Saving Mr. Banks & the Story Behind Mary Poppins
...ever made. INT: The Walt Disney Studios. Burbank, California, April 1961. A rehearsal room in the Animation Building—suffused with sunlight and equipped with storytelling necessities: an upright piano, storyboards, a table and...
The Future of Film: 360 VR
...like you jumped across the room. Annie: It’s such a real life type experience. I don’t teleport around the room while I’m listening to people talk. You just stand there. We wanted...
Oscar-Nominated Disaster Artist Screenwriters on the Art of Adaptation
...with the duo about that film here). Their most recent collaboration is an adaptation of the Greg Sestero and Tom Bissell book, The Disaster Artist: My Life Inside The Room, the Greatest...
Unsane's Production Designer & Set Decorator on Perfecting Paranoia
...room,” Lasky tells The Credits. But to make it even more claustrophobic than the tiny space and crafty cinematography could suggest, Lasky and Fisher made one, impactful tweak to turn the room...
Sundance 2022: "Master" Cinematographer Charlotte Hornsby on the Fest's Breakout Horror Film
...had this back staircase right from the pantry that would be the maid’s access to the kitchen. That was the really narrow staircase that led up to the room where she finds...
"The Midnight Club" Production Designer Laurin Kelsey on Creating a Haunting Hospice
...Schroter/Netflix © 2022 Brightcliffe was constructed on two major sound stages. One for the conservatory/dining room, the foyer, the arcade, the triage room, and Dr. Stanton’s (Heather Langenkamp) office. Kelsey used the...
How The House With a Clock in Its Walls was Actually Built
...the house started. And then room by room, the parlor in gold, the dining room is red; the library is green, Lewis’s bedroom is blue. It was like, how do you bring...
"The Ministry of Ungentlemanly Warfare" DP Ed Wild Captures the Chaos of Guy Ritchie's Crackling Action-Comedy
...I’d operate another camera on the Maid of Honor—there was no room for anyone else. A lot of it was handheld. Our key grip, Rob Fisher, hung spring balances off a big...
Narrative Darwinsim: House of Cards Showrunner Beau Willimon Gets Creative
...and talk. But it’s a conversation and it’s never a corporate dictate. Does your writers’ room look different than the average writing room on a television drama? I like to surround myself...
Three-time Academy Award Winning Costume Designer Colleen Atwood Talks Shop
...internet shopper, I don’t have the patience for buying that way, I like to see things, touch things.” Atwood recalled how little room for error she had with the costumes for Burton’s...