ownership changes, shifting production models, and a post-pandemic industry reset — all while keeping filmmakers at the center of its mission.

By Daron James  |  April 7, 2026

Interview

Composer

“Project Hail Mary” Composer Daniel Pemberton’s Mad Scientist Approach to the Ryan Gosling Hit

For "Project Hail Mary," composer Daniel Pemberton treated the score like an experiment—building tension from tapped wood, distorted voices, and human touch to make space feel both strange and intimate.

By Jack Giroux  |  April 6, 2026
Amy Madigan’s Oscar-Winning Horror Turn Gets Its Own Film With “Aunt Gladys” Prequel

Amy Madigan’s Oscar-winning turn in "Weapons" didn’t just scare audiences — it reinvigorated horror’s awards credibility and sparked a chilling new prequel centered on Aunt Gladys.

By The Credits  |  April 2, 2026

Interview

Composer

Inside Composer Hildur Guðnadóttir’s Bone‑Crushing Score for “28 Years Later: The Bone Temple”

For "28 Years Later: The Bone Temple," Hildur Guðnadóttir pushed her craft into raw, elemental territory—scoring the film with bone instruments, doom‑metal textures, and massive horns that turn horror into something brutally intimate.

By Jack Giroux  |  April 1, 2026
“Supergirl” Trailer: Milly Alcock’s Kara Zor‑El Goes Rogue to Save Krypto—and Herself

The official "Supergirl" trailer introduces Milly Alcock’s Kara Zor‑El as a restless, bruised anti‑hero whose entire world revolves around one loyal companion—Krypto. When the dog’s life is suddenly at risk, Kara is forced onto a violent path that will test whether she’s willing to become the hero her cousin Superman already is.

By The Credits  |  April 1, 2026

Interview

Producer

Diablo Cody Explores Female Rage, Late-Stage Capitalism, and Cult Legacies in “Forbidden Fruits”

Diablo Cody unpacks toxic female friendship, late‑stage capitalism, and why culture is finally embracing the stories she’s been telling all along in "Forbidden Fruits."

By Andria Moore  |  March 31, 2026

Interview

Director, Screenwriter

Writer/Director Kirill Sokolov on Zazie Beetz, Cult Mayhem, and the Nine Circles of Hell in “They Will Kill You”

In "They Will Kill You," director Kirill Sokolov transforms a single apartment building into a descent through Dante’s Inferno. Starring Zazie Beetz as an ex‑con battling a satanic cult, the action‑horror film draws inspiration from "Rosemary’s Baby," old‑school Hong Kong cinema, and practical, Eighties‑style mayhem—all grounded by a deeply personal story of sisterhood and survival.

By Susannah Edelbaum  |  March 30, 2026
Amazon MGM’s “Project Hail Mary” Has One of the Best Second Weekends in Modern Box Office History

Ryan Gosling’s journey into deep space has become a box office event. Amazon MGM Studios’ "Project Hail Mary" has blasted past the $300 million mark worldwide, overtaking Creed III to become the studio’s most successful film to date—and doing so with one of the strongest second weekends in modern box office history.

By The Credits  |  March 30, 2026

Interview

Editor

How Editor Jake Roberts Cut the Thrilling Iron Maiden Sequence in “28 Years Later: The Bone Temple”

Editor Jake Roberts dives into shaping the unforgettable Iron Maiden–scored sequence at the heart of Nia DaCosta’s visceral sequel "28 Years Later: The Bone Temple."

By Jack Giroux  |  March 26, 2026

Interview

Production Designer

From Bauhaus to Frankenstein: Production Designer Karen Murphy’s Radical World-Building in “The Bride!”

Oscar-nominated production designer Karen Murphy blends 1930s modernism, punk aesthetics, and monster-movie mythology to build the world of Maggie Gyllenhaal’s "The Bride!"

By Jack Giroux  |  March 26, 2026
Stephen Colbert’s Wizardly Next Act: Co-Writing a New “Lord of the Rings” Movie

Stephen Colbert is heading back to Middle-earth—not as a hobbit or a wizard, but as a co-writer on a brand-new "Lord of the Rings" film developed with Peter Jackson and Philippa Boyens.

By The Credits  |  March 25, 2026

Interview

Sound Designer

“Project Hail Mary” Sound Designers Erik Aadahl and Ethan Van der Ryn on Creating Rocky’s Alien Language

Sound designers Erik Aadahl and Ethan Van der Ryn discuss how they created Rocky’s fully realized alien language for "Project Hail Mary"—using music, nature, and months of experimentation.

By Hugh Hart  |  March 24, 2026

Interview

Screenwriter

From Page to Orbit: Screenwriter Drew Goddard on Adapting “Project Hail Mary” for the Big Screen

When Drew Goddard first read Andy Weir’s "Project Hail Mary," there was a moment—two‑thirds of the way in—that made the hair stand up on the back of his neck. That was when he knew he had to protect what made the story different, bringing its humor, heart, and emotional reversals to the screen without sanding off the edges that made it special.

By Leslie Combemale  |  March 23, 2026
Ryan Gosling Goes Interstellar as “Project Hail Mary” Delivers Amazon MGM Studios’ Biggest Opening Ever

Ryan Gosling has officially blasted into orbit. "Project Hail Mary" launched Amazon MGM Studios’ sci‑fi epic into historic territory with an $80.5 million opening weekend, marking the biggest debut of the year—and the largest opening in the studio’s history.

By The Credits  |  March 23, 2026

Interview

Director, Screenwriter

Creator Steven Knight and Director Tom Harper on Saying Goodbye to Tommy Shelby in “Peaky Blinders: The Immortal Man”

With "Peaky Blinders: The Immortal Man," creator Steven Knight and director Tom Harper bring Tommy Shelby’s haunted journey to a deeply emotional close, drawing on wartime history, Western mythmaking, and personal memory.

By Bryan Abrams  |  March 20, 2026
“Spider-Man: Brand New Day” Trailer Shatters Previous Record for Most-Viewed Trailer Ever

The first trailer for "Spider-Man: Brand New Day" pulled in a staggering 718.6 million views in 24 hours, blowing past the previous record and proving audiences can’t get enough of Peter Parker.

By The Credits  |  March 20, 2026

Interview

“The Bride!” Prosthetics Wizards Jason Collins and Scott Stoddard on Turning Christian Bale into Frankenstein

To transform Christian Bale into a newly imagined Frankenstein’s monster for "The Bride!", writer-director Maggie Gyllenhaal turned to Emmy-winning special effects artists Jason Collins and Scott Stoddard, who explain how restraint, realism, and human trauma shaped one of the year’s most striking cinematic creatures.

By Hugh Hart  |  March 19, 2026